Memories of Matsuko

The film is about memory as the English title states, this brings it under one of the most vital (and most cinematic) subgroups in cinema, films about our ability to recall life as illusion and mind rather than as just a bunch of surrounding facts. So what kind of recall here?

A vagrant middle-aged woman is discovered dead one day, the kind of nameless death that might make neighbors pause for only a brief moment, and this is the first admission here; ordinary life next door can be the center of a rich world. This is done with a little too much obvious caprice for my taste but the essence is the same, we go back to find this woman when she was a sweet young girl with all of life and heartbreak still ahead of her.

I don't know how much is personal for the filmmaker here but much is revealed by simply examining appearances. A vibrant memory, with a hyperactive consciousness that joyously swims through tragedy. It starts like one of those hyper Japanese TV ads, the filmmaker apparently has plenty of experience in those, but as we progress the whole is mellowed and given resonance behind the popup colors. This is the second admission, that life deserves to be celebrated with as much color.

A preeminent formulator of Noh wrote in the 1400s, Zen inspired, that "life is a lying dream, he only wakes who casts the world aside". There's no such effort here to awaken to what creates suffering and to purify, the film is simply taken in by the swirl and sadness of suffering. I was reminded of the lush Powell/Pressburger melodramas from the 40s as well as recent Julie Taymor with her song and dance. Others thought of Tim Burton. To be sure though the fixation with color and artifice is as recent in Japan as anime but as old as kabuki.

So, overwrought and sentimental melodrama on one side, too much so for my taste. Just the same I appreciate the bubbly air that refuses to dwell on misfortune; it's quickly brushed aside for some new heartbreak to come along. Yet it doesn't address its own question about the meaninglessness of life and it's in this deeper way that the absence of awakening resurfaces. The girl is merely buffeted along by attachment and need and at no point, down to her final moments, comes to a realization.

In the list of hearbreaking films ultimately this deserves its own place next to Capra's Wonderful Life. This is, as much as anything else, because the filmmaker leaves his heroine to a horrible life and meaningless end because in the end she's only the figment of a story that he uses to inspire with but that inspiration and change is never allowed to her inside the story. The bittersweet worldview says, suffer as much as you are able to bear, in the end there is release.

The penultimate scene is possibly one of the twenty best shots I have seen in my life, a flow of consciousness that lifts up from her and races through waters. Marvelous work. This is the cultivated awareness of the illusory life the Japanese have known for centuries across Shinto temples, Zen and the Noh stage.

But the maker ends this a scene late for my taste. The last one revisits the home of childhood as the place from which to ascend, paying homage to the well known stairway scene from A Matter of Life and Death by Powell/Pressburger, which just says too much now as it did then.

This movie is unique and innovative. It is somewhat of fairytale like Cinderella and reminds me of Big Fish (2003), but is also very dark and depressive like say Requiem for a Dream (2000). It follows the hardship-laden life of Matsuko through the gradual discoveries of her nephew and the people he encounters.

It is extreme in content and in appearance, but touches very true and deep feelings & fears within all of us. It explores the meaning of life and asks very interesting questions. It does so while treating life's inevitable tragedies with humour and gaiety. The visual style and music are important elements of the movie as they share a positive-looking outlook of life even in the dimmest of circumstances.

The drama is centered around the dysfunctional family Matsuko was both the product of and the most disruptive element in its spiral towards destruction. Friendship, love and professional lives are also well explored, although as you can imagine, none of them in an ideal, truly rewarding way. The bleakness of the story and the brightness of the storytelling makes for a very interesting contrast. There are many beautiful shots (even if a bit CGI-heavy) and the inherent beauty of life is revealed through the crust of old, piled up garbage.

The storytelling is very fresh and even though it sags at some points as the film never seems to end, it does get its point across in a artsy and non-threatening way. I was so involved with the demanding story that I was literally shocked as I exited the dark theater to see other people lined up for the next movie at the FantAsia festival. After a viewing experience like this, I found myself surprised that there could be more movies after that or, possibly, that there may be anything after that! This is how profoundly I was affected. "Memories" is not a movie you just eat up and leave, you really need to settle and digest before you can truly understand and internalize.

A tough journey, a good message and possibly a lot of positive ramifications in art & life. Recommended.

This film will just blow you away! While I would say it was fairly sad at times, and you'll shake your head at the life choices the lead character made, the film will stay with you. It definitely has tearjerker moments, major ones. The acting is uniformly superb. I originally knew about the film through this site, because I am very impressed with the acting of Asuka Kurosawa ("A Snake Of June") and wanted to see her in a film in which you actually see her in her beauty (She boldly works in horror films, sometimes with distorted features, like "Kirie" and "Dead Waves"). She looks gorgeous in this film, but so does the title character. Like many films with a female name in them (think Leslie Caron, Audrey Hepburn), you'll fall in love, commiserate, get angry with and, ultimately, forgive her flaws. Is it perfect? No, it isn't. The rating of 10 stars has to do with the effect it had on me. It'll just stay with you. Thank goodness this wasn't an American film, it would have been sanitized and "fairy taled" to the point of manifesting ad nauseum. Its sad, you might cry, but you'll love it.

It is a real tragicomedy! This film is about cruel facts, but under a musical comedy appearance. It is a movie that made me cry, as if I still were 15 years old. And I cried because what is told in the film can happen... And unfortunately it actually happens everywhere and everyday. It is a film that has made me believe again in the Japanese cinema. In this movie I have seen a Kenji Mizoguchi's spirit revival, because of the way it describes the life of a woman who is mistreated by everybody and whose life is irremediably ruined. Doesn't this story remember Mizoguchi's "Oyu-sama"? I also saw some Akira Kurosawa's influences, like the colorful shanty dwelling Matsuko lives in during the last years of her sad existence: aren't they close to the ones Kurosawa showed in "Dodeskaden"? According to my point of view, this is the best Japanese film of this still young 21st century.

The movie is really wonderful and joyful. The package is really wonderful. As the female lives from 50's up to now, director of this film manage to dissolve a lot of pop culture stuffs, like MTV, TV etc into a fancy comical world. I am sure there would be only Japanese who can create such world.

But what i admire most is he do not forget the story he want to tell. The story actually is a adaption from a original novel which depict a tragic life of a woman. The film, though have a comedy outlook, it is a typical tragic story. The director manages to find a new way to retell the story in a sense which youngster would feel related.

And the story itself is great because it tells us what is so called life. ie ridiculous, unpredictable, etc. and how a woman face her life with constant hope of simply getting better.

The story is a typical tragedy in a Greek kind of style. Though it may contain some preaching scene, but u are free to take it or leave, as the life of the woman is open to judge.