VALUTAZIONE IMDb
6,2/10
4499
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices... Leggi tuttoA pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.A pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Joe Silvaggio
- Sheldon
- (as Joey Beck)
Recensioni in evidenza
WARNING: This movie is unapologetically Canadian... which, in this case, is a good thing. Especially when this film could have been set in any city, town or village in the world.
I expected a low-budget, independent attempt at art. And what starts as out tragic and dark, grows into a fun, "what can happen now" sort of adventure that is surprisingly amusing. Yes, it's goofy at times. Yes, it borders on ridiculous, too. But dammit, it's fun. It carefully dances on the fine line of gross tragedy and outright slapstick, but doesn't quite cross the line either way.
The production value is fairly high, even if the budget wasn't. (The gritty darkness really suits the adventures of two junkies, anyway.) Scott Speedman and Wes Bentley build a real chemistry that grows on you and it's really good to see Bentley in a role that is FINALLY likable. Taryn Manning also does a good job, although I fear she's going to get pigeon-holed into similar roles. She deserves better. The rest of the cast does a solid job with no obvious weak link.
Finally, people are going to draw a lot of similarities to other movies. I would like to think of this as a strange cross between "Fear And Loathing In Las Vegas" and "Dude, Where's My Car?", with it leaning favourably toward the Dude side. It has a couple of introspective, deep moments, but balances it out with lighter, playful moments the rest of the time.
Really, if you ever "got the joke" of "Dude, Where's My Car?" or even found some sick humour out of the head trip of "Fear And Loathing..." check out "Weirdsville". You may be pleasantly surprised. 8 out of 10.
I expected a low-budget, independent attempt at art. And what starts as out tragic and dark, grows into a fun, "what can happen now" sort of adventure that is surprisingly amusing. Yes, it's goofy at times. Yes, it borders on ridiculous, too. But dammit, it's fun. It carefully dances on the fine line of gross tragedy and outright slapstick, but doesn't quite cross the line either way.
The production value is fairly high, even if the budget wasn't. (The gritty darkness really suits the adventures of two junkies, anyway.) Scott Speedman and Wes Bentley build a real chemistry that grows on you and it's really good to see Bentley in a role that is FINALLY likable. Taryn Manning also does a good job, although I fear she's going to get pigeon-holed into similar roles. She deserves better. The rest of the cast does a solid job with no obvious weak link.
Finally, people are going to draw a lot of similarities to other movies. I would like to think of this as a strange cross between "Fear And Loathing In Las Vegas" and "Dude, Where's My Car?", with it leaning favourably toward the Dude side. It has a couple of introspective, deep moments, but balances it out with lighter, playful moments the rest of the time.
Really, if you ever "got the joke" of "Dude, Where's My Car?" or even found some sick humour out of the head trip of "Fear And Loathing..." check out "Weirdsville". You may be pleasantly surprised. 8 out of 10.
What a fabulous movie full of oddball characters and realistic dialog that is very funny. Two junkies come up with a scheme to pull a job in order to pay off a debt they can't pay at the moment. They get chased by Satan worshipers, dwarfs(or are they gnomes?), and of course the cops now and then. Every twist in this movie is a turn into something bizarre and unexpected and delicious.
I love the character of the female Satan worshiper Treena she's able to kick some ass and nothing looks sexier on a woman than some spirit like that. Maggie Castle soaks up and RULES this minor role and is absolutely delicious in every frame. Maggie Castle - MEOW!!
One of the great things that keeps this movie together is the dialog between old party buddies, it felt very real with the games they play on each other all the time and the continual verbal sparring adds a nice jump to the flick's pace.
This movie reminded me of Pulp Fiction or Killing Zoe or Love is a .45, or Way of the Gun in the way it's an indie style road movie with weird characters all over the place.
I love the character of the female Satan worshiper Treena she's able to kick some ass and nothing looks sexier on a woman than some spirit like that. Maggie Castle soaks up and RULES this minor role and is absolutely delicious in every frame. Maggie Castle - MEOW!!
One of the great things that keeps this movie together is the dialog between old party buddies, it felt very real with the games they play on each other all the time and the continual verbal sparring adds a nice jump to the flick's pace.
This movie reminded me of Pulp Fiction or Killing Zoe or Love is a .45, or Way of the Gun in the way it's an indie style road movie with weird characters all over the place.
It's great to see a film that moves along so freely and easily but also has a clever writer behind it.
Someone mentioned that the film was being touted as Trainspotting shot in Canada with laughs. Trainspotting didn't cross my mind once during this film. I liked Trainspotting when it came out, but if there was one criticism you could make it was that the film took itself a little too seriously. Thankfully this film doesn't and is all the better for it. Everything about it feels fresh and you really get the feeling that everyone involved enjoyed making it. The acting has a nice improvised quality and script is a perfect mix of playful whimsy and taut storyline.
