Un uomo che ha perso la sua famiglia nell'attacco dell'11 settembre a New York si imbatte nel suo vecchio compagno di stanza all'università. Riaccendere l'amicizia è l'unica cosa che sembra ... Leggi tuttoUn uomo che ha perso la sua famiglia nell'attacco dell'11 settembre a New York si imbatte nel suo vecchio compagno di stanza all'università. Riaccendere l'amicizia è l'unica cosa che sembra aiutarelo a riprendersi dal suo lutto.Un uomo che ha perso la sua famiglia nell'attacco dell'11 settembre a New York si imbatte nel suo vecchio compagno di stanza all'università. Riaccendere l'amicizia è l'unica cosa che sembra aiutarelo a riprendersi dal suo lutto.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
- Cherie Johnson
- (as Camille LaChe-Smith)
Recensioni in evidenza
In the film, Alan Johnson (Cheadle) runs into his old college roommate, Charlie Finerman (Sandler), whom he hasn't seen in several years. Five years before, Charlie suffered the overwhelming loss of his wife and three daughters in a plane crash. Charlie barely even recognizes Cheadle's character due to the repression of his memories and consequent reclusive childish lifestyle since the accident. It isn't until Alan persists in engaging him in conversation that Charlie remembers who he is. Their renewed relationship that follows will allow Finerman to have a friend who doesn't speak about his loss, eventually enabling him to confront the thoughts and feelings he has suppressed on his own terms.
Though writer-director Mike Binder doesn't show much sense of an individual style and some of his shots and transitions are a bit awkward, he does have a knack of getting decent to great performances from his actors while being a talented and funny writer. He shot this film with a digital camera, as more and more filmmakers are doing today, enabling the crew to shoot the night scenes with limited lighting. This kept the colorful backgrounds of New York City in focus, but resulted in creating frequent digital grain, which resembles blue specks scattered and moving on the screen.
Almost every main character in Reign Over Me gives a great performance. Jada-Pinkett Smith and especially Liv Tyler are memorable in their respective roles as a frustrated wife to Cheadle's character and a psychiatrist. However, it is Sandler and Cheadle that give some of their finest work to date. They completely owned this movie. Sandler actually plays a character that doesn't outwardly resemble or act like himself at all, partially credited to his Bob Dylan-esquire wig. Though Cheadle's character has more screen time than Sandler, they both should be considered to be leading roles, as they equally support and help each other throughout the film.
Music also plays a great part in this film, especially the title song "Reign Over Me," or "Love, Reign O'er Me" by The Who, and later covered by Pearl Jam. In one of the most powerful moments of the film, Binder shows Sandler using music to shut out his feelings and memories, but this particular song provokes such intense emotion that rather than diminishing his anger, it incites his emotions. All an all, Reign Over Me is an enjoyable, sad, yet many times funny film, driven by its amazing leading performances.
This is a breakout role for Adam Sandler. While he has begun to transition to more dramatic roles with Punch-Drunk Love and Spanglish, this role is a significant step forward for him as a dramatic actor. He deserves an Oscar nomination as he continues down to transition to more dramatic roles as Tom Hanks did and Jim Carrey is also doing. In this role, he seemed to be trying to channel Dustin Hoffman in Rain Man. Although playing an autistic man is certainly very different than Sandler's traumatized character, both characters for different reasons are trapped in their own worlds of child-like isolation and confusion.
Don Cheadle's performance is less surprising, but just as good. After Hotel Rwanda and Crash, we've come to expect remarkable nuanced performances from Cheadle. He has the qualities of sincerity and honesty that comes through in this role. But he, too, is also broken and struggling if not in the such profound ways as Sandler's character. Cheadle is struggling with difficulties in both his marriage and in his professional life as a dentist. Together the characters played by Cheadle and Sandler struggle to heal each other in the way that true friends often do (in a way that reminds me of Matt Damon and Robin Williams in Good Will Hunting). They are both searching for that part of the themselves that they have lost and trying to find again.
Reign over Me is one of the best major studio films to be released this year. The soundtrack, which is almost another character in the plot is wonderful. The filming in the streets of New York - a city that suffered a great tragedy and has also had to heal itself - is also quite beautiful. The supporting roles by Jada Pinkett Smith, Liv Tyler, Saffron Burrows (in a very odd role), Donald Sutherland, and Mike Binder himself are all quite good.
Writer/Director Mike Binder has really delivered a story that so many will be able to connect with on numerous levels. This is a story about grief, family, healing, male friendship, mental health, and the meaning of love. Reign over Me does not disappoint. The film is almost hypnotic as it draws you into the lives of its characters. Hollywood would have a much better reputation if it made more character-driven charming films like Reign over Me.
