All the Boys Love Mandy Lane

I'll start off by saying the bar was set pretty low for this flick. While I love horror, slasher horror is one of my least favorite types. What made this film for me (along with several other reviewers) is the cinematography. It's a real visual treat - pretty in parts, gritty and terrifying in parts, with a "we're stuck in the middle of dry, dead earth" type of despair to it.

I didn't want to think Amber Heard did a good job. I don't think the role of Mandy Lane required much but a really beautiful girl (which she is), but her delivery and execution is spot on. Michael Welch held his own and all the supporting kids were believable.

When the killings start, it's pretty obvious who is doing it. The first murder is particularly brutal. The "twist" is not much of a twist, but it's well executed.

I had a lot of problems with the dialog, but then, I have a lot of problems listening to teenagers talk in real life. So I'm betting the dialog was pretty standard and not as cringe-worthy as I thought. I'm not familiar with the writer (Jacob Forman) and originally decided to watch this movie because I mistakenly thought Jonathan Levine wrote it. He directed it, but I like his writing (The Wackness, Warm Bodies).

Certain parts drag - I get that we need to build that droning, neverending party feeling but I wish there was a way to do that without a droning, neverending party. There is a lot of violence but it's....muffled. I don't know how else to describe it. It's effective because taking the edge out of it makes it seem more real.

If you like horror movies, you might like this. If you like slasher movies, you will probably like it.

... that is how much the Boys love Mandy Lane. But of course this is not another teen ... I mean romantic movie. Nope this is a horror movie. A slasher to be precise. Now slashers do live with two premises: Either a great twist or original killings. In this case, you kinda have both.

At that is what makes this movie worthwhile watching. Of course it is aimed more at the teen/twen audience, but what slasher isn't. The really illogical things that do happen, stay at a minimum, which is a good thing and the actors fit the bill(their roles), no more, no less than that. If you don't like slashers at all, you should of course stay away from this movie!

Yeah, I'll admit it. My headline is lamer than this movie could ever be. Truth be told, "All The Boys Love Mandy Lane" isn't a complete catastrophe. In fact it starts off quite promising. The cinematography is nice, the music and sound effects are effective and the characters are introduced and played well by the actors and actresses. Unfortunately, as soon as they arrive at the country house where the all the "horror" ensues the movie loses direction and gets boring.

Most of the time "Mandy Lane" seems like a nostalgic hymn to the wild and careless life of young people. That's all nice and dandy for a while but as the movie drags on and you're neither scared nor thrilled you start wondering what the point is. It's almost as if director Jonathan Levine had wanted to remake "The Virgin Suicides" with a few lame killings thrown in instead of suicides.

After a fairly acceptable twist the movie drags on even longer. It just won't end until it finally does, leaving you baffled as to whoever thought this would make a good ending. If it's true what a friend told me, that this script had been rewritten 18 (!) times, then, Jesus Christ, I don't wanna know what the first draft looked like. The result is unfortunate, since direction and cinematography are quite good, as mentioned above. With a better script this movie might actually have become something special. However, as it is "Mandy Lane" is an anti-climatic rehash of 80s slasher flicks that have been done before and better.

This film is definitely unusual. Not a lot really happens, there is a massive amount of time spent getting to know the characters and most of the action is condensed into the last half hour. I am all up for characterisation but there really isn't an awful lot to the characters, and they partake on a whole load of mundane yet embarrassing behaviour. For instance in one scene the girls are talking, one whips down her trousers to sit on the toilet and her friend starts ribbing her about her pubic hair. The film carries on in this general manner, although not graphic or titillating or offensive this snap shot into the lives of over-sexed American teens is just kind of embarrassing to watch (especially with relatives). The camera hovers at breast height for the majority of the film especially when Mandy is running or jumping which is great!, but again makes you feel a bit guilty you are watching so avidly (maybe it is an English thing).

The film gets plus points for...

Good production but not overly glossy.

The gore has been kept down but the murders still make you wince.

Stays inside the classic 90 minute barrier.

Keeps you guessing, you will work out the ending ahead of time but not before mixing it up with lots of other theories.

Over all it is an okay film, takes a while to heat up then burns out fast. No notable moments of horror genius, but no really terrible movie blunders either.

A solid horror, just don't expect too much.

Famous for its circuitous route to a wide theater release (it made its film festival premiere in 2006 but didn't debut in theaters until 2013), 'Mandy Lane' became stale before it ever had a chance to be fresh.

It plays to the tropes of many classic horror films, such as, a mysterious killer stalking teens at a party, characters wandering off on their own only to be killed, characters dying after having sex, characters falling down while being chased, etc. The setting and gleaming shots lit by sunlight in the background are reminiscent of 'The Texas Chainsaw Massacre.' While it's clear that these tropes of intentionally included, it's unclear what statement they are trying to make.

Are these moments of satirical self-awareness? Are they admiring homages? The film is either playing dumb, or perhaps it's just dumb.

I lean toward believing the latter because of how the filmmakers use Mandy Lane, who is, herself, a horror movie cliche-the American virgin, who is pursued but never caught by horny high school dudes or the killer.

She never becomes more than an idea. We hardly learn anything about her, about why all the boys love her, other than because she's attractive. I suppose that's enough for these teen boy doofuses.

Mandy's character remains partially formed, which might have worked fine if not for the reveal in the third act that doesn't wind up making any sense because there's zero exposition on the motivation. Nevertheless, Amber Heard is the quintessential surrogate for Mandy Lane. She looks the part and (mostly) acts it too.

The rest of the acting is atrocious. They actors certainly play exaggerated versions of dumb drunk high school kids, who are obsessed with sex and are startlingly mean to each other. This should be easy to pull off, but somehow none of it feels believable. The worst offenses occur when the characters transition between drunk/high to stone cold sober in seconds. One guy literally smokes weed for two hours straight and still manages to become instantly sober when needed.

There is also an abundance of continuity issues and logical flaws. The teens steal a keg from a dumpy gas station but drink bottles of beer throughout the night of partying. Plenty of other instances will become obvious when watching.

In addition to these other many flaws, the film's biggest issue is that it fails to ever be scary. Sure, its kills are gory and gruesome, but those moments are nothing but plainly gross. They're too straightforward to be scary. The killer plays a role in this boring, non-scary problem too-no one will remember this killer as the next Michael Myers.

Overall, this is a bland and generic teen horror film. It's suited for an audience that isn't playing close attention and won't question any of the many issues.