I padroni della notte

The film starts in Brooklyn , 1888. Two brothers, Robert and Albert Green have chosen separated ways. Bobby Green Grusinsky(Joaquin Phoenix) is manager of a Russian club, who suffers emotional pain when has to confront with his father and brother. Joseph Green Grusinsky (Mark Wahlberg)is a police officer recently promoted to captain, he's a cold-blood professional. Their father is the upright Deputy Chief Albert Grusinsky(Robert Duvall). Bobby has a beautiful fiancée(Eva Mendes) and directs efficiently his club. When a Russian mobster is making his heroin trade, Joseph and Albert ask help to Bobby but he declines. Then Joe busts the discotheque that Robert manages and detain the Russian gangster but also to Bobby. Then the events wreak havoc and lead a spiral out of control.

This is a familiar drama full of intrigue, action, tension, thrills, and violence. Stunning performances by the trio protagonist, Wahlberg, Duvall and Phoenix who frequently casts for the director Gray. Gorgeous beauty from Eva Mendes who also does a magnificent acting as suffering girlfriend .This entertaining and suspenseful film is plenty of twists and unexpected turns. Adequate and moving musical score by Wojciech Kilar.Atmospheric cinematography reflecting splendidly interiors and exteriors from Queens streets.The picture is well directed by John Gray who frequently deals familiar conflicts set in N.Y , in fact he grew up in Queens and his grandparents were Russian immigrants. Gray is a nice writer/director and winner of several prizes.His first movie was ¨Litte Odessa¨(1994) at age of twenty-four and winner of the Venice film Festival, concerning also about Russian immigrants. His following was ¨The Yards¨ which was selected for official competition at Cannes Festival and starred by Mark Wahlberg and Joaquin Phoenix . His last film is titled ¨Two lovers¨(2008), and again with Joaquin Phoenix. Rating : Better than average, well worth watching.

I padroni della notte (2007) is a powerful film based on a dark atmosphere, literally and figuratively. First of all, many, if not most, scenes are shot at night with an obvious aesthetic sense. Then, the topic deals with the violent conflict between the Russian underworld and the NYPD, within the Brooklyn of the 80s. It's an ultimate film noir: crime, treason, jealousy and fatalism are themes adroitly developed by James Gray and marvelously interpreted by an awesome cast. Robert Duvall is a honest and accomplished policeman, a wise and protector father, Eva Mendes is a deliberately inflammatory woman, Mark Wahlberg is the ideal son and then Joaquin Phoenix is the 'second' son with a slightly tortured mind and who seeks his own place in the shadow of his family. In my humble opinion, this movie is clearly underrated. As a synthesis: 8/9 of 10.

Before you say nighty-nite tonight, I invite you to take reading proprietorship on my film review of Director James Gray's police drama "We Own The Night". Gray's grayscale directorial techniques were impressive in helming a film on two brothers subdivided by the arm of the law in a crime-ridden New York society. Joaquin Phoenix does stellar work portraying Bobby Green, a rebellious club manager who bickers with his police captain brother and deputy chief father due to the fact that the club he manages is run by a Russian mafia even though Bobby does not deal in criminal activity with those White Russians. Mark Wahlberg is cool as an iceberg as Bobby's aforementioned po-po brother Captain Joe Grusinksy. Wahlberg seems to excel in roles that call for him to play the fiery law enforcement official as he did in his Oscar-nominated performance in "The Departed". I think Mr. Dirk Diggler himself digs to be typecast in that role! Robert Duvall pops it up as Bobby and Joe's po-po papa Deputy Chief Bert Grusinsky. Eva Mendez rounds out the "We Own The Night" role call lineup as Bobby's Latina girlfriend Amada Juarez. The gray areas that James Gray nocturnally takes us into in "We Own The Night" are suspenseful, enthralling, and familial. Gray's takes on society's perception on law enforcement and commitment to the family system are well-enforced throughout the narrative's continuing plot developments. The only cinematic citation I have for Gray's effort would be on his mechanical action-flick screenplay in reference to the characters' dialogue; even though the plot structure was not worthy of an arrested development. Nevertheless, "We Own The Night" has plenty of night fever for it to warrant a lawful recommendation. **** Good

On the whole I think James Gray's movies benefit from his smooth directing, no rushed and furious MTV editing. This leads to a good deal of leniency from the part of critics (as with Night Shyamalan before it became too obvious he was shooting the same narrative structure over and over), a kind of prime for directors who don't harass the viewer with images + sounds but let the camera roll and the actors do their jobs, the story unfold and so on.

We Own the Night starts very well, the exposure is excellent. Even though the brother confrontation is definitely not new Joaquin Phoenix is so good you just get into the story and beg for the plot to become more complicated. Oops. The problem is the story becomes a one-way highway of the same old/same old. Joaquin Phoenix is ever so good you don't care too much until it becomes way way too much. In that respect (and lack of respect for the movie-goer) the movie ends in a lame way, rushing an happy and clean and tidy and moral conclusion.

The last lines (see the so-called "memorable quotes") say it all. It perfectly reflects that a smooth director may be too smooth on writing. Bringing sentiments before the camera is miles away from shooting scripted sentimentalism and I think James Gray has a problem with his characters' emotions since he is only able to play on pathos and good acting.

I saw that We Own The Night received a standing ovation at the European critics screening and premiere at Cannes. Well, I can tell you at the preview screening I saw a while ago in the US, the audience applauded enthusiastically as well. The audience was totally into this movie in a way you don't usually see anymore. Not just grooving on it, but engrossed. Reminds me of The Godfather not just the movie, but the way the audience enjoyed it. Only reason I didn't give it a 10 was I don't give most movies at 10 unless they're like The Searcher or Vetigo. Again I don't want to give away too much about the movie because I hate now how everyone knows everything about a movie's plot before it opens. Let's just say it's both a crime movie and a family drama. A socially conscious melodrama and a cop story. And it has a couple of great action scenes. The acting was top notch by Joaquin Phoenix, Mark Wahlberg (better than in The Departed), Robert Duvall (always good) and especially Eva Mendes who I've never seen like this before. 9/10