Black Sheep - Pecore assassine

At first blush, it reads like an SNL skit that the writers decided not to use at the last minute. Murderous genetically-altered sheep on a rampage? Even Roger Corman never went there, and maybe it was for a reason...

And that reason was because writer/director Jonathan King needed to claim this baby for his own, and he has made the most of the opportunity. "Black Sheep" has that same kooky, OTT vibe of the mad scientist/monster flicks of the Fifties and Sixties with a more post-modern sensibility, much in the same affectionately twisted tone adapted by similar movies like "Tremors", "Feast", "Slither", the often-mentioned "Shaun of the Dead", and the film that this will be most compared to (and rightly so) - "Dead-Alive", the splat-tastic horror/comedy opus created by fellow Kiwi filmmaker gone "big time", Peter Jackson.

The plot is classic creepfest kitsch with a New Zealand transplant. Henry Oldfield (Nathan Meister) has been terrified of sheep for most of his life, the result of a horrific prank played on him in childhood by his crippled, bitter brother, Angus (Peter Feeney). Fifteen years later, Henry has gone back Down Under to tend to unfinished business - meaning facing his fears and selling off his half of the family sheep farm to his brother.

Meantime, Angus has concentrated on increasing the fortunes and finances of the family business by turning it over to a disgraced geneticist (Tandi Wright) for whom the farm has become one big test tube. Hippie activists Experience (Danielle Mason) and her sometime boyfriend, Grant (Oliver Driver) are out to expose Angus's subsidized experiments for the crimes against nature and ecology that they are. But as well-intended as their efforts are, everyone knows how true the old saying is about the best-laid plans...

Not surprisingly, the success of the entire film lies in the engaging cast, the goofy-yet-solid script, the beautiful cinematography, but most of all in the practical on-set and visual effects provided by Peter Jackson's own WETA Workshop and WETA Digital companies. And all quarters deliver fabulously, resulting in a great, loopy time at the movies that will have you giggling, gasping or gagging, sometimes all three simultaneously.

With the right frame of mind, I think that most horror fans or just casual viewers who like the occasional off-beat entertainment should find something to like here. Everyone else can just revisit the Merchant-Ivory section of the video store and steer clear.

Black Sheep is the sort of film that will appeal to fans of Pete Jackson's and Sam Raimi's early horror comedies - especially Braindead and Bad Taste (Jackson) and the Evil Dead series (Raimi). Like these low budget 'schlockers' Jonathan King's film is well made and does not take itself seriously. Unlike these films, however, Black Sheep is not very self-consciously low budget. Since the film consistently parodies low-brow, low-budget horror films, the film-makers were able to very nicely exploit the gimmickry of these films without losing any artistry or credibility along the way.

Black Sheep is the story of two brothers from a New Zealand sheep farming family. Henry Oldfield (Meister) is terrified of sheep and has alienated himself from his family estate in order to seek therapy. Angus (Feeney) is a sociopath, sadist and rising provincial politician who loves sheep. Angus, of course, wants to make better sheep. And predictably, has genetic scientists set up in a barn on the estate who are performing grisly and disturbing experiments which somehow result in rabid, homicidal zombie sheep and were-sheep. A couple of macrobiotic eco-warriors are thrown into the mix (a brilliant touch) to round out the cast.

Of course, the plot is the weakest element in this film. But this is completely consistent with the film's mission as a genre and self-parody. The strongest elements are the excellent (though still hilarious) effects and art design by WEDA, directing and editing, the fine cast, fun characters and good script. King directs the film economically (a rarity in this genre) and the final cut wastes not a frame. The film is also very nicely shot - each scene - especially the sheep stampedes - is engaging and nicely paced. Every horror genre cliché is presented at one time or another, and most are exploited mercilessly.

Great film for fans of the genre. Not recommended for others.

