Samsara

I have found reviewing this film in detail to be futile. Instead, I will offer my own thoughts.

Whereas 1992's "Baraka" contemplates on humanity in a dream/god-like manner, Ron Fricke's "Samsara" is more intense and solemn in its tone. From the birth of civilization, mankind has used its gift for intelligence for nothing but progress, and now, today, we have either reached or gone over the tipping point. There is no where but down this time. Humans work mechanically in a clockwork fashion, consume everything in their path, and leave the excesses behind for others to scavenge. Eventually, all will collapse, leaving nothing behind and returning the state of civilization back to ground zero. And the wheel turns on. Is this what "Samsara", Frick and co-editor Mark Magidson is trying to say? Or did you experience a completely different interpretation? It is up to you to decide.

I will not ponder upon the technical details. The cinematography and editing is flawless; the music and music arrangement - simply mesmerizing. A work of art, like life itself, on this planet, in our cities and homes, in the desolate plains and mountains; they are shown in all its beauty, splendour and spectacle. Our planet is truly beautiful.

I will end my review with this note - you owe no one but yourself to see this film. Every man, woman and child should see this - regardless of their personal preference of culture and entertainment. This film is a message to all of us. A warning.

Overall rating: 100%

My boyfriend and I went to see this at the Cinerama in Seattle. For those wanting to see this movie, I highly recommend seeing it in a theater, if possible. It's one that needs to be watched on a big screen with a great sound system to add to the amazing visual and auditory impact. It was also thought provoking and gave us plenty to think about and discuss afterward.

Visually, this movie is one of the best I've ever seen. The time lapse photography as well as the vivid colors and detail... I don't even know how to describe it, as it was like nothing I've ever seen before.

This film screams loudly, despite the fact that not a single word is spoken. It's a journey around the world, showing the immense beauty and the grotesque horrors of humanity, interspersed with stunning natural landscapes and the fallout of natural disaster. Nothing is held back from us and, rather than make a specific point, each viewer is able to take from the film what speaks to them. The filmmakers were able to show some incredible juxtapositions and contradictions, calling into question much of what we take for granted and don't bother to contemplate. On more than one occasion, I was moved to tears, either by the sheer beauty of the scene or out of pure disgust.

The score was so perfectly matched to the scenery that, in some places, it was impossible to believe that the music was not present when the scenes were filmed.

This is definitely a must see and I sincerely hope that we'll be treated to another installment from the filmmaker.

Brilliant, but difficult to explain why. No plot, no acting (well, except for one scene, but I'll come to that). So, it's a documentary then? Yes, sort of, but there is no narration, nor captions, nor even tags to let you know what or where in the world you are looking at.

In essence, it's a visual documentary on the modern world. Initially it just seems like National Geographic without any commentary: beautiful scenes of temples, nature and places you might want to go as a tourist. However, 100 minutes of random places and things could be boring after a while. Just when you start to think that might well be the case, themes start to emerge: nature, buildings, opulence vs poverty, guns/military, livestock. Pretty much everyday things, and how they are connected.

It is basically a 100-minute stream-of-consciousness exercise, using amazing, totally natural visual imagery (ie no CGI). Enjoy it for where it takes your mind, or just for the images and the drama of everyday life.

Only negative note is the one scene that isn't candid: a performance artist. Very pretentious and pointless and prevents this movie from being perfect.

I came across the trailer for Samsara having never heard anything about it before, or the filmmakers involved, but the trailer alone made me want to check it out. I got to see it in IMAX and I'm glad I did as, as everyone else has said, visually it is stunning, so the bigger the screen you can see it on the better.

I have never seen Fricke's previous work such as Baraka so I had no idea what to truly expect when I sat down before it started. I see people have mentioned they got bored after 30 minutes due to the lack of dialog/narration and that overall it's too long but I couldn't disagree more. From the first scene to last, I was totally engrossed in the visual and audio experience. The juxtaposition of concepts and themes worked, I got to see places and activities I didn't know about in a way I have never seen before. The soundtrack is spot on, capturing and switching the moods perfectly. It moves you.

I see critics have said that the message of Samsara isn't clear but I don't think it needs a message. Seeing Samsara has enhanced my understanding, and appreciation for, the way our world is and works, and what really matters most to us. How many times can you go to the cinema and come out a more knowledgeable person?

Samsara is quite simply a work of art and, like all great art, you interpret it in your own individual way and it makes you think. Do yourself a favor and experience it.

I just saw a screening of Samsara at the TIFF, at the brilliant TIFF Lightbox theatre.

Wow.

A film that took 5 years to make and co-ordinate. Shot in Panarama 70mm, across 26 countries, needing major government and regulatory clearances, having to wait for certain seasons or lunar phases to get the light to hit the way director Fricke wanted...carefully strung together with a massive 7.1 surround sound design and music score from Michael Stearns, Marcello de Francisci, and Lisa Gerrard (of Dead Can Dance).

The 70mm negative has been digitally scanned and oversampled at 8k resolution (much like the 'Baraka' Blu-ray); the TIFF Lightbox theatre installed a brand new Christie 4k projector (Christie Projection Systems rushed the projector before its release to the market specifically for this event) making it the first true 4k screening of it's kind.

From sweeping landscapes to time-lapse sequences of the night sky and from exclusive looks into the processing of food to the consumption and effects it has on the human body, Samsara is nothing short of astounding. Modern technology, production lines, and human robotics are juxtaposed against a backdrop of deserts, garbage mounds as far as the eye can see, and traffic congestion in modern centres. The time-lapse footage is simply transcendent. In fact, I caught myself questioning the reality of some of the landscape vistas and night skyline montages...they looked so hyper-real that I thought they must have come from a CG lab somewhere. Simply astonishing. The richness, depth and clarity of colour and image achieved within the processes utilized gives birth to the most beautiful visual meditation that I have ever witnessed.

As one film journalist noted, "That Samsara is instantly one of the most visually-stunning films in the history of cinema is reason enough to cherish it, but Fricke and co-editor Mark Magidson achieve truly profound juxtapositions, brimming with meaning and emotion. It sounds preposterous, but it's true: In 99 minutes, Samsara achieves something approaching a comprehensive portrait of the totality of human experience. If you're even remotely fond of being alive, Samsara is not to be missed."

If you ever come across the chance to see this film in a decent theatre, run, and let your eyeballs (and earholes) feast upon its brilliance.