If you got out the wrong side of the bed, don't go and see this. If you're looking for an enjoyable and refreshing 90 minutes that restores your faith in low budget films, buy a ticket.
Someone mentioned that the film was being touted as Trainspotting shot in Canada with laughs. Trainspotting didn't cross my mind once during this film. I liked Trainspotting when it came out, but if there was one criticism you could make it was that the film took itself a little too seriously. Thankfully this film doesn't and is all the better for it. Everything about it feels fresh and you really get the feeling that everyone involved enjoyed making it. The acting has a nice improvised quality and script is a perfect mix of playful whimsy and taut storyline.
If you got out the wrong side of the bed, don't go and see this. If you're looking for an enjoyable and refreshing 90 minutes that restores your faith in low budget films, buy a ticket.
From Jaws as a lady, to a Canadian romp of Satanists, gangsters and fighting midgets, Weirdsville certainly lives up to its title. Allan Moyle, the director of 1990's Pump Up the Volume, directs another tale of disaffected youth featuring a pair of junkies as an entertaining double act, Royce and Dexter (Wes Bentley and Scott Speedman). Trying to steal money to pay back their thumb threatening local gangster, the plot includes over doses and slap dash midnight burials in reference to 90s film-cool, Shallow Grave and Pulp Fiction. But Moyle adds enough of his own visual exuberance to defy unflattering comparisons and his hallucinogenic effects lend extra scope to the irreverent caper humour. Music video quality moments are depicted in beautiful shots of drug fuelled euphoria including Dexter skating bare foot through the snow sprinkled streets of an Ontarian cityscape.
Occasionally the visual tricks jar in a Family Guy style but the interjections are smoothed over by our fortunately endearing duo and their dumb but smart dialog. Most enjoyably Weirdsville doesn't take itself too seriously and the ludicrous storyline is filled with bizarre non sequiturs; stopping to note a single green leaf that remains on an ice covered tree, for instance, is quite touching especially as they're on route to rob a millionaire's mansion. The nonstop pace and assortment of comic characters ensures that no minute drags on longer than it should, and the climax is appropriately gung ho. By turns genuinely engaging and laugh out loud funny, Weirdsville is daft but brilliant.
Occasionally the visual tricks jar in a Family Guy style but the interjections are smoothed over by our fortunately endearing duo and their dumb but smart dialog. Most enjoyably Weirdsville doesn't take itself too seriously and the ludicrous storyline is filled with bizarre non sequiturs; stopping to note a single green leaf that remains on an ice covered tree, for instance, is quite touching especially as they're on route to rob a millionaire's mansion. The nonstop pace and assortment of comic characters ensures that no minute drags on longer than it should, and the climax is appropriately gung ho. By turns genuinely engaging and laugh out loud funny, Weirdsville is daft but brilliant.
No pun intended - also not really giving away anything, because you have to find out the answer for yourself ... if you watch the movie that is of course. And this quite strange movie is really interesting. It is all over the place, but in that it does kind of copy or inherit the strangeness and the weirdness of its main characters ... off to Weirdsville then.
Really good actors in this too - I had no idea Wes and Scott had done a movie together! This is an odd one anyway. Add to that Taryn and you have quite the trio (of disaster?) ... they are in over their head for sure - but nothing that is not entertaining to watch. You have to keep close watch on what they try to do and where the story is taking us ... because there are some strange turns ... and now I think I have used all the words to describe something out of the ordinary ... quite fitting.
Really good actors in this too - I had no idea Wes and Scott had done a movie together! This is an odd one anyway. Add to that Taryn and you have quite the trio (of disaster?) ... they are in over their head for sure - but nothing that is not entertaining to watch. You have to keep close watch on what they try to do and where the story is taking us ... because there are some strange turns ... and now I think I have used all the words to describe something out of the ordinary ... quite fitting.
Lo sapevi?
- QuizAccording to an interview he gave to the New York Times in 2010, Wes Bentley appeared in this movie during the middle of decade-long, extremely serious addiction to cocaine and heroin. He said in that interview that he only accepted any movie roles during that time so that he would have money to buy enough drugs.
- Curiosità sui crediti[SPOILER]: There's a scene after the end credits of an infomercial funded by Jason Taylor promoting Ciga-Tea, one of Royce's product ideas.
- ConnessioniReferences Il mago di Oz (1939)
- Colonne sonoreStruggle, Struggle, Struggle
Written by Ryan Weber and Sam Weber
Performed by The Weber Brothers
Courtesy of LastJack Entertainment
Published by LastJack Entertainment (SOCAN)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 8161 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2862 USD
- 7 ott 2007
- Lordo in tutto il mondo
- 9700 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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