VALUTAZIONE IMDb
7,3/10
41.164
LA TUA VALUTAZIONE
Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 4 vittorie e 22 candidature totali
Niels-Bruno Schmidt
- Jan Carl Raspe
- (as Niels Bruno Schmidt)
Hans Werner Meyer
- Klaus-Rainer Röhl
- (as Hans-Werner Meyer)
Recensioni in evidenza
Germans have a quality wave of movies that reached wold audience in the early 21st century, after the Run Lola Run hit. This movie is perhaps not the best of the best, but is interesting, original and gives a story of one turbulent era with great detail and precision.
First of all this is a very important film. Just like the other "Big" film by Eichinger "Der Untergang" it confronts the German audience (and the world should it care) with some aspect of German history that people should know about. In this case the "myth" of the RAF. To everyone who lived through the seventies in Germany it is clear that the influence of the RAF on Germany can hardly be exaggerated. I was a kid but my impression at the time was that both sides were wrong. There was a constant fear of terror coming from the terrorists but also from the state. (People did not get jobs if it was suspected they were "left".) So to make a blockbuster film, even if it does not really explain the motives of the main characters involved, at least gives us some facts. Not everyone is prepared to watch documentaries or read the book by Aust, but everyone should have some thoughts or maybe discussions on the subject.
Okay, but does it succeed as a film? Not entirely. The actors as everyone agrees were excellent, the cinematography as well. You do think you are in the seventies. That in itself is amazing. The action scenes are done splendidly, especially at the beginning the riots during the visit of the Persian Shah which culminated in the shooting of a student which in turn was, at least to some extent, the origin of the rise of terror. Of course the film is episodic and there are too many characters in it, most of them are not introduced in any way and ten years of complex history cannot be told in an altogether satisfying way. But the film succeeds in giving us a sense of what was going on. The producer, Bernd Eichinger has been accused of vanity. Which is a funny thing. Of course, he is vain. He has the duty to be vain as long as he also feels a responsibility to make movies that try to tell something. And the challenge, he feels, is to say it to as many people as possible.
Okay, but does it succeed as a film? Not entirely. The actors as everyone agrees were excellent, the cinematography as well. You do think you are in the seventies. That in itself is amazing. The action scenes are done splendidly, especially at the beginning the riots during the visit of the Persian Shah which culminated in the shooting of a student which in turn was, at least to some extent, the origin of the rise of terror. Of course the film is episodic and there are too many characters in it, most of them are not introduced in any way and ten years of complex history cannot be told in an altogether satisfying way. But the film succeeds in giving us a sense of what was going on. The producer, Bernd Eichinger has been accused of vanity. Which is a funny thing. Of course, he is vain. He has the duty to be vain as long as he also feels a responsibility to make movies that try to tell something. And the challenge, he feels, is to say it to as many people as possible.
The movie of Edel and Eichinger is fine when it comes to sets and costumes. It seems to catch the mood of the late Sixties and Seventies very well. Also the lead actors Bleibtreu, Wokalek and Gedeck have delivered outstanding performances. Too bad, that they don't get a chance to really explore their characters: Too much else is going on in this movie, that completely loses its focus during the last hour. The closer we get to the end, the more it resembles a documentary with a few scenes of play cut in now and then.
The viewer is presented with a lot of facts - and violence - but the movie fails in decoding the often cited "myth" of the RAF. For example, I've always wondered, whether Baader was just a criminal or really politically motivated. Well, in the first half of the movie, Baader is portrayed as an outlaw, who enjoys provocation and fast cars. Later he delivers sophisticated political statements. A good movie should at least try to explain this development. DER BAADER MEINHOF KOMPLEX doesn't.
The viewer is presented with a lot of facts - and violence - but the movie fails in decoding the often cited "myth" of the RAF. For example, I've always wondered, whether Baader was just a criminal or really politically motivated. Well, in the first half of the movie, Baader is portrayed as an outlaw, who enjoys provocation and fast cars. Later he delivers sophisticated political statements. A good movie should at least try to explain this development. DER BAADER MEINHOF KOMPLEX doesn't.
