Irina Palm - Il talento di una donna inglese

Marianne Faithful stars as a grandmother desperate to provide a rare and expensive medical treatment for her cancer-stricken grandson, in any way possible. She tries every other avenue before settling, reluctantly, on sex work.

The synopsis just doesn't do justice to the movie; my expectations were low, but the film really delivers. From the reactions of her friends and family to the pride she begins to take in her job, this movie has a wealth of subtle and not-so-subtle points to make. The one thing I noted was that there is no way, in the context of the film, to condemn her character for what she is doing. She simply has to reach her goal, and nothing is going to stop her. That kind of dedication is rare and touching.

The best scenes were the grandmother's relations with the club owner and other workers. She holds her own and maintains her dignity despite the circumstances she finds herself in. There aren't any crude jokes, despite the material, but there are rare moments of humor.

Watch this if you get the chance, you won't be disappointed.

I watched this movie in the preview in my university. I must admit that when my friend told me what it was about I thought it would be one of those dull good-intentioned but poorly made movie. I was wrong.

This movie is powerful and transmits a lot. Doesn't pretend to feel pity, and even though the beginning might be even considered dramatic, it made me laugh out loud several times.

It's the first review I write, but I definitely thought I should drop a line to defend this beautiful story that talks about what can a person do for a loved one, about re-discovering yourself, about avoiding stupid dogmas... And at the end it leaves you with a broad smile and a sense of tenderness that not so commonly a movie inflicts you.

If you like beautiful stories, this is your movie.

Maggie is a widow in her fifties living in a small English village outside of London. She has spent her life in a humdrum manner taking care of her family. Her grandson is very ill and in the hospital. His only chance of survival is surgery in Australia. The medical expenses will be paid by the health care system, but the transportation, etc. must be provided by the family.

Maggie does not have the money, and her son has been out of work for almost a year. Maggie is determined to get the money and goes off to London in a quest of employment of any sort. She is greeted with disdain by potential employers and employment agencies as she is an unremarkable woman with no experience or talent.

In an act of final desperation, Maggie enters a sex shop on a seedy street in London advertising help wanted. It is here that Maggie finds she has a talent much sought after by the clientèle of the shop. She is given the professional name of Irina Palm by her boss, Miki.

It should be obvious that there are going to be sizable repercussions from a modest widow so radically expanding her range of experience, and there are.

Marianne Faithful and Yugoslavian actor Miki Manojlovic are extremely effective as Maggie and Miki - two people who, despite their ages, are able to learn and develop from their experiences.

You'll find that Irina Palm is a very slow moving film but one that offers a very different view of human nature. It is an intriguing slice of life.

When I saw the trailers it looked like a European film and settings, but luckily this movie was in English directed by a German born Belgium director Sam Garbarski.

The story is in a small village near London about a widowed grand-mother Maggie (Marianne Faithful), whose grand son has to undergo treatment in Australia. She has a son Tom (Kevin Bishop) and daughter in law Sarah (Siobhan Hewlett) who can not earn that much to afford the trip to Australia. Maggie loves the grandson a lot but does not have any skills to do work – she has never worked in her entire life. After being rejected at many places, in search of work she lands up in the Soho area (red light district of London) in Mikky's (Miki Manojlovic) sex club / restaurant. Very shy and hesitant – she agrees to the work of masturbating men for a decent sum of Pounds 900 per week. Within no time she becomes the famous Irina Palm (pseudo name) for her skills. Maggie finds a new confidence and self-independence through this new role – which she never thought would become her respected profession. She borrows money from Miki and gives to her son, who becomes suspicious and when he follows her and knows about her new profession and is deeply hurt. He wants her to take the money back and leave the dirty profession.

The movie is about the journey through the mind of Maggie. Her hesitations, her doubts, her fears, her joy, her confidence, her love, and her grandiose – everything is perfect.

Marianne Faithful – who started her career as a singer, and later got involved in film acting – looks beautiful (just google her name and see how beautiful she was in her young days) and has acted honorably in portraying the character of Maggie to its core. She speaks more in her silences, stares and glances than with words. She was the perfect casting by the Director Sam. A special mention of veteran actor Miki Manojlovic – who has played the dark character of Mikky with so much punch and humanness that it is remarkable and not easy to forget. Both Marianne and Miki sparkles the screen with their historic.

A very well directed film by Sam – this is just his fifth directional project. He has also co-written the script with Philip Blasband. Cinematography by Christophe Beacarne is wonderful in capturing the life of a small British village to the dark and dingy streets and hotels of Soho –especially the beginning shot of the village through bird's view and hand held shots of dark back alleys of Soho.

At one point in the movie when Maggie is forced by her son to leave the work, I was longing for Marianne to go back to her profession – because that had brought her self- dignity and self-esteem. But I will not say the ending and spoil of interest.

A very good – sensitive movie! (Stars 7.5 out of 10)

IRINA PALM may be a film too many people will overlook, thinking it either empty headed or pornographic. But word of mouth should correct those misconceptions, as this little quiet film is a tender story of an aging woman's sacrifices and healthy outlook in the face of adversity. IRINA PALM is that happy marriage of comedy and drama, a heartwarming tale that leaves the viewer with both a smile and a tear.

Written by Director Sam Garbarski with Martin Herron and Phillipe Blasband, IRINA PALM is the story of a widowed grandmother Maggie (Marianne Faithful in a luminous performance) whose young grandson Ollie (Corey Burke) is gravely ill. Maggie's son Tom (Kevin Bishop) and daughter-in-law Sarah (Siobhan Hewlett) cannot afford the transfer from England to Australia where the young lad could undergo curative treatment. Maggie decides she must find a job - a daunting task for an older woman with no particular job training - to make the treatment affordable. After numerous rejections from employment agencies, she spies a Sex Shop advertising for 'hostesses'. Thinking that designation means serving tea, etc, she enters the shady establishment and is interviewed by the owner Miki (Miki Manojlovic), a gentle man who gently describes the type of employment: Maggie would sit in a room and provide simple masturbation through a glory hole for anonymous clients. At first shocked by the job description, she in desperation investigates the business with the help of her soon to be best friend Luisa (Dorka Gryllus), and accepts the job with reservations. To her surprise (and the surprise of Miki and Luisa) Maggie gains a loyal following of customers, so much so that she is given the name 'Irina Palm'.

Keeping her employment a secret from everyone, she is the brunt of gossip from her old cronies and when she gives the money from her job to her son Tom without revealing its source, she causes a riff in the family. Maggie is courted by other sex shop owners who offer higher pay, but she remains faithful to Miki who advanced her the money for Ollie's trip to Australia. Tom stalks his mother to her workplace, discovers the source of her income, and explodes with anger and embarrassment that his mother would stoop to such depths. But Maggie's role as Irina Palm has given her confidence and also opened her heart not only to her grandson's future but to her own happiness as well. The ending may be expected by some, but will warm the hearts of everyone.

There are many moments of humor - Maggie's learning her trade, her ultimate confession to her cronies as to her occupation, etc - and this lightness makes the dramatic message more powerful. Faithful is extraordinarily fine in this difficult role, but the entire cast is sensitively responsive to the screenplay and to director Garbarski's vision. This is a film to cherish. Highly recommended. Grady Harp