Black Sheep - Pecore assassine

I haven't the opportunity to follow many New Zealand movies, besides the recent memory of Sione's Wedding and In My Father's Den, both of which were of different genres, and mighty enjoyable. Written and directed by Jonathan King (who is also writing the Raintree produced movie The Tattooist), Black Sheep takes the well-established genre of zombie movies, and with its fusion of local flavour, presents its own worthy take in giving us the attack of the killer sheep.

Meh!

It's a crazy idea, but heck, I admit it was sheer wicked and twisted fun watching the usually docile (and may I say dumb?) animals turn the tables on us humans, and start going on a berserk rampage to munch on our flesh. Watching them hunt in packs was surreal, and happens to be one of the nightmares of Henry Oldfield (Nathan Meister), who develops a phobia of our woolly friends after his brother Angus (Peter Feeney) played a cruel joke on him. The film fast forwards to the adult brothers, where the latter is planning to unveil his new "perfect" Oldfield sheep, and selling off the farm - why need the space when you can genetically engineer them?

Before you say, oh this is yet another movie which warns about the dangers and questions the ethics behind tinkering with genetics, you would probably think again when it made the environmental activists folks look like social outcasts, and totally bumbling, indirectly contributing to the zombie sheep phenomenon. I liked how the problem became two- pronged, in that the sheep became infected of course, and how its bite is now its worst weapon. And I'd bet you'll never look at another sheep, especially the baby ones, in the same light again, ha!

The plot's fairly straightforward to follow, with its villains (the scientists and of course, the raging sheep) and its heroes clearly spelt out - Henry, his farm hand Tucker (Tammy Davis), housekeeper Mrs Mac (Glenis Levestam), and an activist with an interest in Asian fengshui and zen sayings, called, check this out - Experience (Danielle Mason), who together actually form quite a lovable team whom you'll root for to get out of this mess.

With the animatronics and special effects done by Weta Workshop, you can expect some top notch gore, though I thought that despite it being a zombie flick, it lacked copious amounts of blood splatter. Chewing raw flesh may be stomach curling, especially when the details of such dastardly deeds are not spared, and the camera lingers. Transformational scenes were also fun yet eerie to watch, and if you think you've seen the best of these scenes from various werewolf movies, wait till you get a load from this one!

Black Sheep makes no apology to its violence, sexual innuendoes or toilet humour. In fact, it celebrates them, to tragic-comedic effect. However it knew how to rein itself in, and the farting-sheep-shagging jokes never goes into overdrive. The acts of violence too had a fair share left to the imagination, though I thought there probably was some scrimping in expected chase and attack sequences. If you're in for some light entertainment, then Black Sheep is probaaably your wicked choice for the week.

After reading an extremely negative review of this, which COMPLETELY missed the point, I thought I'd write a far more 'accurate' review. In my opinion, this is one of the best of this type of horror movie i've seen. It's right up there with Peter Jackson's early work and Evil Dead. All the negative things the other reviewer was saying, the poor dialogue, and acting, the unrealistic effects, were deliberate, after all, the effects were done by highly skilled and trained effects people at WETA Workshops - who of course did Lord of The Rings. It is a horror comedy packed with clichés and subtle allusions, and full of New Zealand humour, which i concede probably doesn't translate well internationally. NZ is primarily a farming nation, we're a huge exporter of lamb, Farming is a huge part of our culture, and this blends that with our history of offbeat, slightly dark, and idiosyncratic cinema. It is a clever, quintessentially kiwi, homage to such previously mentioned horror comedies (or comedic horrors). That's what i like about it, it is a lot cleverer than it looks. I thoroughly enjoyed every minute of the film. If you like Peter Jackson's early stuff, you'll like this. Just don't expect it to be s***-your-pants scary.

Oh, come ON people, stop ragging on it so bad! It's a horror comedy about KILLER SHEEP for crying out loud! How high-brow do you expect the humor to be?? How could you even think that it's trying to achieve the level of something like LOTR??! You say that they could substitute any animal in for the sheep & get the same cliché situations, but they didn't use just any animal, they used SHEEP, and there's something really hilarious about a 'menacing' medium shot of a sheep standing in a field looking at the camera. :) I just saw it at a midnight IFF screening & it was fun & cheesy, yet I dunno how campy you could call it, because the special fx were pretty amazing - kudos for weta for the animatronic puppets, morphing sequences & really good gross-out gore. Yes, it made the audience groan at some of the baa-a-a-ad jokes, but most of the time we were all laughing hysterically & clapping & cheering at the sheer ridiculousness of it all! I think the vast majority of the audience left the theatre with smiles on their faces & in a good mood! I highly recommend this film for anyone who wants a good laugh & enjoys sheep jokes. I mean, come on, it's not hard to appreciate the silliness of this. Go out & support this movie! I challenge you to sit through it & not laugh!

