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Let's face it, often we go to the cinema for a bit of inconsequential fun. In case you were in any doubt, Music and Lyrics kicks off with an 80s-style Wham-like video of a band called as 'PoP'. Firmly tongue in retro-chic, Hugh Grant is Alex Fletcher, the washed-up has-been now playing the nostalgia circuit for middle-aged housewives. He meets bubbly Sophie Fisher (Drew Barrymore) who waters the plants in his apartment but has a knack for writing lyrics. This saves his day when current pop-diva princess Cora asks him to write and record a duet with her.

Chances are you are now reaching for the vomit bag or saying that maybe sounds like quite a giggle. If you can stomach the idea of Hugh Grant singing his own songs and staging a come back then rest assured, this is a very polished and unsubstantial rom-com. He and Drew Barrymore propel the movie with energy, wit and a warm, lovable enthusiasm. While perhaps doing little more than playing new aspects of themselves, it is a delightful performance, and one backed up with catchy songs, a fabulous debut by Haley Bennett (Cora) and a heartfelt, realistic script.

Cora is a sort of teenage megastar, somewhere between Shakira, Britney Spears and a youthful Madonna. Her elaborate stage-shows have a 'Buddhism & thong'(mysticism and sex) philosophy. Here, as with Alex and Sophie, the echelons of the music world seem realistically portrayed. While the matches seem unbelievable at first, by the end of the film we want Hugh and Drew to continue their romance offstage, just as with classic romance films of the 30s, so by any mainstream yardstick, Music and Lyrics is a success. The film is as unpretentious as its two lead actors, makes no great claims, and satisfies Valentine's Day release requirements with a sincerity that takes it a notch above the average cheese. Casting is spot-on, even down to Sophie's older (and much larger) sister, who has similar characteristics and mannerisms. It's easy viewing, and even contains nothing unsuitable for older children. If you want more sophisticated and substantial fare, you probably don't need film reviews to find your way to the nearest art-house cinema or Oscar blockbuster. But for straight enjoyment, Music and Lyrics slides down like a very reasonable glass of rich chardonnay. Silly, formulaic, but rather well done.

From the moment the movie started it was apparent that it was going to be cute. The opening sequence is a hoot and must have been incredibly fun for Hugh Grant. I, as well as the most of the audience started laughing as soon as the movie came on. First time watching a movie that I didn't even notice the opening credits. I really liked the chemistry between Grant and Barrymore. They played well against each other. I could do without the woman from Third Rock From the Sun. I find that she acts a tad too cartoonish in her show/films and this one is no exception. Nice to see Brad Garrett in a straight role. I love the fact that actors and actresses are doing their own singing. I like movies that don't stop at the end of the movie, but have fun things to watch during the closing credits. I suggest you stay for them.

Love the film. But, it has one scene (breakfast) which must have been filmed when the continuity person was terminated and before the new person was hired.

Watch the scene. It was shot at least three times (possibly four) and cut together. Watch the plates, glasses, hands, sitting forward or sitting back, etc. All of this is screen center and by the primaries, not atmosphere. Seriously funny to watch. The largest number of continuity errors I have ever seen in a single scene.

Other than that, the overall film is a fun watch.

Oh, and don't stop watching... the story continues through the credit roll.

This is a nice rom com as lighthearted as mesmerizing. First, we feel an alchemy between the two main protagonists, Alex Fletcher and Sophie Fisher, even if these two people seem diametrically opposed, at first glance. This is not a love at first sight, but we see them taming to each other, as the fox and the little prince written by Antoine de Saint-Exupéry in 1943. Then, I like this constant self-mockery about the cheesy band called Pop, the introduction and last scenes, and the manifold hilarious references of the Battle of the 80's Has-Beens. Finally, the dialogues are excellent with a permanent British humour. Oops... I've almost forgotten: the cast is globally excellent, especially Hugh Grant and Drew Barrymore.

I've just read the first review on here and I'm a little surprised at the things it said but as always, these things are only an opinion. Anyway, I went to the World Premiere last night and here's what I thought.

The plot is fairly simple - Hugh Grant plays a washed out 80s pop star with a flair for melodies but no clue about lyrics. Cue the dizzy plant-girl (do people really have a plant-girl??) Drew Barrymore who can throw lyrics together without a problem. The relationship between Drew and Hugh is built well - especially when you remember that Drew is 31 and Hugh is 47. There's nothing wrong with such a gap, I'm simply saying the chemistry is there (or they would have looked a little creepy).

Haley Bennett plays Cora, a Britney/Christina/Shakira mish-mash who is looking to do a duet with Hugh's character. She is brilliant at the shallow, superficial teen-nymphette and it's a surprise to see that it's her first feature. And check out her costumes! The soundtrack is good fun - pretend 80s songs mix with Cora's modern pop and the Hugh/Drew demo track is nice too. One of the songs sounds a bit like The Whitlams. The spoken section at the very start of the film sounded awful but the rest was fine - maybe the cinema's problem but I was in the Odeon Leicester Square....

The editing seemed a tiny bit, er, clunky at times - scenes cut into each other messily and dialogue at one point seemed to be cut short. It hadn't been but it just sounded that way at the time.

I didn't expect to like the film that much - I only went as I fancy Drew to bits (and having seen her close up I'm right to!) but both my girlfriend and I came out laughing and humming the main song. It's genuinely as good as any other Hugh Grant film and is another great performance from Drew (though it doesn't get near Wedding Singer or Doppelganger (joking about Doppelganger)). It's well worth going to see at the cinema and is a proper feel good rom-com. There's no shame in it for us fellas as Drew is nice to look at, as is Haley. My girlfriend loved it.