Of course the parallels in these men's lives are obvious, but it is actually refreshing to see men's feelings on display in a movie ... feelings other than lust and revenge, that is. Watching how they actually help each other by just being there is painful and heartfelt. Writer/Director Mike Binder ("The Upside of Anger", and Sandler's accountant in this film) really brings a different look and feel to the film. Some of the scenes don't work as well as others, but overall it is well written and solidly directed.
Sandler and Cheadle are both excellent. Sandler's character reminds a bit of his fine performance in "Punch Drunk Love", but here he brings much more depth. Cheadle is always fine and does a nice job of expressing the burden he carries ... just by watching him work a jigsaw puzzle.
Support work is excellent by Jada Pinkett Smith (as Cheadle's wife), Liv Tyler (as a very patient psychiatrist), Saffron Burrows (in an oddly appealing role), Donald Sutherland as an irritated judge and Melinda Dillon and Robert Klein as Sandler's in-laws.
The film really touches on how the tragic events of that day affected one man so deeply that he is basically ruined. In addition to the interesting story and some great shots of NYC, you have to love any film that features vocals from Chrissy Hynde, Bruce Springsteen and Roger Daltrey ... as well as Eddie Vedder impersonating Daltrey. Not exactly a chipper upbeat film, but it is a quality film with an unusual story.
I could go on and on about how well this movie hit on just about every emotion the human body contains, but I will cut this one short. I feel there is no need to tell you anything more. Do yourself a favor and take the time to see this movie. Even if you have to wait until it comes out on DVD, it's 100% worth the time. A deeply moving film sure to put tears in your eyes and a smile on your face...unless of course...you are a heartless soul.
Lo sapevi?
- QuizEvery song that's played in the background is either played on Charlie's iPod or has its album mentioned by Charlie.
- BlooperWhen Charlie is in his first apartment playing the video game and the shot is from where the video screen is, the receiver/amplifier has no cables or wires running to or from it; yet when he's in the second apartment, all the RCA cables and other cables are plugged into it and it is clearly hooked up to work.
- Citazioni
Charlie Fineman: [Charlie looks at Alan] I had three daughters.
Alan Johnson: [surprised] I... I know.
Charlie Fineman: Geena was five. Jenny was seven, she, uh... she liked boys already. Julie was 9. She was... she was older. They all looked alike, Johnson. Like Doreen. Doreen was my wife. DT. That was her nickname. Doreen Timpleman. She had a dog, Spider. Spider... the poodle. They'd wake me up all the time, Saturday mornings, you know, singing Beatles songs to me in harmony, the four of them... so cute, so cute. Doreen never judged me... never nagged like some wives do. Wanted me to take my shoes off so I didn't wreck the carpet. That's it. Doreen and the girls were VERY female. I... I... I was the oddball, you know. Mr. Man. They adored me, Johnson...
Alan Johnson: I bet they did... I know they did, Charlie.
Charlie Fineman: With the long brown hair... except little Geena. She kept the hair short... to be different from everybody... she, um, she had a birthmark, though. Looked like a burn... but it wasn't. She always said it was gonna go away, but it... it never did. Jenny, Jenny, this one... she wanted to be a gymnast. She was such a klutz, though. I didn't have the heart to mention it as a problem. They, uh, went to see Doreen's sister Ellen and her girls in Boston, and they took Spider, because... I had to work and they didn't trust me to feed her, but that was a joke. We were all going to DT's little cousin's wedding in Los Angeles, and I was gonna meet them out there... The kids wanted to go to Disneyland, but they... they uh, were already gonna miss a couple days of school, so we had to say no. You know. So I'm going out to meet them in Los Angeles, and on the way to JFK, I'm in a taxicab and I hear on the radio...
[slowly starts to cry]
Charlie Fineman: I get there and the man tells me the plane's from Boston... another man tells me there's two planes.
[sobs]
Charlie Fineman: Then I go inside the airport and I'm watching. I'm watching on the television... and I... and I... I... I saw it. I saw it and I felt it at the same time. I thought about Geena's birthmark, and I... I felt them burning...
- Versioni alternativeA scene removed from the UK version of the film is the montage of scenes with Angela Oakhurst (Liv Tyler) consoling Charlie Fineman (Adam Sandler) with the original version of 'Love, Reign o'er me' playing in the background.
- ConnessioniFeatured in Late Show with David Letterman: Episodio #14.113 (2007)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La esperanza vive en mí
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.661.987 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.460.690 USD
- 25 mar 2007
- Lordo in tutto il mondo
- 22.242.388 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1