Black Sheep is the sort of film that will appeal to fans of Pete Jackson's and Sam Raimi's early horror comedies - especially Braindead and Bad Taste (Jackson) and the Evil Dead series (Raimi). Like these low budget 'schlockers' Jonathan King's film is well made and does not take itself seriously. Unlike these films, however, Black Sheep is not very self-consciously low budget. Since the film consistently parodies low-brow, low-budget horror films, the film-makers were able to very nicely exploit the gimmickry of these films without losing any artistry or credibility along the way.

Black Sheep is the story of two brothers from a New Zealand sheep farming family. Henry Oldfield (Meister) is terrified of sheep and has alienated himself from his family estate in order to seek therapy. Angus (Feeney) is a sociopath, sadist and rising provincial politician who loves sheep. Angus, of course, wants to make better sheep. And predictably, has genetic scientists set up in a barn on the estate who are performing grisly and disturbing experiments which somehow result in rabid, homicidal zombie sheep and were-sheep. A couple of macrobiotic eco-warriors are thrown into the mix (a brilliant touch) to round out the cast.

Of course, the plot is the weakest element in this film. But this is completely consistent with the film's mission as a genre and self-parody. The strongest elements are the excellent (though still hilarious) effects and art design by WEDA, directing and editing, the fine cast, fun characters and good script. King directs the film economically (a rarity in this genre) and the final cut wastes not a frame. The film is also very nicely shot - each scene - especially the sheep stampedes - is engaging and nicely paced. Every horror genre cliché is presented at one time or another, and most are exploited mercilessly.

Great film for fans of the genre. Not recommended for others.

At first blush, it reads like an SNL skit that the writers decided not to use at the last minute. Murderous genetically-altered sheep on a rampage? Even Roger Corman never went there, and maybe it was for a reason...

And that reason was because writer/director Jonathan King needed to claim this baby for his own, and he has made the most of the opportunity. "Black Sheep" has that same kooky, OTT vibe of the mad scientist/monster flicks of the Fifties and Sixties with a more post-modern sensibility, much in the same affectionately twisted tone adapted by similar movies like "Tremors", "Feast", "Slither", the often-mentioned "Shaun of the Dead", and the film that this will be most compared to (and rightly so) - "Dead-Alive", the splat-tastic horror/comedy opus created by fellow Kiwi filmmaker gone "big time", Peter Jackson.

The plot is classic creepfest kitsch with a New Zealand transplant. Henry Oldfield (Nathan Meister) has been terrified of sheep for most of his life, the result of a horrific prank played on him in childhood by his crippled, bitter brother, Angus (Peter Feeney). Fifteen years later, Henry has gone back Down Under to tend to unfinished business - meaning facing his fears and selling off his half of the family sheep farm to his brother.

Meantime, Angus has concentrated on increasing the fortunes and finances of the family business by turning it over to a disgraced geneticist (Tandi Wright) for whom the farm has become one big test tube. Hippie activists Experience (Danielle Mason) and her sometime boyfriend, Grant (Oliver Driver) are out to expose Angus's subsidized experiments for the crimes against nature and ecology that they are. But as well-intended as their efforts are, everyone knows how true the old saying is about the best-laid plans...

Not surprisingly, the success of the entire film lies in the engaging cast, the goofy-yet-solid script, the beautiful cinematography, but most of all in the practical on-set and visual effects provided by Peter Jackson's own WETA Workshop and WETA Digital companies. And all quarters deliver fabulously, resulting in a great, loopy time at the movies that will have you giggling, gasping or gagging, sometimes all three simultaneously.

With the right frame of mind, I think that most horror fans or just casual viewers who like the occasional off-beat entertainment should find something to like here. Everyone else can just revisit the Merchant-Ivory section of the video store and steer clear.