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La banda Baader Meinhof

Titolo originale: Der Baader Meinhof Komplex
  • 2008
  • T
  • 2h 30min
VALUTAZIONE IMDb
7,3/10
41.108
LA TUA VALUTAZIONE
La banda Baader Meinhof (2008)
A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s. Based on Stefan Aust's best-selling nonfiction book.
Riproduci trailer2:16
1 video
99+ foto
AzioneBiografiaCrimineDrammaStoriaThrillerVero crimine

Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.Uno sguardo al gruppo terroristico tedesco, The Red Army Faction conosciuto come RAF, che ha organizzato attentati, rapine, rapimenti e omicidi alla fine degli anni '60 e '70.

  • Regia
    • Uli Edel
  • Sceneggiatura
    • Bernd Eichinger
    • Uli Edel
    • Stefan Aust
  • Star
    • Martina Gedeck
    • Moritz Bleibtreu
    • Johanna Wokalek
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    41.108
    LA TUA VALUTAZIONE
    • Regia
      • Uli Edel
    • Sceneggiatura
      • Bernd Eichinger
      • Uli Edel
      • Stefan Aust
    • Star
      • Martina Gedeck
      • Moritz Bleibtreu
      • Johanna Wokalek
    • 132Recensioni degli utenti
    • 166Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 4 vittorie e 22 candidature totali

    Video1

    The Baader Meinhof Complex
    Trailer 2:16
    The Baader Meinhof Complex

    Foto141

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    Interpreti principali99+

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    Martina Gedeck
    Martina Gedeck
    • Ulrike Meinhof
    Moritz Bleibtreu
    Moritz Bleibtreu
    • Andreas Baader
    Johanna Wokalek
    Johanna Wokalek
    • Gudrun Ensslin
    Bruno Ganz
    Bruno Ganz
    • Horst Herold
    Jan Josef Liefers
    Jan Josef Liefers
    • Peter Homann
    Nadja Uhl
    Nadja Uhl
    • Brigitte Mohnhaupt
    Alexandra Maria Lara
    Alexandra Maria Lara
    • Petra Schelm
    Heino Ferch
    Heino Ferch
    • Horst Herold Assistant
    Stipe Erceg
    Stipe Erceg
    • Holger Meins
    Niels-Bruno Schmidt
    Niels-Bruno Schmidt
    • Jan Carl Raspe
    • (as Niels Bruno Schmidt)
    Vinzenz Kiefer
    Vinzenz Kiefer
    • Peter-Jürgen Boock
    Tom Schilling
    Tom Schilling
    • Josef Bachmann
    Susanne Bormann
    Susanne Bormann
    • Peggy
    Simon Licht
    • Horst Mahler
    Daniel Lommatzsch
    Daniel Lommatzsch
    • Christian Klar
    Sebastian Blomberg
    Sebastian Blomberg
    • Rudi Dutschke
    Hannah Herzsprung
    Hannah Herzsprung
    • Susanne Albrecht
    Hans Werner Meyer
    Hans Werner Meyer
    • Klaus-Rainer Röhl
    • (as Hans-Werner Meyer)
    • Regia
      • Uli Edel
    • Sceneggiatura
      • Bernd Eichinger
      • Uli Edel
      • Stefan Aust
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti132

    7,341.1K
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    Recensioni in evidenza

    8giantpanther

    a great film that never could have been made in America

    I liked this film primarily of how much it seemed to buck the formulaic American plot system. Don't get me wrong some American movies are cool, but they mostly all adhere to the same boring standards.

    This film was incredibly bleak and honest, which I respected very much. Also it required that you think for yourself and develop your own opinions.

    The plot revolves around a group of young people who go out to try to make a difference and yet don't really accomplish anything at all. I can't give away too much but I thought this was just beautiful and complex film-making. Very intelligent, it never tried to be cute or force any ideas on you, it simply was.

