La ragazza del lago

An atmosphere which recalls Georges Simenon but the plot itself is closer to Agatha Christie's whodunit.Although a little MTV quality,the movie is often filmed on location and the mountain landscapes are wonderful.

What puzzles the viewer is that almost all the characters are suffering ,including the cop,who 's got a wife in a mental hospital (probably Alzheimer's disease).Directing is effective if a little remote;but ,this is crucial in this kind of investigation,all the characters are interesting and the cast rise to the occasion.

A girl was killed on the banks of a lake and many people from the village are suspects.If you like detective stories ,this movie was made for you.

I saw the film yesterday at the local Filmpodium that is sponsored by the Town of Zurich and I was touched by its quietness and restrained atmosphere and the complex story line. It shows a seemingly intact little village in a seemingly untouched mountain area. It portrays a small world filled with angst and hidden feelings. The actors are excellent and the beautiful women and the Italian language contrast with the reduced setting. The music is artful and very decent though most of the time dialog and stillness dominate the film. It is the perfect film for an audience that prefers Alain Tanner, Francis Reusser, Claude Goretta to commercial film makers.

''La Ragazza Del Lago'' is an enjoyable movie with high production values and an engaging story based on the second book in the Konrad Sejer series, written by the Norwegian author Karin Fossum. Since this is an Italian production, Inspector Sejer is renamed as Commissario Sanzio, played by one of the best contemporary European actors, Toni Servillo who portrays the protagonist as having the character traits that Fossum have attributed to him in the novels i.e. a solemn, pessimistic middle-aged man living alone, who nevertheless has a profound insight in the field of psychology, something that proves to be helpful in every murder investigation.The story is not an original or particularly exciting, it involves the murder of a young girl living in a small, quiet village where everybody seems to have their own secrets. Sanzio will have to uncover the truth that looms behind the villagers secrecy and finally arrest the perpetrator. The film is well-shot as it manages to capture the sinister qualities of the countryside's peace and silence which, in Fossum's books, acts as a facade for a variety of human misconduct and depravity. Though conventional, the plotline is interesting enough for the viewer to watch the film and attempt to guess the guilty party, something that I didn't manage to do correctly by the way. ''La Ragazza Del Lago'' will appeal mainly to the crime fiction fans who prefer the slow-burning, character oriented mystery and not to those who expect lots of action and special effects to a crime film (e.g. Hollywood productions). My precise rating would be closer to 3,2-3,3/5.

I'm glad a movie was filmed in the region where I live! Even though we have always been almost forget by the rest of Italy, our place offers a breathtaking variety of landscapes perfect for filming. More and more directors are realizing that, and other movies are being filmed here at the present time. I found this movie kind of slow though,and I didn't like too much the fact that the main character spoke with a southern accent as well others in the movie speaking with accents other than the Fraulein (spoken in the province of Udine). You could tell it was a production from Rome. Next time make it more "local"! Anyway I liked the plot.

A beautiful victim in a beautiful setting starts us off on an interesting who-dun-it, with suspects emerging by the handful for our world-weary detective to evaluate. The characters are all pretty interesting, each with a believable idiosyncrasy and one or two with a plausible motive. Flashbacks to the pretty victim's life and digressions about the detective's own less- than-happy family serve to keep some tension going, too.

But the resolution is a disappointment, both in terms of who-dun-it and the manner in which the suspect is discovered. Endings are never more important than in mysteries – a weak one makes us feel guilty for killing time. This "Girl" does just that.