Dopo cinque anni di combattimenti nelle crociate, Robin torna in Inghilterra e guida una banda di fuorilegge per superare in astuzia lo sceriffo di Nottingham.Dopo cinque anni di combattimenti nelle crociate, Robin torna in Inghilterra e guida una banda di fuorilegge per superare in astuzia lo sceriffo di Nottingham.Dopo cinque anni di combattimenti nelle crociate, Robin torna in Inghilterra e guida una banda di fuorilegge per superare in astuzia lo sceriffo di Nottingham.
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In my opinion, out of the vast majority of the Robin Hoods out there, this is by far the best. It is witty, enjoyable and fast paced. Its suitable for all ages hence the 7pm airing. The casting is just right, Robin is supposed to be young, he has just returned from the crusades, Jonas Armstrong is perfectly suited. Marian (played by Lucy Griffiths) is the model woman, she stands up for what she thinks is right and isn't afraid to put herself in the line of fire so to speak. The sheriff is suitably horrid and Robin is perfect as the young, charming and cheeky rebel. As most BBC 13part shows are good, you expect this to be too and you aren't disappointed.
Firstly, this seems to be a show that everyone either loves or hates. I am definitely one of the latter people. I would normally just turn over and watch something else, but I am angry how the licence fee money has been wasted yet again on a well below par TV series. I was looking forward to it, but when even the BBC's own listing magazine gave it a lukewarm preview the alarm bells began to ring, and after watching several episodes to give it a chance enough is enough.
One of the main problems of this show is the poor casting. I am far from against using unknown actors, but when they are as bad at acting as this it beggars belief. Charisma-free Jonas Armstrong is woefully miscast as Robin Hood. Are we really expected to believe he has spent five years hard campaigning in the Holy Land? Despite proclamations from the BBC about the fight training it is clear from the camera angles and the constant slow motion that they barely know one end of a sword from the other. It is also apparent that Robin uses a stunt double for most if not all horse riding, so why was he chosen? He looks more the sort of person who goes around stealing hub caps and car stereos than being the noble outlaw he is usually portrayed as. As for the rest of the cast, only Keith Allen comes anywhere near to the mark. Richard Armitage as Guy of Gisburne looks like a motorcycle courier, and has all the menace of one. Maid Marian has so much make-up on I thought at first she had two black eyes. Much is just a poor version of Sam Gamgee from Lord of the Rings and the merry men show worse acting ability than the average school play, not helped by the cringe worthy script.
Perhaps it does make a good kids show, but in which case why isn't it put on the CBeebies channel and why does it have to be so childish? The writers seem to have their own political agenda, and are intent on forcing it down our throat, with no real attempt made to disguise this fact. They seem to have run out of story ideas already after only a few episodes, with one of Robin's men being captured virtually every week. This programme is very much like the US TV series Hercules or even Xena Warrior Princess, with the wobbly dialogue, acting and special effects except that the BBC probably spent far more per episode. Perhaps this was aimed at the American market like most of the BBC programming seems to be these days, forgetting they are funded by the British public.
Overall this adaption has none of the charm of the classic Richard Greene version, which even allowing for inflation probably cost about as much per 39 episode series as one episode of this drivel. Indeed it is hard to see where the money has been spent. The costumes are hardly authentic, the same few sets are used every week, and the extras are few indeed for a town the size of Nottingham. I have seen many different versions of the classic tale and I have to say this is the worst. Even the ever-wooden Kevin Costner was better than this.
Only the music is any good which is why I gave it more than 1/10. Even that sounds as if it has been copied from Superman.
One of the main problems of this show is the poor casting. I am far from against using unknown actors, but when they are as bad at acting as this it beggars belief. Charisma-free Jonas Armstrong is woefully miscast as Robin Hood. Are we really expected to believe he has spent five years hard campaigning in the Holy Land? Despite proclamations from the BBC about the fight training it is clear from the camera angles and the constant slow motion that they barely know one end of a sword from the other. It is also apparent that Robin uses a stunt double for most if not all horse riding, so why was he chosen? He looks more the sort of person who goes around stealing hub caps and car stereos than being the noble outlaw he is usually portrayed as. As for the rest of the cast, only Keith Allen comes anywhere near to the mark. Richard Armitage as Guy of Gisburne looks like a motorcycle courier, and has all the menace of one. Maid Marian has so much make-up on I thought at first she had two black eyes. Much is just a poor version of Sam Gamgee from Lord of the Rings and the merry men show worse acting ability than the average school play, not helped by the cringe worthy script.