When will mankind ever learn? Deranged, over-ambitious scientists have tried to genetically alter pretty much every species of the animal kingdom so far, and it always results in gigantically mutated critters and outrageous massacres. All the better for us bloodthirsty horror freaks, of course, as there's nothing as fun as a good nature-revolting-against-men creature feature! And we never had sheep before! On one hand this is no real surprise, because sheep are probably the least menacing type of animals on the planet and it's a lot easier to scare people with mutated rats or over-sized crocodiles. But on the other hand, sheep played a very important role in one of the most major breakthroughs in the history of science when "Dolly" was the first living being ever to be cloned successfully. The Dolly-experiment gone wrong would have resulted in a crazy sheep-themed horror film already, but we had to wait till now, with Jonathan King's "Black Sheep". All the necessary ingredients to put together a traditional and delightfully clichéd creature-feature are well presented: an isolated location, over-the-top crazy scientists, a genetic experiment that is too imbecile for words, the reluctant anti-hero and – of course – dimwitted animal activists to let things go totally out of control. The New Zealandian film-industry is definitely growing lately (mainly thanks to Peter Jackson) and naturally this is the ideal country to produce a film about sheep, as there are gazillions of them! The two brothers Angus & Henry grew up of the family's farm but drifted apart ever since their beloved father died in a terrible accident. Henry is terrified of sheep ever since and never set foot on the farm again, but now he finally returns to sell Agnus his part of the property. Henry arrives just in time to discover that his brother has been messing with Mother Nature's creation and that he's about to artificially create a new and revolutionary species of sheep. But when an over-enthusiast activist runs off with on of the mutated lambs, all the nearby flocks are soon infected with a virus that turns the calm & woolly animals into a aggressive and carnivore monsters. "Black Sheep" stands for extremely entertaining and undemanding splatter, with loads of black humor that is actually funny and make-up effects that are thankfully accomplished the old-fashioned way! When director Jonathan King introduced this film at the Belgian Horror Festival, he said he didn't want too much CGI to ruin his film and I definitely concur with him. Especially the scene where a bunch of uncontrolled zombie-sheep attacks a gathering of international businessmen is an absolutely terrific homage to vintage cheesy horror, with disembowelment and ripped open throats. "Black Sheep" is a good film, but of course it still could have been a lot better. Some chapters in the script could have used better plotting and dialogs, and particularly the ending was a bit of a letdown. They could have done so much more with the ending, if you ask me! Nevertheless, despite some obvious flaws, "Black Sheep" is a must-see film for every horror fan who doesn't take him/herself too seriously.

I haven't the opportunity to follow many New Zealand movies, besides the recent memory of Sione's Wedding and In My Father's Den, both of which were of different genres, and mighty enjoyable. Written and directed by Jonathan King (who is also writing the Raintree produced movie The Tattooist), Black Sheep takes the well-established genre of zombie movies, and with its fusion of local flavour, presents its own worthy take in giving us the attack of the killer sheep.

Meh!

It's a crazy idea, but heck, I admit it was sheer wicked and twisted fun watching the usually docile (and may I say dumb?) animals turn the tables on us humans, and start going on a berserk rampage to munch on our flesh. Watching them hunt in packs was surreal, and happens to be one of the nightmares of Henry Oldfield (Nathan Meister), who develops a phobia of our woolly friends after his brother Angus (Peter Feeney) played a cruel joke on him. The film fast forwards to the adult brothers, where the latter is planning to unveil his new "perfect" Oldfield sheep, and selling off the farm - why need the space when you can genetically engineer them?

Before you say, oh this is yet another movie which warns about the dangers and questions the ethics behind tinkering with genetics, you would probably think again when it made the environmental activists folks look like social outcasts, and totally bumbling, indirectly contributing to the zombie sheep phenomenon. I liked how the problem became two- pronged, in that the sheep became infected of course, and how its bite is now its worst weapon. And I'd bet you'll never look at another sheep, especially the baby ones, in the same light again, ha!

The plot's fairly straightforward to follow, with its villains (the scientists and of course, the raging sheep) and its heroes clearly spelt out - Henry, his farm hand Tucker (Tammy Davis), housekeeper Mrs Mac (Glenis Levestam), and an activist with an interest in Asian fengshui and zen sayings, called, check this out - Experience (Danielle Mason), who together actually form quite a lovable team whom you'll root for to get out of this mess.

With the animatronics and special effects done by Weta Workshop, you can expect some top notch gore, though I thought that despite it being a zombie flick, it lacked copious amounts of blood splatter. Chewing raw flesh may be stomach curling, especially when the details of such dastardly deeds are not spared, and the camera lingers. Transformational scenes were also fun yet eerie to watch, and if you think you've seen the best of these scenes from various werewolf movies, wait till you get a load from this one!

Black Sheep makes no apology to its violence, sexual innuendoes or toilet humour. In fact, it celebrates them, to tragic-comedic effect. However it knew how to rein itself in, and the farting-sheep-shagging jokes never goes into overdrive. The acts of violence too had a fair share left to the imagination, though I thought there probably was some scrimping in expected chase and attack sequences. If you're in for some light entertainment, then Black Sheep is probaaably your wicked choice for the week.

Coming from Australia I understand that sheep is a major part of life in New Zealand, and know that sheep out number people by a long shot.

With that background knowledge, I thought I caught most of the dry humor movie presented in this movie.

The cinematography is great with many dark in door shots contrasted with the grassy fields of New Zealand. This juxtaposition created great atmospheric contrast and made the darker scenes all the more grim. The movie is visceral not shying away from limbs being torn off, and necks being torn to shreds.The SFX are pretty good for most of the part, but some of the monsters are obviously a man in a suit, and that broke the illusion quite a bit.

The writing is interesting, there are some formula plotting and clichés in this movie,but considering it seems to satirize horror movies they are employed quite well. The characters are very quirky but can be empathized. The humor is very dark using the purity of sheep and turning them into demonic beings from hell itself. However the humor (I thought) was very dry and only people from the oceanic region may understand it.

A good movie that deserves a look if one is bored, and is in a mood for watching over the top gore caused in a very comical manner.

6.6/10