Ong Bak 2 - La nascita del dragone

With a storyline reminiscent of Japanese video games and Samurai classics, it is nice to see this genre back on the big screens. The action sequences muscle out the storyline a bit, but they remain quite spectacular to watch. Tony Jaa clearly left a piece of his soul on the celluloid for the next generation to remember him by. The scenes are beautifully framed, full of color and contrast. All I felt that was missing was a control pad between my fingers and the freedom to take the character around the village to search for hidden treasure.

If the movie leaves you scratching your head a little at the end, you are not alone. However I suspect that it implies that a sequel is in the works and I am in favor for that. It is great seeing the epic martial art films back on the big screen, with a devoted cast ensuring the audience that they will get their money's worth. It is the best film in this genre that I have seen in a good long while.

Set in 15th Century Thailand, the subtitled "Ong Bak: 2" brings little that is new to the martial-arts genre - but a barrel load of impressive fight scenes and an authentic look make it worthwhile viewing for the aficionado. It's the oldie about a young boy who is trained to become a righteous warrior, standing up for the innocent and the helpless against a cruelly oppressive regime.

As noted, there isn't much in the way of storytelling, dialogue and characterization to distinguish "Ong Bak: 2" from the countless other films in this category, but the battle scenes are impressively staged and mounted, with a brutality that, while it makes them hard to watch at times, seems an accurate reflection of the era in which it's set. Moreover, directors Panna Rittikrai and Tony Jaa (who plays the lead role) never feel the need to prettify the setting, offering up a screen full of snaggle-toothed, matted-locked extras to go along with all the muck and mud.

Tien, ace martial arts fighter and tamer of elephants, takes on a half-a-dozen opponents at a time, slicing-and-dicing and karate-chopping them into the dust, only to have them rise again to face a second, third, even fourth humiliating go-round at his punishing hands. It's 100% absurd and just about everything a die-hard martial arts fan could wish for from such a film.

Normally I would open with a plot summary when I write a review – not always but a lot of the time. With Ong Bak 2 I'm not sure I can be bothered or even that I should be because the plot here is so thin and so uninvolving that it is hardly worth the text. Essentially a child is rescued by pirates and grows up to be a great fighter, robbing and killing as they do. However when memories are triggered of his past he sets out for revenge , bringing secrets out into the open. In fairness, in those last two sentences I have made it sound more interesting than it actually is because I have suggested there is a flow to the narrative whereas in actuality the film is two of three "stages" that just suddenly move between one and the other. It is remarkably basic and, in terms of plot, remarkably poor. It isn't helped either by the fact that the entire film has a very serious dark tone to it – making it almost a weighty revenge tragedy. Now, I have no problem with that in theory but the problem here is that it doesn't do anything to justify that tone, nor does it do much to make it fit.

It really needed the characters to be engaging and real for the audience to care but there are no characters to talk about. Amazingly even the main character of Tiang is poorly developed. A massive part of this is the small amount of dialogue in the film – indeed by the time you have read to the bottom of this review you will have read more words than are spoken in this film. Of course silent films could still make a plot a character so it is not the end of the world but it does hurt the film because with a weak plot and weak characters the lack of dialogue is even more telling. Fortunately the one saving grace of the film fills the vast majority of the running time – the action. Aside from the "sombre" moments between scenes there are plenty of great action sequences involving weapons of all types. They are impressive and quite exciting at times and the only rider I would put on that is that they are not as much "fun" as the action has been in some of Jaa's other films. That said, it is worth seeing the film for the action alone – which, when you think about it, is just as well.

In terms of Jaa himself one really has to wonder what he is doing with his career because if films are to be his thing moving forward, then why does he appear to be going backwards in all of the aspects this involves excepting the action? In his previous films I have noted he is not very comfortable with lines and that any comic moment escapes him. Here it feels like those working with him have just given up totally and have allowed him to do little other than fight – he barely has a line in the film and any "plot/character development" stuff is done by the child playing his character while Jaa himself looks into a fire in a "remembering" pose. It is weird but it is part of the reason the film doesn't engage as much as I had hoped – because the main character is little other than a stunt man, albeit a very good stunt man. I'm sure fans will hate me for that and not see my point but the thing is, if he is going to continue making films in Thailand (far less films that can perform abroad) then he needs more than the impressive martial arts skills he has. He needs good vehicles, he needs to work on his many weaknesses as an actor and he needs to have a supporting cast that can fill the gaps that he cannot (such as in Ong Bak). At the moment Ong Bak 2 just looks like they are happy to film him fighting and leave it at that, which I think is a real shame because this only makes for great action – not a great film. Although he did a good job directing the film in some regards, this is probably a mistake because he cannot do anything about his own failings as a performer.

Ong Bak 2 is a technically brilliant martial arts film with plenty for the weapons fan to love. However as a film it is really quite poor thanks to a thin plot, little dialogue and even less in the way of characters. The action makes it worth seeing but even fans will be hoping for a bit of a better product built around this. I continue to pay out to import Jaa's films because he is great at what he does but I hope that he can improve in other areas to make better total films rather than this type of thing again.

This followup to the hit Ong Bak has nothing to do with the original Ong Bak, and it seems like the producers were simply trying to cash in on the name, but boy- why did they have to? This movie stands upto itself on its own. Tight editing, lots of superb fight sequences, lots of innovative battle techniques, minimal storyline meaning minimal time wasted on anything but the raw action that we are there to see; all makes it a great movie impossible to miss. You get glued to your seat and wont even blink. Somebody wrote he was bored, which I tried hard to understand- but couldn't. Man, action movies don't get bigger or better than this. Its like Gladiator meets Apocalypto meets Rambo, only better. Raw gut wrenching intensity makes it a pleasure to watch. Don't miss this.

If you watch this with the first one in mind, you may be surprised to say the least. Because apart from the title and Tony Jaa as leading man, there is nothing much this has in common with the other movie. Well maybe the elephant too, sort of. But this plays in a totally different era. And Tony's character is young for the first third of it.

As we don't see him for quite some time, there will be quite a lot of time where you will have to "wait" for the action too. Having said, when the action starts, it's quite mesmerizing. And the end ... battle is quite the things to behold. Then again there is also the crocodile scene, which is set near the start to give the viewer something. Though it may be the highlight of the movie for some too though. The ending may seem sudden and quite unsatisfying ... which makes sense - because Part 3.