Perhaps it does make a good kids show, but in which case why isn't it put on the CBeebies channel and why does it have to be so childish? The writers seem to have their own political agenda, and are intent on forcing it down our throat, with no real attempt made to disguise this fact. They seem to have run out of story ideas already after only a few episodes, with one of Robin's men being captured virtually every week. This programme is very much like the US TV series Hercules or even Xena Warrior Princess, with the wobbly dialogue, acting and special effects except that the BBC probably spent far more per episode. Perhaps this was aimed at the American market like most of the BBC programming seems to be these days, forgetting they are funded by the British public.
Overall this adaption has none of the charm of the classic Richard Greene version, which even allowing for inflation probably cost about as much per 39 episode series as one episode of this drivel. Indeed it is hard to see where the money has been spent. The costumes are hardly authentic, the same few sets are used every week, and the extras are few indeed for a town the size of Nottingham. I have seen many different versions of the classic tale and I have to say this is the worst. Even the ever-wooden Kevin Costner was better than this.
Only the music is any good which is why I gave it more than 1/10. Even that sounds as if it has been copied from Superman.
This is perfect Saturday night viewing. Don't expect complicated plots and subtext. It is pure entertainment. Goodies wear white (or green in this case) and the baddies wear black. It is as simple as that. The costumes are a bit modern the dialogue also is more in the present day.
But the best bit that makes it worth watching is Kieth Allens Sheriff of Nottingham. He is pure am dram evil. An amoral creature who would turn over his own mother. the supporting cast are great and Jonas Armstrong puts in a great cocky performance for an unknown actor.
The back ground characters are a bit week but this is probably more due to the fact there grasp of English is limited as the series is filmed in Hungary
But the best bit that makes it worth watching is Kieth Allens Sheriff of Nottingham. He is pure am dram evil. An amoral creature who would turn over his own mother. the supporting cast are great and Jonas Armstrong puts in a great cocky performance for an unknown actor.
The back ground characters are a bit week but this is probably more due to the fact there grasp of English is limited as the series is filmed in Hungary
I enjoyed this very much, maybe that's because I was expecting a light hearted romp for families about the legend of Robin Hood and not a documentary. Exhilarating if outrageous action scenes, humour, nasty bad guys, bit of social comment for the adults. Robin a mixture of gravitas and cheekiness. Great verbal sparring between Robin and the Sheriff and a Robin and Marian. The sets were amazing, Locksley a bit sterile but the overall look was good. Did exactly what it said on the tin for me and what I expected for a programme in that time slot. Now the characters are settling in, looking forward to more good stuff from future episodes.
I love it. Absolutely love it. Without a doubt, the most appalling and horrific bastardization of a long-established "can't miss" premise, and I can't stop watching it.
The "Who Shot the Sheriff" episode sealed the deal for me - had me, in fact, on the floor in near hysterics at the pure stupidity of it all. Since then, my wife and I have had a wonderful time watching through the series with perverse glee. Not since renting, viewing and properly digesting the entirety of the Steven Seagal catalog have I enjoyed anything to this same degree for the completely incorrect reasons.
8 out of 10 for pure enjoyment factor. Now someone just needs to establish a good drinking game.
The "Who Shot the Sheriff" episode sealed the deal for me - had me, in fact, on the floor in near hysterics at the pure stupidity of it all. Since then, my wife and I have had a wonderful time watching through the series with perverse glee. Not since renting, viewing and properly digesting the entirety of the Steven Seagal catalog have I enjoyed anything to this same degree for the completely incorrect reasons.
8 out of 10 for pure enjoyment factor. Now someone just needs to establish a good drinking game.
Lo sapevi?
- QuizFour tapes were stolen in August 2006 in Budapest, where the 13-part series was being edited, and the thieves were demanding £1 million ($1.9 million, 1.5 million euros) for their safe return. The production offered a £40,000 reward for the return of the tapes. The Hungarian police found the tapes the next month.
- BlooperThe sheriff alludes to robbing Peter to pay Paul, yet this is a reference to the fact that funds from St Peter's (Westminster Abbey) were used to pay for the construction of St Paul's Cathedral in London, centuries later.
- Citazioni
Little John: Taxes we do not like.
- ConnessioniFeatured in Screenwipe: Review of the Year (2006)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Робін Гуд
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora
- Colore
- Proporzioni
- 1.78 : 1
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