The Tripper

Well you have to at least give "The Tripper" an "A" for originality...

A strange little tale of the hippie culture being massacred by a Ronald Reagan-Masked killer during a music festival in the country. Very odd and at times quite annoying, but there are a few moments of grandeur... Written and directed by David Arquette "The Tripper" sells the scenario short with silly child-like humor and over the top performances by it's A-List walk on cameos. The main characters are unlikable, which leaves the viewer not caring about their well being at all. Jason Mewes acts even more ridiculous then his "Jay" character (if you can believe that), to the point where you just can't wait to see him killed, just to shut him up... I'm not sure if the film was aiming to, but it makes the hippie culture look even dumber and less human then the woodland creatures they try to protect. Pee Wee does a great job as the foul-mouthed concert promoter, but Thomas Jane looks stupid as the sheriff. The inconsistencies in character development makes this confusing movie even that much harder to watch, and by the end of the film you feel more baked then the idiots on screen...But alas, there are some decent gore scenes and the cinematography looks fantastic. If you are in the mood for mindless comedy / horror dribble, then this might work for you. If you are looking for a good hallucinogenic horror film, try renting "Shrooms" (the movie) instead...

The Blood and Gore was a bit comical, but overall it was an enjoyable movie. Some of the death scenes were done with some creativity and I think they hit the nail right in the head as far as depicting how Hippies behave and live their lives for nothing, but smoking pot or getting high with mushrooms, acid and whatever else drug they can get their hands on. This concert the Hips were attending reminded me of that event in the desert called (The Burning Man). David Arquette used a different approach to directing this and it was an effective approach for the most part. The acting was decent with some actors being better than others. So overall I give this a 6 out of 10. Not bad for Arquette's directorial debut.

When Scream veteran David Arquette steps into the directorial chair to make a horror movie, you might be forgiven for expecting more of the same. But you would be wrong.

The opening sequence has news footage of nameless war dead, inhumanely thrown together like so much butcher meat. A voice-over says how there is nothing glamorous about war. The image is uncomfortably mirrored later in scenes of carnage and mass-murder. No shortage of gore, but it is the political overtones that make the movie stand out and also invite forgiveness for the appreciably low budget.

The story follows a bunch of hippies having a love festival in the woods, much to the annoyance of local hicks. They are stalked by a psychopath in a realistic Ronald Reagan mask who starts chopping them up. Of those that are left, most are too stoned on ecstasy and LSD ('trippers' - geddit?) to want to believe anything very terrible is happening or that they could do anything about it anyway. The suggestion is obvious: you are living in happy oblivion while your political leaders wreak havoc in the world. Vietnam is neatly linked to Iraq, and 'Reagan' has a pig named George W that seems to be fed on severed limbs. This is no gentle analogy - it is served up with a sledgehammer (or rather an axe in most cases). Ill-gotten gains fly in the air as a body is cut in half with a chainsaw. "No daughter of mine is going to be hooked on drugs," says the killer tenderly, advancing with murderous intent. Better off dead, obviously.

The humour is sparse enough to lend only light relief. With the lifelike Reagan towering over him, axe in hand, one victim pleads, "But I'm a Republican!" The killer dog Nancy is particularly nasty.

And there's another layer . . . When Ronald Reagan was governor of California, he famously released a record number of mental health patients back into the community to save costs. (In case you didn't know this before seeing the film, you will before the end.) Arquette says he was inspired to make the film by growing up in Los Angeles during the Reagan years. Overtly political, B-movie blood-and-gore effects that are nevertheless stomach-churning, lots of nudity and some nice cinematography that mimics the drug experience, The Tripper even has pictures of all the politicians it hates in the credits.

The Tripper may be for horror fans only, but it is an unpretentiously daring attempt to launch a broadside at a morally righteous right-wing establishment that is ankle deep in dead bodies of political making.

Not having to face the facts, this movie is beyond weird. The tripper wears a Ronald Reagan mask while he butchers unsuspecting hippies. David Arquette took this movie and ran away with it, ax in hand. The plot seems kind of violent, i mean c'mon, Hippies? Who is going after hippies, but hey? This movie will trip out even the most hardened horror movie trippers. David Arquette's did a good job at directing, writing and acting in it. The Ronald Reagan mask is real 1980's cahuenga pass. It reminds me of the Max Headroom days when all we saw was cold war, berlin war and Ronald Reagan on t.v. This will probably get some hippies scared of a walking Ronald Reagan.

This hippie slasher movie from director David Arquette is a mildly amusing satire on other slasher movies that does nothing new with the genre but is entirely watchable. You can watch it, even enjoy it, but there's nothing different from the last satire of slasher movies you saw.

Production values are high, this isn't some cheaply done indie movie, there are actual actors/actresses pretending to be stoned hippies, and the camera work is up to par. It's not particularly funny, though, and the only amusement worth mentioning comes from Jason Mewes, busily playing his Jay character without the benefit of Silent Bob. He could have used the backup in this one.

There is some brief nudity and a lot of swearing and drug usage, but it's not shocking or even particularly interesting. It fits into the story line, so it's not gratuitous. There are some gratuitous gross out moments involving gore and fecal matter, but they are the kind you would expect in this genre.

Every character is a stereotype of one kind or another, from the fascist small town sheriff to the greedy concert promoter. No one steps out of their stereotype, the dialog is competent but not terribly exciting, and the villain himself is only distinct from other slashers because he wears a Reagan mask.

This isn't one to go out and look for, but if it's all that's left at the movie rental place on the tail end of a Saturday night, with a bunch of friends in your living room - you can watch it without being sorry. You probably should break into your stash first, just to be on the safe side.