Danny Ocean riunisce la sua banda per una terza rapina per vendicare Reuben Tishkoff dopo che quest'ultimo è stato tradito dal proprietario di un casinò.Danny Ocean riunisce la sua banda per una terza rapina per vendicare Reuben Tishkoff dopo che quest'ultimo è stato tradito dal proprietario di un casinò.Danny Ocean riunisce la sua banda per una terza rapina per vendicare Reuben Tishkoff dopo che quest'ultimo è stato tradito dal proprietario di un casinò.
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- Sceneggiatura
- Star
- Premi
- 1 vittoria e 5 candidature totali
Recensioni in evidenza
I went to see this movie with only one expectation, surely it cant be as bad as the second film. On this front i was greatly pleased as the sense of smugness surrounding twelve has been completely lost. The only real problem i had was that after the film finished i really struggled to remember anything particularly about it.
The performances were all OK but no one really stood out, whereas Matt Damon was the only person i didn't want to slap in twelve, he never gets the chance to shine. Al Pacino has no chance to make a memorable villain out of the limited screen time leaving you not really caring if they can pull off the job or not. Clooney and Pitt also do an OK job of an average script, but it never rises above OK.
The area i think this film falls down is with a cast that is too big, while inventive and different in the first film, just hinders this one. There are too many people trying to get their five minutes on screen to really give a damn. Maybe this is the directors feels we already care about them as we know the characters, when in reality the damage caused by twelve was enough to need character building again. Arguably a plot on a smaller scale would have been better with a sharp focus on one or two characters as in the first film.
While flashy this film is all about style over substance and if you are looking for a shallow but entertaining summer movie this may just be it.
The performances were all OK but no one really stood out, whereas Matt Damon was the only person i didn't want to slap in twelve, he never gets the chance to shine. Al Pacino has no chance to make a memorable villain out of the limited screen time leaving you not really caring if they can pull off the job or not. Clooney and Pitt also do an OK job of an average script, but it never rises above OK.
The area i think this film falls down is with a cast that is too big, while inventive and different in the first film, just hinders this one. There are too many people trying to get their five minutes on screen to really give a damn. Maybe this is the directors feels we already care about them as we know the characters, when in reality the damage caused by twelve was enough to need character building again. Arguably a plot on a smaller scale would have been better with a sharp focus on one or two characters as in the first film.
While flashy this film is all about style over substance and if you are looking for a shallow but entertaining summer movie this may just be it.
This movie is at the level of the first.
With an exciting story that captivates the viewer, the film manages to give us a good robbery story, with well-executed plot twists, good story development, good production design and funny moments. There are a few holes in the script that don't explain what happened to characters that came out in previous movies, as well as some conveniences for the story to follow.
But the movie is entertaining and is a good closing for this trilogy.
With an exciting story that captivates the viewer, the film manages to give us a good robbery story, with well-executed plot twists, good story development, good production design and funny moments. There are a few holes in the script that don't explain what happened to characters that came out in previous movies, as well as some conveniences for the story to follow.
But the movie is entertaining and is a good closing for this trilogy.
Since I am a fan of the first two movies I expected a funny and thrilling film. What carried the viewer through its predecessors (great retro design, music etc.) now isn't enough for a really good movie. The story itself could be summed up too quickly. The preparation for the big thievery starts almost from the beginning of the film and it's justification is really poor. What can be really enjoyed are the colorful visuals and a bunch of stars that seem to enjoy themselves. All this prevents a worse vote. To me it seems that Hollywood is running out on ideas at the moment. Sequels are obviously attractive from a financial point of view but bear the risk that they are produced and conceived not careful enough.
Have you ever watched a film while multi-tasking? Well if you have, you should do it again but this time put on Ocean's Thirteen. I would not describe myself as a fan of the Oceans' movies but I have pretty much enjoyed all of them. In light of that though this is the worst one of the series.
The movie is very well acted in that it appears the whole cast has fun with the material from top to bottom. That does not make it a good film though it just makes it a nice to get together. One thing I could say though was this time around I actually noticed Casey Affleck because of his recent breakout performances in other films. So with that, he and Al Pacino just adds to the fun of watching all the great actors and stars in the film. The script is very witty at times and did have me chuckle more often then not. What was missing though were the star actresses. Tangle in all the fun of a crazy scheme to rob a casino, gambling and just Las Vegas is the women. It would have been great to see Julia Roberts or Catherina Zeta Jones or even both back for the film. Instead we had to settle with Ellen Barkin who has not nearly as an impressive career or persona as her counterparts.
As the rest of the series this film really is not too thought provoking or deep. It won't inspire you to do something so honestly it won't be too necessary to focus all your thoughts on this film. This is an entertaining film considering George Clooney, Brad Pitt, Matt Damon, Al Pacino, Don Cheadle, Bernie Mac and Casey Affleck are in it but yet it isn't as well made or enjoyable as its predecessors.
The movie is very well acted in that it appears the whole cast has fun with the material from top to bottom. That does not make it a good film though it just makes it a nice to get together. One thing I could say though was this time around I actually noticed Casey Affleck because of his recent breakout performances in other films. So with that, he and Al Pacino just adds to the fun of watching all the great actors and stars in the film. The script is very witty at times and did have me chuckle more often then not. What was missing though were the star actresses. Tangle in all the fun of a crazy scheme to rob a casino, gambling and just Las Vegas is the women. It would have been great to see Julia Roberts or Catherina Zeta Jones or even both back for the film. Instead we had to settle with Ellen Barkin who has not nearly as an impressive career or persona as her counterparts.
