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IMDbPro

De brief voor de koning

  • 2008
  • 1h 50min
VALUTAZIONE IMDb
5,9/10
1582
LA TUA VALUTAZIONE
Yannick van de Velde, Quinten Schram, and Hanna Schwamborn in De brief voor de koning (2008)
Avventura

Aggiungi una trama nella tua linguaThe medieval quest of sixteen-year old Tiuri, who risks his future as a Knight to fulfill a promise, and in so doing discovers adventure, honor, valor and love.The medieval quest of sixteen-year old Tiuri, who risks his future as a Knight to fulfill a promise, and in so doing discovers adventure, honor, valor and love.The medieval quest of sixteen-year old Tiuri, who risks his future as a Knight to fulfill a promise, and in so doing discovers adventure, honor, valor and love.

  • Regia
    • Pieter Verhoeff
  • Sceneggiatura
    • Tonke Dragt
    • Maarten Lebens
    • Pieter Verhoeff
  • Star
    • Yannick van de Velde
    • Quinten Schram
    • Rüdiger Vogler
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,9/10
    1582
    LA TUA VALUTAZIONE
    • Regia
      • Pieter Verhoeff
    • Sceneggiatura
      • Tonke Dragt
      • Maarten Lebens
      • Pieter Verhoeff
    • Star
      • Yannick van de Velde
      • Quinten Schram
      • Rüdiger Vogler
    • 14Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 1 candidatura in totale

    Foto1

    Visualizza poster

    Interpreti principali33

    Modifica
    Yannick van de Velde
    Yannick van de Velde
    • Tiuri
    Quinten Schram
    Quinten Schram
    • Piak
    Rüdiger Vogler
    Rüdiger Vogler
    • Koning Unauwen…
    Lars Rudolph
    Lars Rudolph
    • Slupor
    Victor Reinier
    Victor Reinier
    • Ristridin
    Daan Schuurmans
    Daan Schuurmans
    • Bendoe
    Raymond Thiry
    Raymond Thiry
    • Tiuri de Dappere
    Derek de Lint
    Derek de Lint
    • Koning Dagonaut
    Gijs Scholten van Aschat
    Gijs Scholten van Aschat
    • Edwinem
    Kees Boot
    Kees Boot
    • Jaro
    Hans Dagelet
    Hans Dagelet
    • Warmin
    Michiel Romeyn
    Michiel Romeyn
    • Roverhoofdman
    Uwe Ochsenknecht
    Uwe Ochsenknecht
    • Rafox
    Steven Stavast
    Steven Stavast
    • Broeder Martijn
    Jeroen Willems
    Jeroen Willems
    • Tolheer
    Kees Hulst
    Kees Hulst
    • Broeder Laurentius
    Ronald Top
    Ronald Top
    • Ewijn
    Victor van Bergen Henegouwen
    Victor van Bergen Henegouwen
    • Arwaut
    • Regia
      • Pieter Verhoeff
    • Sceneggiatura
      • Tonke Dragt
      • Maarten Lebens
      • Pieter Verhoeff
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

    5,91.5K
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    Recensioni in evidenza

    7johnfromthemountain

    Nice movie

    An entertaining movie. I even want to go so far to say it's a "must see". The actors speak like they are in a movie that's taking place in the present time, but that,s something you forget soon. The movie keeps me interested. Like in the book, the surroundings en clothing are perfect. Famous actors in the Netherlands are almost unrecognizable, so the grime(make-up) is good also. Furthermore I want to say that the previous comment is a bit far-fetched. If you look hard in any movie you find some problems en bloopers. With the knowledge of his comment i saw this movie again and stay to my opinion as mentioned above. The book is very old. It's written in the sixties. The movie however can compete with every other.
    3c-i-z-ler

    Hasted garbage

    This movie is dreadful. I really can not understand why the director is being praised for what he created here.

    Every scene seems to be rushed, as if there wasn't enough film in the camera. Like when Piak throws Tiuri his sword. Piak doesn't throw it further than a few feet yet when the camera changes its angle, all of a sudden the sword flies another 8 feet. Is it such a bother to just throw that sword a few times more often?

    And then there are the actors, almost all of them the best Holland has to offer and a few of Germany's great. How come none of these fine actors seem to shine in their parts? Isn't it a big part of the directors work to ensure they do their best?

    Then there are parts of the book that are altered for no good reason. Why doesn't this film start with Tiuri in the chapel? That would have been a great introduction for the main character. A dim lit chapel, and then the knock on the door and the cry for help. It is easy to convey a bit a drama to that, but it doesn't happen. Vokia is also wounded, no idea why, he wasn't in the book. And it doesn't quite fit either.

    There are parts that I liked in this movie. The shots of the landscape through which Tiuri goes are pretty good. The actor that plays Jaro does a good job. And when Tiuri meets the lord of the toll I got an emotional response from this performance, even though it doesn't really make sense in light of the book.

    All in all, I just think it is too bad they didn't put some more effort into this. It could have been something if the makers would have just spend some more time in preparing dramatic effect, storyboard and a decent script.

