Aggiungi una trama nella tua linguaA look at the life of the thoroughbred filly that dominated horse racing in the early 1970s.A look at the life of the thoroughbred filly that dominated horse racing in the early 1970s.A look at the life of the thoroughbred filly that dominated horse racing in the early 1970s.
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The story of the beloved and magnificent Racehorse Philly, Ruffian, is brought to life in this sweet and sentimental portrait. Ruffian's great speed and talents are revealed during her training period, her victories, her Filly Triple Crown Victory and up to her match-up race against Kentucky Derby winner, Foolish Pleasure. What I like about this Made for Cable Movie is that you don't have to be a Horse Race enthusiast to enjoy it. Although, it does help. Sam Shepard, as Frank Whitely, the experienced and no-nonsense trainer is great in his realistic approach to the character. When noticing a young and speedy Ruffian run on the track for the first time, he demures, "I'm not sure about her for racing." Racing or not, I love that horse, says an assistant." "Never fall in love with a horse", retorts Frank. He's an old school pro who understands how to survive in the business. But evidently, he does fall in love with his gorgeous filly. An outcome he doesn't want to admit.
Frank Whaley, the reporter covering the racing scene at this time, serves as the narrator to the story. They show a sort of lukewarm, but prickly professional relationship. I like the old school macho barbs Whitely banters with his jockey and assistant trainers. They respect each other but refuse to get too friendly. Horse-racing is a tough business that requires nerves of steel.
This era of horse racing also took place when the male/female battle of the sexes was a new media craze. This theme blends in with this story without going overboard. You will also hear the likes of old time champions and jockeys such as Secretariat, Damascus, Dr. Fager, SWAPS, Eddie Arcaro and Willie Shoemaker which is reminiscent of great racing memories for fanatics.
Ruffian is a story of both tragedy and triumph of how one of the world's most beloved pastimes reminds us of why we love the horses and the tradition.
Frank Whaley, the reporter covering the racing scene at this time, serves as the narrator to the story. They show a sort of lukewarm, but prickly professional relationship. I like the old school macho barbs Whitely banters with his jockey and assistant trainers. They respect each other but refuse to get too friendly. Horse-racing is a tough business that requires nerves of steel.
This era of horse racing also took place when the male/female battle of the sexes was a new media craze. This theme blends in with this story without going overboard. You will also hear the likes of old time champions and jockeys such as Secretariat, Damascus, Dr. Fager, SWAPS, Eddie Arcaro and Willie Shoemaker which is reminiscent of great racing memories for fanatics.
Ruffian is a story of both tragedy and triumph of how one of the world's most beloved pastimes reminds us of why we love the horses and the tradition.
Overall this is a good film about a great horse, Ruffian. It presented a time capsule of the racing world in 1974-75. One theme was that racing needed a great horse to draw crowds and the tracks (the New York tracks particularly) were empty due to lack of interest. This isn't entirely true. Secretariat raced in 1972-73 and he was in the first running of the Marlboro Cup which attracted champion horses. And the Marlboro Cup which was a pre Breeders Cup race attracted huge crowds. The film implies that Ruffian got more people to the empty track. Not entirely true--she most likely attracted new fans but the fans packed the stands for the Big races like the Belmont Stakes and Marlboro Cup. Also, Foolish Pleasure is raised to War Admiral like quality in the run through to the match race. However, Foolish Pleasure was not THE standout three year old colt of 1975--it was actually Wajima who became Champion three year old colt of that year. Foolish Pleasure was a nice racehorse but nowhere near this superhorse the movie implied he was.
Also, there was a painfully long sequence of the run on the backstretch where Ruffian broke down (run in slow motion showing the leg actually snapping in close up). I think perhaps just running the actual race would have been shown to better effect.
Sam Shepard did an excellent job as Ruffian's trainer Frank Whitely. The actors playing the owners were given rather unsympathetic parts particularly when they pushed for the match race. The film also had an interesting angle of the viewpoint of the Newsday reporter who followed the career of the great filly.
The sequences of the real Ruffian in the closing credits were refreshing to watch. More scenes of her races (not the simulated ones) would have been welcome.
Also, there was a painfully long sequence of the run on the backstretch where Ruffian broke down (run in slow motion showing the leg actually snapping in close up). I think perhaps just running the actual race would have been shown to better effect.
Sam Shepard did an excellent job as Ruffian's trainer Frank Whitely. The actors playing the owners were given rather unsympathetic parts particularly when they pushed for the match race. The film also had an interesting angle of the viewpoint of the Newsday reporter who followed the career of the great filly.
The sequences of the real Ruffian in the closing credits were refreshing to watch. More scenes of her races (not the simulated ones) would have been welcome.
I'm a full time trainer, horseman on the Mid-Atlantic circuit, in my off time I see five movies a week. Rarely am I treated to as an enthralling story about my first love as this.
From the timing, and character development there's an honesty about Ruffian, her handlers and their story. The horses used were beautiful, the racing scenes surprisingly realistic, and the camera shots were magnificent. This one ranks slightly below my all time favorite Caseys Shadow and above Seabiscuit, with solid high paced interest toward the eventual tears. Quite a feat for TV. The strength of the movie was the writing, the directing and cast all displaying superior theatrics. Given the budget restraints for a TV movie, I accepted the difference in the substitution of era vans for trailers, and other difficult to substitute prop switches. There were many more strengths in the production than weaknesses.
The ending is done well, with dignity, gently lifting the viewer into a better place,for all that had happened.I especially like the post log and what happened to the characters later in life. All in all, a wonderful two hours of entertainment.