Although being somewhat more than moderately interested in politics, I knew very little about the original activities on which this film is based. Having seen the film, I now feel vastly more knowledgeable on how world events in the late sixties and early seventies led from the emergence to the demise of this particular left wing faction. My attention was fully engaged throughout the film. I thought the screenplay brilliantly portrayed the way the mindset of the RAF developed as they became more and more convinced they were living in a police state. Acting and direction were superb throughout. In spite of the violence and repression being depicted, I was reassured by the fact that such thought provoking films can and are being made for today's cinema audiences. After seeing Die Welle (I think it was three times) earlier this year I am now very enthusiastic about German cinema and shall certainly be hoping to see Der Baader Meinhof Komplex at least once more on the big screen this year. A masterpiece of political film making. Highly recommended.
I liked this film primarily of how much it seemed to buck the formulaic American plot system. Don't get me wrong some American movies are cool, but they mostly all adhere to the same boring standards.
This film was incredibly bleak and honest, which I respected very much. Also it required that you think for yourself and develop your own opinions.
The plot revolves around a group of young people who go out to try to make a difference and yet don't really accomplish anything at all. I can't give away too much but I thought this was just beautiful and complex film-making. Very intelligent, it never tried to be cute or force any ideas on you, it simply was.
I know this is a vague review, but if you feel like seeing an intelligent complex drama then you must see this. Go German cinema!
This film was incredibly bleak and honest, which I respected very much. Also it required that you think for yourself and develop your own opinions.
The plot revolves around a group of young people who go out to try to make a difference and yet don't really accomplish anything at all. I can't give away too much but I thought this was just beautiful and complex film-making. Very intelligent, it never tried to be cute or force any ideas on you, it simply was.
I know this is a vague review, but if you feel like seeing an intelligent complex drama then you must see this. Go German cinema!
Lo sapevi?
- QuizAs an immediate reaction to the movie, Ignes Ponto, widow of Jürgen Ponto, whose assassination is portrayed in the movie, returned her Federal Cross of Merit. She was angry that the Federal Republic of Germany has never even created a memorial for victims of the RAF, but instead helped to finance films like this one about the members of the RAF. Also, she said, she had not been warned about the graphic portrayal of Ponto's assassination when she was invited to the movie premiere and felt humiliated by the producers for making her sit through this without a warning. About a month later, she filed a lawsuit against the producers, who claimed that every scene is historically accurate, because the assassination of her husband, which she had to witness from the next room, was not portrayed as it happened. She demands the scene of the murder of her husband be cut from the movie. The filmmakers claim that they had tried to contact her during production to get the scene right but she had no desire to cooperate. Before this movie, there had been no portrayal of Ponto's assassination on film and she felt the staging of the movie was lurid and dishonoring to her husband. As of this writing, no decision has been reached about the lawsuit.
- BlooperUlrike Meinhof's twin daughters Bettina and Regine first appear in the opening scene in 1967 when they are 9 years old. Yet 3 years later when living in Sicily and rescued by Stefan Aust, they haven't aged at all.
- Citazioni
Ulrike Meinhof: If you throw a stone, it's a crime. If a thousand stones are thrown, that's political. If you set fire to a car it's a crime; if a hundred cars are set on fire that's political.
- ConnessioniFeatured in Guinness World Records - Die größten Weltrekorde: Episodio #5.1 (2008)
- Colonne sonoreMercedes Benz
Written by Janis Joplin, Michael McClure
Performed by Janis Joplin
Produced by Paul A. Rothchild
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Baader Meinhof Complex
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 476.270 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.348 USD
- 23 ago 2009
- Lordo in tutto il mondo
- 26.937.355 USD
- Tempo di esecuzione
- 2h 30min(150 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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