    I know this is a vague review, but if you feel like seeing an intelligent complex drama then you must see this. Go German cinema!
    8TBJCSKCNRRQTreviews

    Never pleasant to watch

    I wish to clear up any mistake my summary for this might lead to: This is not poorly done. As for this being good or not, that is perhaps a little more subjective, as it may depend on your opinion of the RAF. This is another of the German films of recent years dealing with awful national situations of theirs, from a couple, to numerous, decades back. Whether it's therapeutic, apologetic, a third option or a mix of several that drives this trend, is up for debate. I find this and Der Untergang(or "Downfall") to be exceptionally well-done. As was also the case with that one, this requires you to pay close attention. The pace comes about as close to being outright overpowering - for two and a half hours straight, mind you - as it can, without crossing the line into it. This does also somewhat expect you to be familiar with the overall occurrences, otherwise, you may be confused and have trouble keeping track and following it. This is rather intense. It is a quite strong piece. Featured is an immense amount of violence, which is often graphic. The attitude towards nudity and sexuality is very relaxed. This is disturbing. It is by no means for the faint of heart, and mainstream audiences, if they give this a chance, should not expect it to be "enjoyable", in the traditional sense. It is not "funny". It is powerful. The cinematography and editing are excellent. The acting performances are beyond reproach. I don't know all the facts, but I understand that this isn't completely historically accurate, though it seems to come fairly close. The production values are incredible. I recommend this to anyone interested in an authentic drama based on the Rote Armee Fraktion. 8/10
    7CKDexter-4

    Mixed emotions

    The movie of Edel and Eichinger is fine when it comes to sets and costumes. It seems to catch the mood of the late Sixties and Seventies very well. Also the lead actors Bleibtreu, Wokalek and Gedeck have delivered outstanding performances. Too bad, that they don't get a chance to really explore their characters: Too much else is going on in this movie, that completely loses its focus during the last hour. The closer we get to the end, the more it resembles a documentary with a few scenes of play cut in now and then.

    The viewer is presented with a lot of facts - and violence - but the movie fails in decoding the often cited "myth" of the RAF. For example, I've always wondered, whether Baader was just a criminal or really politically motivated. Well, in the first half of the movie, Baader is portrayed as an outlaw, who enjoys provocation and fast cars. Later he delivers sophisticated political statements. A good movie should at least try to explain this development. DER BAADER MEINHOF KOMPLEX doesn't.
    7alexandermangoldt

    What you see is what you get (nothing more)

    I watched the movie at a teacher's screening in Wuppertal on a Sunday morning. I was quite impressed with the accurate and detailed portrayal of the RAF and the events of the so called 'German fall' (Deutscher Herbst). I myself knew of many of the events beforehand and thanks to documentaries such as Veiel's Black Box BRD and Breloer's Todesspiel I was able to compare. For the two and some hours that the movie lasted I was on the edge of my seat. None of the scenes were boring, everything was well paced (at times maybe a little too fast paced) and I felt like I was being taken back to the important past of my native country. However, at the end I felt a little empty. The documentaries I just mentioned focused on only one story, but these documentaries were better because they gave us an in-depth analysis of the opposing forces (the bourgeoisie, the elite and the socialist rebels).

    The portrayal of Meinhof and Baader seems accurate, too, but often I wondered if Baader really was the small-time crook he's made out to be in the movie. Except for Meinhof and Ensslin nobody seems to have some really deep thoughts about what was (is) wrong with our society. Mohnhaupt played by Nadja Uhl isn't explained at all, she's just there all of a sudden and we just go along thinking that she is in it for the same reasons as everybody else (Which are???).That way the movie seemed a little biased, as if trying to tell us that the RAF was mainly criminal and not so much political. Although I believe that a lot of their motives were right, even though they didn't justify any of the actions.

    Bruno Ganz as Herold is allowed to play his character in a way that everyone thinks of the German government at the time as a dignified and moderate administration although I don't believe that to be true (after all, Herold said that he can only cure the symptoms of the RAF disease but not the disease itself, yet he didn't do anything to make the German people understand that the RAF is not altogether wrong when it accuses the German people of laziness, cowardice and complacency).