From the timing, and character development there's an honesty about Ruffian, her handlers and their story. The horses used were beautiful, the racing scenes surprisingly realistic, and the camera shots were magnificent. This one ranks slightly below my all time favorite Caseys Shadow and above Seabiscuit, with solid high paced interest toward the eventual tears. Quite a feat for TV. The strength of the movie was the writing, the directing and cast all displaying superior theatrics. Given the budget restraints for a TV movie, I accepted the difference in the substitution of era vans for trailers, and other difficult to substitute prop switches. There were many more strengths in the production than weaknesses.
The ending is done well, with dignity, gently lifting the viewer into a better place,for all that had happened.I especially like the post log and what happened to the characters later in life. All in all, a wonderful two hours of entertainment.
I realize the horse who played Ruffian probably doesn't look like her and that Claiborne Farms is a very upscale operation. To me, however, the story is about heart, both in humans and horses, and how that binds them together and makes them great. In my opinion, Sam Shepard did a great job as Frank Whitely. I don't know enough about horse racing to pick out all the little factual flaws but to me this is a really inspiring story. The scenes are beautiful. It also captures the feel of the 1970s, at least as I remember them. The scenes where Ruffian broke down are really tragic, and it was also sad to see her in the hospital trying to recover. I liked the supporting cast quite a lot, too. To the limited extent I've been around horses, they seemed like horse people and the kind of folks who really love horses. I would recommend this movie to anyone.
I had just gotten interested in the Triple Crown races for colts when the famous "Battle of the Sexes" aired, and I do remember what happened to Ruffian. If you are not familiar with the story, I won't give away the ending, but the events in the last few minutes of this movie may be upsetting to some people.
Sam Shepard did an outstanding job as the horse's trainer. Some of his reactions were not what I expected, but since the characters in this movie were supposedly real, perhaps he really did what was depicted. In that case, Frank Whiteley was an amazing man. He cared about his horses and about doing the right thing, but at some point he had to say yes, it's terrible, but life goes on.
Frank Whaley did a very good job as a leading sports reporter. His personality didn't appeal to me personally, but he was quite a character. Vladimir Diaz did well as Jacinto Vasquez, the jockey who rode Ruffian on several occasions, a man depicted as having high moral standards despite all that was happening.
The track announcers were excellent. And most of the leading actors gave good performances.
The horse action was well done. We saw numerous unusual camera angles of the races. Every win by Ruffian was shown in slow motion.
I liked the joke played on the reporters at Ruffian's stall. All this hype was seen as ridiculous by certain characters, as well it should have been. And this was 30 years before Paris Hilton!
Effective use was made of what appeared to be real footage of fans of both Ruffian and Foolish Pleasure as horse racing's answer to Billie Jean King vs. Bobby Riggs approached. And of course extras wore the t-shirts and cheered for their horse. This all drove home the point that this event was kind of silly. Several times it was suggested Ruffian could have just competed against the guys--Rags to Riches did just that the day I saw this--but if that never happened, then it couldn't have been in the movie.
Displayed on the screen was a reminder that some events in the movie were fictional. Included among these was the specific event--shown in slow motion--that may have caused what I'm not giving away. Also shown on screen at the movie's end was the fact that no one really knows WHAT happened.
The only weakness I saw was the fact that Ruffian's early career was rushed. The big event in her life was given so much time that the only way to adequately show her progress would have been to make this a three-hour movie (commercials included) rather than two. Perhaps two and a half would have been enough.
But for the time allotted, this was a fine effort.
Sam Shepard did an outstanding job as the horse's trainer. Some of his reactions were not what I expected, but since the characters in this movie were supposedly real, perhaps he really did what was depicted. In that case, Frank Whiteley was an amazing man. He cared about his horses and about doing the right thing, but at some point he had to say yes, it's terrible, but life goes on.
Frank Whaley did a very good job as a leading sports reporter. His personality didn't appeal to me personally, but he was quite a character. Vladimir Diaz did well as Jacinto Vasquez, the jockey who rode Ruffian on several occasions, a man depicted as having high moral standards despite all that was happening.
The track announcers were excellent. And most of the leading actors gave good performances.
The horse action was well done. We saw numerous unusual camera angles of the races. Every win by Ruffian was shown in slow motion.
I liked the joke played on the reporters at Ruffian's stall. All this hype was seen as ridiculous by certain characters, as well it should have been. And this was 30 years before Paris Hilton!
Effective use was made of what appeared to be real footage of fans of both Ruffian and Foolish Pleasure as horse racing's answer to Billie Jean King vs. Bobby Riggs approached. And of course extras wore the t-shirts and cheered for their horse. This all drove home the point that this event was kind of silly. Several times it was suggested Ruffian could have just competed against the guys--Rags to Riches did just that the day I saw this--but if that never happened, then it couldn't have been in the movie.
Displayed on the screen was a reminder that some events in the movie were fictional. Included among these was the specific event--shown in slow motion--that may have caused what I'm not giving away. Also shown on screen at the movie's end was the fact that no one really knows WHAT happened.
The only weakness I saw was the fact that Ruffian's early career was rushed. The big event in her life was given so much time that the only way to adequately show her progress would have been to make this a three-hour movie (commercials included) rather than two. Perhaps two and a half would have been enough.
But for the time allotted, this was a fine effort.
Lo sapevi?
- QuizBecause Ruffian was such a large filly, larger even than many colts (including Foolish Pleasure), they used geldings to portray her in the film.
- BlooperIn certain camera angles, it can be seen that the horses playing Ruffian are actually male ( geldings) and not fillies.
- ConnessioniFeatured in 14th Annual Screen Actors Guild Awards (2008)
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