The Thirst

This film is really awful.

The acting is bad, ... the writing is bad, ... the directing is bad, ... even the cutting/editing is bad. And it does take a lot for a film to be so dismally bad that even as a layman you can literally witness each and every one of the bad editing decisions.

I like vampire films; and I do know that there are some films that can be good even though they are bad.

But this film here has absolutely no redeeming features.

It isn't trashy cult, ... it isn't unintentionally funny, ... nothing of the sort.

--> It is just plain bad.

Plot is about a terminal ill woman's last ditched attempt to keep alive, thanks to a late night visit from a vampiric nurse, only set back being she didn't tell her boyfriend her plans, so when he finds her months later dancing in a seedy nightclub after being supposedly dead, he gets roped into joining her new found vampire family. Then they decide to try kick the vampire urge by going cold turkey.

The "Requiem For A Dream Meets Near Dark" tagline for this was always going to be hard for it to live upto. And sadly though pretty obviously this doesn't come close to either.

But that said its a very entertaining horror film once it picks up, has bucket loads of blood, heaps of throw away laughs and enough twisted off the wall madness to keep even the most hard to please horror fan happy.

Great to see Fireflys Jayne aka Adam Baldwin turn up in a horror movie but even he's outdone by the thin white duke English vampire played by Neil Jackson (Duke is also in The Thirst (2006) by Tom Shell).

Director Jeremy Kasten is slowly but surely rising to the top tier of new American horror genre directors, hopefully this is a sign of things to come specially as his next feature is a remake of HG Lewis's Wizard Of Gore. One I'm sure horrorheads don't want to see messed up.

The Thirst gets a very respectful 7/10 from me, leaving me thirsty for more of the same.

It's a total "Near Dark" rip-off and some of the elements suffer in comparison to the original and tonally it's kind of scatter-shot, uncontrolled, but very fun and interesting in its own way. One interesting thing is how it takes the drug-addiction metaphor angle-- familiar from "Near Dark" and Abel Ferarra's "The Addiction"-- and runs with it in a really enjoyable, over-the-top way.

It's also very well directed though you can see here and there where the speed and pressure of low budget production led to a few key scenes not being as executed as well as possible. But that's really kind of a quibble.

I recommend it.

I'm something of a connoisseur of vampire movies. Even the bad ones are usually fun to watch. But this one... it just fell flat. Firstly, it's got nothing in it that we haven't already seen in a hundred other vampire movies. Second of all, I found it difficult to identify with or care about either of the main characters at all. They're not particularly interesting, despite several formulaic attempts to give them "depth." The only characters who are even remotely interesting or fun are the so-called "bad guys"--the vampires. Adam Baldwin, playing pretty much the same character he played in Firefly and Serenity; Neil Jackson, with whom I was previously unfamiliar, but marginally impressed; and Jeremy Sisto, who is clearly having a blast in this film, switching back and forth seemingly at random between a Russian accent and a Southern one (which was possibly the best part of the movie). Far from the first movie to have its villains be more engaging than its heroes, of course. But the problem is that the lives and histories of these characters--teeming with potential--are only just barely mentioned or hinted at. This movie could have scored at least another point or two with me if they had told it from the vampires' point of view, rather than the couple.

Fans of Buffy and Angel might want to give this movie a look, as it has no less than three former cast members: Clare Kramer, Adam Baldwin, and Tom Lenk (the other bright spot of the movie--he's hilarious). But anyone who doesn't recognize the names I just mentioned would do best to stay away.

A woman seemingly dies of cancer. But her boyfriend soon discovers her at a goth club where she has joined a cult of vampires led by Jeremy Sisto. Of course, the boyfriend joins the cult and then the fun begins...

I had my worries about this one. A low budget film, with "Starz" mentioned about eight times before the film even begins (okay, Starz, I get it... just chill out). And a vampire story, which is one of the more overdone horror branches exploited today. On top of this all, the case claims it's "Requiem For a Dream" meets "Near Dark" and we should always be aware these sorts of comparisons are never accurate (except with "The Hunt" -- see separate review).

In all fairness, this film did have some elements of "Requiem", though I wouldn't say it was quite on that level. And it was a really good movie once it got going. I particularly need to say the makeup and special effects crew did a wonderful job. The lead actress (Clare Kramer of "Buffy the Vampire Slayer") transformed radiantly fro ma dumpy cancer patient to a glorious stunning vampire. And the blood! Oh my, the blood! This film sets a new standard on blood spray. Without being over the top like "Kill Bill", this film has more blood spray than you'll ever see in a movie. Maybe that's the only thing the special effects guy does, but he does it so well it hurts.

And I can't sell the cast short. Jeremy Sisto, as I say, is wonderful as always. He may have played Jesus Christ, but his best roles remain his Satanic horror roles. Clare Kramer was great, all of the supporting cast was great. I'd like to spotlight Tom Lenk (another "Buffy the Vampire Slayer" veteran), whose part was much too small in this film -- though he had enough time to make a gay reference about himself, which seems to be a running theme with Lenk.

Who picked out the soundtrack? Science bless that individual! A few Rasputina favorites (a remix of "State Fair" and "antique-high-heel-red-doll-shoes") and some other goth and industrial blends. I couldn't have down any better myself (the only man who does a better job with his soundtracks is director Gregg Araki). I now own the DVD, but would gladly purchase the soundtrack so I could listen to this film in my car and be reminded of the great dance club scenes and blood-spraying massacres.

Despite hundreds of vampire films flooding the market every year (okay, a slight exaggeration) this one is not derivative but actually offers a good story. What is more important? Love? Eternal life? Friendship? These issues are explored... that, and the whole idea of overcoming addiction (remember the "Requiem for a Dream" comparison). I highly recommend this film. Next to the other films I've watched recently ("The Hunt", "Heartstopper", "Dark Ride" and "The Odd Couple II"....) this is a panacea for my cinematic ills. Thank you, Starz!