Un uomo che ha perso la sua famiglia nell'attacco dell'11 settembre a New York si imbatte nel suo vecchio compagno di stanza all'università. Riaccendere l'amicizia è l'unica cosa che sembra ... Leggi tuttoUn uomo che ha perso la sua famiglia nell'attacco dell'11 settembre a New York si imbatte nel suo vecchio compagno di stanza all'università. Riaccendere l'amicizia è l'unica cosa che sembra aiutarelo a riprendersi dal suo lutto.Un uomo che ha perso la sua famiglia nell'attacco dell'11 settembre a New York si imbatte nel suo vecchio compagno di stanza all'università. Riaccendere l'amicizia è l'unica cosa che sembra aiutarelo a riprendersi dal suo lutto.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
- Cherie Johnson
- (as Camille LaChe-Smith)
Recensioni in evidenza
This might be the best movie to deal with the 9/11 attacks out there. At first that isn't clear, but once you are done you realize that's all that matters. Out of nowhere, a tragedy and its personal consequences.
Of course, this is also a movie about a very unselfish friendship. Don Cheadle leads this movie top to bottom (this is the Adam Sandler movie that is really a Don Cheadle movie). And his unshakeable kindness and patience with ex-roommate Sandler is beautifully rendered. Cheadle's acting has a whole range of subtle gestures and hesitations that are clearly his, beyond what any director might offer. As the successful dentist in his late model Volvo wagon, he represents what Sandler, the man suffering from loss and psychological instability, once had.
Sandler is sort of perfect as a choice in this role partly because he's cast against type and that's the dynamic of the movie--a man who should be very different from what you see. The whole time you can picture the lively loving Sandler, and not the wreck before you. He plays the part with the quirks and inwardness you might expect, and it's not quite brilliant. He ends up supporting the shine of Cheadle's lead.
Another aspect to the movie, probably not unintended, is the beauty of New York, and the romantic lure of its ordinary streets. There are no landmarks here, just regular life in regular Manhattan.
The one slight drag on the whole affair, and I'm not sure how this could have been avoided without a wholly different plot, is the attempts to bring Sandler out of his hole. One aspect is professional psychiatry, which makes sense, and is pretty well done. (I found the depiction of an accomplished shrink by Liv Tyler really good.) But the other aspect, meant I suppose to add some spice to the cast, is the nutty and sharply beautiful presence of an outlier character, a woman who just happens along first into Cheadle's world and then by extension (and some unbelievable coincidence) into Sandler's. Saffron Burrows plays the part well but it seems forced into the scene--at times funny and poignant but, as with several other minor characters like the in-laws, mostly caricatured or out of place.
Not that anything is ever quite out of place in fiction. Fiction with a strong strain of truth giving it its depth. Director and writer Mike Binder has managed to pull together a gem that refers, ever so gently, to 9/11, and to some deeply caring New Yorkers who all, as a larger group, all suffered from the attacks. "Reign over Me" did not get the attention you might have expected. It's possibly because it's such a depressing movie, whatever its upbeat moments. But it's beautifully sad, like maybe we imagine some of the best European films to be, and I really recommend it on those terms.
This is a breakout role for Adam Sandler. While he has begun to transition to more dramatic roles with Punch-Drunk Love and Spanglish, this role is a significant step forward for him as a dramatic actor. He deserves an Oscar nomination as he continues down to transition to more dramatic roles as Tom Hanks did and Jim Carrey is also doing. In this role, he seemed to be trying to channel Dustin Hoffman in Rain Man. Although playing an autistic man is certainly very different than Sandler's traumatized character, both characters for different reasons are trapped in their own worlds of child-like isolation and confusion.
Don Cheadle's performance is less surprising, but just as good. After Hotel Rwanda and Crash, we've come to expect remarkable nuanced performances from Cheadle. He has the qualities of sincerity and honesty that comes through in this role. But he, too, is also broken and struggling if not in the such profound ways as Sandler's character. Cheadle is struggling with difficulties in both his marriage and in his professional life as a dentist. Together the characters played by Cheadle and Sandler struggle to heal each other in the way that true friends often do (in a way that reminds me of Matt Damon and Robin Williams in Good Will Hunting). They are both searching for that part of the themselves that they have lost and trying to find again.
