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La banda Baader Meinhof

Titolo originale: Der Baader Meinhof Komplex
  • 2008
  • T
  • 2h 30min
VALUTAZIONE IMDb
7,3/10
41.164
LA TUA VALUTAZIONE
La banda Baader Meinhof (2008)
A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s. Based on Stefan Aust's best-selling nonfiction book.
Riproduci trailer2:16
1 video
99+ foto
Vero crimineAzioneBiografiaCrimineDrammaStoriaThriller

Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.

  • Regia
    • Uli Edel
  • Sceneggiatura
    • Bernd Eichinger
    • Uli Edel
    • Stefan Aust
  • Star
    • Martina Gedeck
    • Moritz Bleibtreu
    • Johanna Wokalek
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    41.164
    LA TUA VALUTAZIONE
    • Regia
      • Uli Edel
    • Sceneggiatura
      • Bernd Eichinger
      • Uli Edel
      • Stefan Aust
    • Star
      • Martina Gedeck
      • Moritz Bleibtreu
      • Johanna Wokalek
    • 132Recensioni degli utenti
    • 166Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 4 vittorie e 22 candidature totali

    Video1

    The Baader Meinhof Complex
    Trailer 2:16
    The Baader Meinhof Complex

    Foto141

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    + 135
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    Interpreti principali99+

    Modifica
    Martina Gedeck
    Martina Gedeck
    • Ulrike Meinhof
    Moritz Bleibtreu
    Moritz Bleibtreu
    • Andreas Baader
    Johanna Wokalek
    Johanna Wokalek
    • Gudrun Ensslin
    Bruno Ganz
    Bruno Ganz
    • Horst Herold
    Jan Josef Liefers
    Jan Josef Liefers
    • Peter Homann
    Nadja Uhl
    Nadja Uhl
    • Brigitte Mohnhaupt
    Alexandra Maria Lara
    Alexandra Maria Lara
    • Petra Schelm
    Heino Ferch
    Heino Ferch
    • Horst Herold Assistant
    Stipe Erceg
    Stipe Erceg
    • Holger Meins
    Niels-Bruno Schmidt
    Niels-Bruno Schmidt
    • Jan Carl Raspe
    • (as Niels Bruno Schmidt)
    Vinzenz Kiefer
    Vinzenz Kiefer
    • Peter-Jürgen Boock
    Tom Schilling
    Tom Schilling
    • Josef Bachmann
    Susanne Bormann
    Susanne Bormann
    • Peggy
    Simon Licht
    • Horst Mahler
    Daniel Lommatzsch
    Daniel Lommatzsch
    • Christian Klar
    Sebastian Blomberg
    Sebastian Blomberg
    • Rudi Dutschke
    Hannah Herzsprung
    Hannah Herzsprung
    • Susanne Albrecht
    Hans Werner Meyer
    Hans Werner Meyer
    • Klaus-Rainer Röhl
    • (as Hans-Werner Meyer)
    • Regia
      • Uli Edel
    • Sceneggiatura
      • Bernd Eichinger
      • Uli Edel
      • Stefan Aust
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti132

    7,341.1K
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    Recensioni in evidenza

    8perica-43151

    Another interesting German movie

    Germans have a quality wave of movies that reached wold audience in the early 21st century, after the Run Lola Run hit. This movie is perhaps not the best of the best, but is interesting, original and gives a story of one turbulent era with great detail and precision.
    8Liedzeit

    Necessary

    First of all this is a very important film. Just like the other "Big" film by Eichinger "Der Untergang" it confronts the German audience (and the world should it care) with some aspect of German history that people should know about. In this case the "myth" of the RAF. To everyone who lived through the seventies in Germany it is clear that the influence of the RAF on Germany can hardly be exaggerated. I was a kid but my impression at the time was that both sides were wrong. There was a constant fear of terror coming from the terrorists but also from the state. (People did not get jobs if it was suspected they were "left".) So to make a blockbuster film, even if it does not really explain the motives of the main characters involved, at least gives us some facts. Not everyone is prepared to watch documentaries or read the book by Aust, but everyone should have some thoughts or maybe discussions on the subject.

    Okay, but does it succeed as a film? Not entirely. The actors as everyone agrees were excellent, the cinematography as well. You do think you are in the seventies. That in itself is amazing. The action scenes are done splendidly, especially at the beginning the riots during the visit of the Persian Shah which culminated in the shooting of a student which in turn was, at least to some extent, the origin of the rise of terror. Of course the film is episodic and there are too many characters in it, most of them are not introduced in any way and ten years of complex history cannot be told in an altogether satisfying way. But the film succeeds in giving us a sense of what was going on. The producer, Bernd Eichinger has been accused of vanity. Which is a funny thing. Of course, he is vain. He has the duty to be vain as long as he also feels a responsibility to make movies that try to tell something. And the challenge, he feels, is to say it to as many people as possible.
    7CKDexter-4

    Mixed emotions

    The movie of Edel and Eichinger is fine when it comes to sets and costumes. It seems to catch the mood of the late Sixties and Seventies very well. Also the lead actors Bleibtreu, Wokalek and Gedeck have delivered outstanding performances. Too bad, that they don't get a chance to really explore their characters: Too much else is going on in this movie, that completely loses its focus during the last hour. The closer we get to the end, the more it resembles a documentary with a few scenes of play cut in now and then.