    I sincerely hope they don't ruin another great book by Tonke Dragt.

    A disappointed fan.
    1mdaf_2

    When terrible is in need of even worse...

    After hearing Tonke Dragt's "brief voor de koning" was about to be filmed I really was looking forward to it. "Kruistocht in spuikerbroek" showed a dutch filmmaker can do really well. So when I saw the trailer and read about it, I hasted myself towards the cinema, assuming this would be a great two hours movie.

    In the beginning all was fine, nice locations, beautiful costumes, all looked like it could be part of the book. But then, after ten minutes or so, the audio became very irritating with horrible lip syncing. It looked like afterwards in the audio recording studio the director forgot to show the movie and actors had to read their lines straight from paper … at once, without retries or any rehearsal. And why didn't any one bother to think about distance?? On film the actors turn their head, walk away, stand one meter from the camera or ten, but the volume is always the same.

    I guess I could get used to this, wasn't it for the horrible stage acting pronunciation. I mean, if an actor is on stage he should speak as clear as possible. But hey, this is cinema, the audio comes from several speakers, speak naturally, do not overdo it! Then there's the acting, how many shots did it take to make this movie, only one? Was half of all shooting days wasted on rehearsals? With every single scene I was under the impression the director shouted "Great, well done! Next one!" You can sometimes even see main characters without lines looking around like "what am I doing here, or hey, what kind of lens is that cameraman using?" And then the locations, though well chosen, did anyone really bother to recheck them before filming?? Why are electricity cables running on walls in a medieval setting? And was it so hard to cover up twenty century electricity boxes?? After this, I think it was twenty minutes into the movie, everything became very annoying. The night shots taken at day time with dark filters, but with the sunny shadows so clearly visible. The rare good acting of even fewer actors became bad, rapped by bad voice recording.

    And then, halfway through the movie I became angry, very angry, this was not a movie made to do just to the book or to entertain the audience. It was made so uninspired famous actors had a job and a film crew without any talent could make a full movie.

    Was it all bad then? No, the choice of many locations was great, even some actors really tried hard and costume design was great, but what remained was this horrible feeling I completely wasted my time, money and even worse, my good mood. So I left the cinema with an very angry feeling. This movie was an insult, a blasphemy of what good cinema is all about. Besides very few efforts it all looked like the makers wanted to make a very, very quick buck.

    But hey, this is my opinion. I still would say, go see for yourself. But please, rent it, or much better, try to lend it from friends or family or any one who was drunk enough to buy this one, because in all honesty, the idea the creators of this flick receive any more money makes me sick: they should be in the TV business, not the film industry.
    1Remmy-2

    Embarrassing

    I must apologize to everyone outside The Netherlands for this movie. The book the movie is based on is a famous childrens' book in The Netherlands and is actually quite good.

    Let me explain something about movies in the Netherlands: we are a very small country, thus a small audience and therefore small budgets. Not only this, but the Dutch seem to have a very mediocre taste in movies, almost every movie made here is considered to be 'good' by a large audience, and the level of acting and the way things are filmed are judged according to a standard this 'big audience' embraces.

    I watched about 15 minutes of this movie then turned it off. It's embarrassing how bad the acting is, the casting is horrible, the costumes are also pretty bad. They killed a good story with poor acting and they changed the story here and there, killing the whole fairylike 'ambiance' the book has.
    7Andy-296

    OK entry into the medieval fantasy genre

    Aimed squarely at a children and young teenage audience, this film from the Netherlands is a reasonable entry into the medieval fantasy genre. A lot of the negative reviews here come from people comparing it to the popular children's book upon which is based, but not having read the book I can say this worked on me on its own. Working with a relatively small budget, it tells the story of young Tiuri (Yannick Van de Velde), who is to become a knight. As a last task he must stay the night in a church chapel with three other pupils, without talking, leaving or listening to anybody. But at night a cry for help is heard from behind the door, and a dying stranger tells Tiuri he must bring a secret letter to the king of a foreign country…So the adventure begins. There are some nice outdoor mountain locations, not filmed in flat Netherlands obviously, but in Scotland, France and Germany.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Blooper
      When Tiuri is riding out of the King's forest, after getting the letter, in the overhead shot he is riding on an asphalt road.
    • Curiosità sui crediti
      Even though the language spoken in the movie is Dutch and the production companies are also Dutch, the cast credits at the end of the movie are in English.
    • Connessioni
      Featured in The Making of 'De brief voor de koning' (2008)

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    Dettagli

    Modifica
    • Data di uscita
      • 16 luglio 2008 (Paesi Bassi)
    • Paese di origine
      • Paesi Bassi
    • Sito ufficiale
      • Official site (Netherlands)
    • Lingua
      • Olandese
    • Celebre anche come
      • Honor de caballero
    • Luoghi delle riprese
      • Carcassonne, Aude, Francia
    • Aziende produttrici
      • Eyeworks Egmond
      • Armada Productions
      • Heimatfilm
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 6.750.000 € (previsto)
    • Lordo in tutto il mondo
      • 2.751.519 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 50min(110 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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