Reign over Me is one of the best major studio films to be released this year. The soundtrack, which is almost another character in the plot is wonderful. The filming in the streets of New York - a city that suffered a great tragedy and has also had to heal itself - is also quite beautiful. The supporting roles by Jada Pinkett Smith, Liv Tyler, Saffron Burrows (in a very odd role), Donald Sutherland, and Mike Binder himself are all quite good.
Writer/Director Mike Binder has really delivered a story that so many will be able to connect with on numerous levels. This is a story about grief, family, healing, male friendship, mental health, and the meaning of love. Reign over Me does not disappoint. The film is almost hypnotic as it draws you into the lives of its characters. Hollywood would have a much better reputation if it made more character-driven charming films like Reign over Me.
There is some humor, but most of it is really only funny in comparison to the tearjerking moments, as Adam deals with his loss and Don struggles to help him. Adam plays two levels very well... when he is mentally stable he is funny and likable, but when he is, well, less stable he's powerful and dark.
I recommend it for anyone who likes intense mental dramas about difficult friendship and loss.
Lo sapevi?
- QuizEvery song that's played in the background is either played on Charlie's iPod or has its album mentioned by Charlie.
- BlooperWhen Charlie is in his first apartment playing the video game and the shot is from where the video screen is, the receiver/amplifier has no cables or wires running to or from it; yet when he's in the second apartment, all the RCA cables and other cables are plugged into it and it is clearly hooked up to work.
- Citazioni
Charlie Fineman: [Charlie looks at Alan] I had three daughters.
Alan Johnson: [surprised] I... I know.
Charlie Fineman: Geena was five. Jenny was seven, she, uh... she liked boys already. Julie was 9. She was... she was older. They all looked alike, Johnson. Like Doreen. Doreen was my wife. DT. That was her nickname. Doreen Timpleman. She had a dog, Spider. Spider... the poodle. They'd wake me up all the time, Saturday mornings, you know, singing Beatles songs to me in harmony, the four of them... so cute, so cute. Doreen never judged me... never nagged like some wives do. Wanted me to take my shoes off so I didn't wreck the carpet. That's it. Doreen and the girls were VERY female. I... I... I was the oddball, you know. Mr. Man. They adored me, Johnson...
Alan Johnson: I bet they did... I know they did, Charlie.
Charlie Fineman: With the long brown hair... except little Geena. She kept the hair short... to be different from everybody... she, um, she had a birthmark, though. Looked like a burn... but it wasn't. She always said it was gonna go away, but it... it never did. Jenny, Jenny, this one... she wanted to be a gymnast. She was such a klutz, though. I didn't have the heart to mention it as a problem. They, uh, went to see Doreen's sister Ellen and her girls in Boston, and they took Spider, because... I had to work and they didn't trust me to feed her, but that was a joke. We were all going to DT's little cousin's wedding in Los Angeles, and I was gonna meet them out there... The kids wanted to go to Disneyland, but they... they uh, were already gonna miss a couple days of school, so we had to say no. You know. So I'm going out to meet them in Los Angeles, and on the way to JFK, I'm in a taxicab and I hear on the radio...
[slowly starts to cry]
Charlie Fineman: I get there and the man tells me the plane's from Boston... another man tells me there's two planes.
[sobs]
Charlie Fineman: Then I go inside the airport and I'm watching. I'm watching on the television... and I... and I... I... I saw it. I saw it and I felt it at the same time. I thought about Geena's birthmark, and I... I felt them burning...
- Versioni alternativeA scene removed from the UK version of the film is the montage of scenes with Angela Oakhurst (Liv Tyler) consoling Charlie Fineman (Adam Sandler) with the original version of 'Love, Reign o'er me' playing in the background.
- ConnessioniFeatured in Late Show with David Letterman: Episodio #14.113 (2007)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La esperanza vive en mí
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.661.987 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.460.690 USD
- 25 mar 2007
- Lordo in tutto il mondo
- 22.242.388 USD
- Tempo di esecuzione
- 2h 4min(124 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1