    The viewer is presented with a lot of facts - and violence - but the movie fails in decoding the often cited "myth" of the RAF. For example, I've always wondered, whether Baader was just a criminal or really politically motivated. Well, in the first half of the movie, Baader is portrayed as an outlaw, who enjoys provocation and fast cars. Later he delivers sophisticated political statements. A good movie should at least try to explain this development. DER BAADER MEINHOF KOMPLEX doesn't.
    8geoffgee

    An enlightening, brilliantly acted and thoroughly absorbing film .

    Although being somewhat more than moderately interested in politics, I knew very little about the original activities on which this film is based. Having seen the film, I now feel vastly more knowledgeable on how world events in the late sixties and early seventies led from the emergence to the demise of this particular left wing faction. My attention was fully engaged throughout the film. I thought the screenplay brilliantly portrayed the way the mindset of the RAF developed as they became more and more convinced they were living in a police state. Acting and direction were superb throughout. In spite of the violence and repression being depicted, I was reassured by the fact that such thought provoking films can and are being made for today's cinema audiences. After seeing Die Welle (I think it was three times) earlier this year I am now very enthusiastic about German cinema and shall certainly be hoping to see Der Baader Meinhof Komplex at least once more on the big screen this year. A masterpiece of political film making. Highly recommended.
    8giantpanther

    a great film that never could have been made in America

    I liked this film primarily of how much it seemed to buck the formulaic American plot system. Don't get me wrong some American movies are cool, but they mostly all adhere to the same boring standards.

    This film was incredibly bleak and honest, which I respected very much. Also it required that you think for yourself and develop your own opinions.

    The plot revolves around a group of young people who go out to try to make a difference and yet don't really accomplish anything at all. I can't give away too much but I thought this was just beautiful and complex film-making. Very intelligent, it never tried to be cute or force any ideas on you, it simply was.

    I know this is a vague review, but if you feel like seeing an intelligent complex drama then you must see this. Go German cinema!

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      As an immediate reaction to the movie, Ignes Ponto, widow of Jürgen Ponto, whose assassination is portrayed in the movie, returned her Federal Cross of Merit. She was angry that the Federal Republic of Germany has never even created a memorial for victims of the RAF, but instead helped to finance films like this one about the members of the RAF. Also, she said, she had not been warned about the graphic portrayal of Ponto's assassination when she was invited to the movie premiere and felt humiliated by the producers for making her sit through this without a warning. About a month later, she filed a lawsuit against the producers, who claimed that every scene is historically accurate, because the assassination of her husband, which she had to witness from the next room, was not portrayed as it happened. She demands the scene of the murder of her husband be cut from the movie. The filmmakers claim that they had tried to contact her during production to get the scene right but she had no desire to cooperate. Before this movie, there had been no portrayal of Ponto's assassination on film and she felt the staging of the movie was lurid and dishonoring to her husband. As of this writing, no decision has been reached about the lawsuit.
    • Blooper
      Ulrike Meinhof's twin daughters Bettina and Regine first appear in the opening scene in 1967 when they are 9 years old. Yet 3 years later when living in Sicily and rescued by Stefan Aust, they haven't aged at all.
    • Citazioni

      Ulrike Meinhof: If you throw a stone, it's a crime. If a thousand stones are thrown, that's political. If you set fire to a car it's a crime; if a hundred cars are set on fire that's political.

    • Connessioni
      Featured in Guinness World Records - Die größten Weltrekorde: Episodio #5.1 (2008)
    • Colonne sonore
      Mercedes Benz
      Written by Janis Joplin, Michael McClure

      Performed by Janis Joplin

      Produced by Paul A. Rothchild

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    Domande frequenti21

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    • What are the differences between the Theatrical Version and the Extended German Television Version?
    • What is the scene at the beginning with the man being shot? How does it fit into the movie?

    Dettagli

    Modifica
    • Data di uscita
      • 31 ottobre 2008 (Italia)
    • Paesi di origine
      • Germania
      • Francia
      • Repubblica Ceca
      • Marocco
      • Stati Uniti
    • Sito ufficiale
      • Constantin Film (Germany)
    • Lingue
      • Tedesco
      • Inglese
      • Francese
      • Svedese
      • Arabo
    • Celebre anche come
      • The Baader Meinhof Complex
    • Luoghi delle riprese
      • Ouarzazate, Marocco
    • Aziende produttrici
      • Constantin Film
      • Norddeutscher Rundfunk (NDR)
      • Bayerischer Rundfunk (BR)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 20.000.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 476.270 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 17.348 USD
      • 23 ago 2009
    • Lordo in tutto il mondo
      • 26.937.355 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 30min(150 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby SR
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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