    Now, leaving the movie, I figured that there was nothing much left to talk about. The teacher material that we received was pretty useless, because it doesn't offer any interesting topics for discussion. I for one think it would be interesting to discuss the present situation (bureaucracy, war in Iraq, terrorism) with the situation of Germany in the 70's. We are still dealing with many of the problems that caused the insurgency and civil disobedience back then, yet today we don't do anything at all. We are dissatisfied with the Bush administration, we oppose the war in Iraq and Afghanistan, we suffer from a financial crisis mainly caused by the deregulated free market economy (capitalism) and we watch the divide between the rich and the poor getting bigger and bigger.

    However, the youth of today doesn't protest. Why not? Maybe because we taught them well that in the end it's everyone for themselves and that it's best to be obedient, docile and commonorgarden if you want at least a little security in your life. One of the stronger scenes was the one where Ensslin accuses Meinhof of jerking off on her socialist theories instead of actually doing something. That's where you can see how Meinhof was influenced by the RAF. Finally she met some people who were willing to take action instead of just talking and philosophizing about a better world. This scene lends itself well to the follow-up scene in which Meinhof helps Baader to escape from prison. The jump from the window sill is a the same time a jump towards extremism.

    Well, all in all, I think it's a good film to get people interested in Germany's past but it can only be the beginning of a more subtle analysis of what the RAF stood for and what it was trying to do.
    8perica-43151

    Another interesting German movie

    Germans have a quality wave of movies that reached wold audience in the early 21st century, after the Run Lola Run hit. This movie is perhaps not the best of the best, but is interesting, original and gives a story of one turbulent era with great detail and precision.

    Trama

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      As an immediate reaction to the movie, Ignes Ponto, widow of Jürgen Ponto, whose assassination is portrayed in the movie, returned her Federal Cross of Merit. She was angry that the Federal Republic of Germany has never even created a memorial for victims of the RAF, but instead helped to finance films like this one about the members of the RAF. Also, she said, she had not been warned about the graphic portrayal of Ponto's assassination when she was invited to the movie premiere and felt humiliated by the producers for making her sit through this without a warning. About a month later, she filed a lawsuit against the producers, who claimed that every scene is historically accurate, because the assassination of her husband, which she had to witness from the next room, was not portrayed as it happened. She demands the scene of the murder of her husband be cut from the movie. The filmmakers claim that they had tried to contact her during production to get the scene right but she had no desire to cooperate. Before this movie, there had been no portrayal of Ponto's assassination on film and she felt the staging of the movie was lurid and dishonoring to her husband. As of this writing, no decision has been reached about the lawsuit.
    • Blooper
      Ulrike Meinhof's twin daughters Bettina and Regine first appear in the opening scene in 1967 when they are 9 years old. Yet 3 years later when living in Sicily and rescued by Stefan Aust, they haven't aged at all.
    • Citazioni

      Ulrike Meinhof: If you throw a stone, it's a crime. If a thousand stones are thrown, that's political. If you set fire to a car it's a crime; if a hundred cars are set on fire that's political.

    • Connessioni
      Featured in Guinness World Records - Die größten Weltrekorde: Episodio #5.1 (2008)
    • Colonne sonore
      Mercedes Benz
      Written by Janis Joplin, Michael McClure

      Performed by Janis Joplin

      Produced by Paul A. Rothchild

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    Domande frequenti21

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    • What are the differences between the Theatrical Version and the Extended German Television Version?
    • What is the scene at the beginning with the man being shot? How does it fit into the movie?

    Dettagli

    Modifica
    • Data di uscita
      • 31 ottobre 2008 (Italia)
    • Paesi di origine
      • Germania
      • Francia
      • Repubblica Ceca
      • Marocco
      • Stati Uniti
    • Sito ufficiale
      • Constantin Film (Germany)
    • Lingue
      • Tedesco
      • Inglese
      • Francese
      • Svedese
      • Arabo
    • Celebre anche come
      • The Baader Meinhof Complex
    • Luoghi delle riprese
      • Ouarzazate, Marocco
    • Aziende produttrici
      • Constantin Film
      • Norddeutscher Rundfunk (NDR)
      • Bayerischer Rundfunk (BR)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 20.000.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 476.270 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 17.348 USD
      • 23 ago 2009
    • Lordo in tutto il mondo
      • 26.937.355 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h 30min(150 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby SR
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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