As the rest of the series this film really is not too thought provoking or deep. It won't inspire you to do something so honestly it won't be too necessary to focus all your thoughts on this film. This is an entertaining film considering George Clooney, Brad Pitt, Matt Damon, Al Pacino, Don Cheadle, Bernie Mac and Casey Affleck are in it but yet it isn't as well made or enjoyable as its predecessors.
"The robb'd that smiles, steals something from the thief." Shakespeare's Othello
Andy Garcia's wealthy Terry Benedict is financing Danny Ocean's Vegas heist from casino owner Willie Bank (Al Pacino) in order to get the last smile of vengeance, thief to thief, while Danny and Rusty Ryan (Brad Pitt) exact their own revenge. No honor among these slick reprobates, and good time is had by all the men and, this time, not Julia Roberts, but Clooney's real-life squeeze, Ellen Barkin, as Abigail Sponder, tough right hand to Bank.
I go to most movies as a film critic with my sensibility well-guarded against the fluffy confection of just another heist. But the Ocean's franchise, like the Bond's, has a cachet all its own with eye-pleasing duds, high-tech high jinx, and self-referential dialogue. Thus I am free to enjoy without feeling as if I'd sold out to crass commercialismI have, but willfully and pleasurably.
I guess I'm sucked in like everyone else at the movies, even with as many as I've seen and written about, because I want to go where the director, in this case the estimable Steven Soderbergh, wants to take me. In Ocean's 12, it was all over Europe; in Thirteen it's the entertainment Mecca of the Western world.
No deep thoughts come to mind, just summer mindlessness dressed up for partying (Pitt and Clooney very nicely decked out, understatedly). Clooney's musings about the changes in Vegas since guys like him had shaken Sinatra's hand serves as "change" leitmotif lighter than air. Twenty years from now we'll be talking about the iconic Pitt and Clooney in the same nostalgic way. Ocean's Thirteen reinforces its place in popular culture as a repository for our transitory adulation of movie stars and the escapes they gave us long ago.
At the end, Matt Damon exits with "See you when I see you," a fitting piece of noncommittal that may promise another Ocean's installment or just more star sightings. Clooney says goodbye to Pitt with an in-joke the world is in on: "Hey! Next time! Keep the weight off. Pitt retorts, "Have a couple of kids." This is typical of the low-key, sweetly narcissistic third installment.
Ocean's hits a lucky thirteen this time around without a big jackpot but a great deal of good will.
Andy Garcia's wealthy Terry Benedict is financing Danny Ocean's Vegas heist from casino owner Willie Bank (Al Pacino) in order to get the last smile of vengeance, thief to thief, while Danny and Rusty Ryan (Brad Pitt) exact their own revenge. No honor among these slick reprobates, and good time is had by all the men and, this time, not Julia Roberts, but Clooney's real-life squeeze, Ellen Barkin, as Abigail Sponder, tough right hand to Bank.
I go to most movies as a film critic with my sensibility well-guarded against the fluffy confection of just another heist. But the Ocean's franchise, like the Bond's, has a cachet all its own with eye-pleasing duds, high-tech high jinx, and self-referential dialogue. Thus I am free to enjoy without feeling as if I'd sold out to crass commercialismI have, but willfully and pleasurably.
I guess I'm sucked in like everyone else at the movies, even with as many as I've seen and written about, because I want to go where the director, in this case the estimable Steven Soderbergh, wants to take me. In Ocean's 12, it was all over Europe; in Thirteen it's the entertainment Mecca of the Western world.
No deep thoughts come to mind, just summer mindlessness dressed up for partying (Pitt and Clooney very nicely decked out, understatedly). Clooney's musings about the changes in Vegas since guys like him had shaken Sinatra's hand serves as "change" leitmotif lighter than air. Twenty years from now we'll be talking about the iconic Pitt and Clooney in the same nostalgic way. Ocean's Thirteen reinforces its place in popular culture as a repository for our transitory adulation of movie stars and the escapes they gave us long ago.
At the end, Matt Damon exits with "See you when I see you," a fitting piece of noncommittal that may promise another Ocean's installment or just more star sightings. Clooney says goodbye to Pitt with an in-joke the world is in on: "Hey! Next time! Keep the weight off. Pitt retorts, "Have a couple of kids." This is typical of the low-key, sweetly narcissistic third installment.
Ocean's hits a lucky thirteen this time around without a big jackpot but a great deal of good will.
Lo sapevi?
- QuizMatt Damon's London street scene--showing Linus walking through London speaking on the phone--was shot while Matt Damon was in London filming "The Bourne Ultimatum". The Ocean's Thirteen production took advantage of this happy coincidence as they wanted the character Greco to be a British classmate of Roman Nagel. Thus Linus's being in London played well to the story.
- BlooperWhen Yen places a bet on the roulette wheel, he covers numbers 11,12 and 13, to fit in with the previous statement that the 'fixed' ball could be assumed to land on one of three numbers. 11,12 and 13 do not appear consecutively on a roulette wheel. If you wanted to cover a bet on '12', for example, you'd need to place chips on 12, 8 and 29 on an American table.
- Citazioni
Terry Benedict: [referring to Danny donating Terry's share of the money to charity] You think this is funny?
Danny Ocean: Well, Terry, it sure as shit ain't sad.
- Curiosità sui creditiEach of the logos from the studios involved in the opening sequence is colored a dull blue color, a throwback to the original studio cards from "Ocean's 11"
- Versioni alternativeTwo versions are available, depending on your location, the original theatrical release and an edited cut in Croata. Runtimes are "2h 2m (122 min)" and "1h 54m (114 min) (Croatia)", respectively.
- Colonne sonoreDon't You Want Me
(1981)
Written by Jo Callis (as John Callis), Phil Oakey (as Philip Oakey), and Philip Adrian Wright (as Adrian Wright)
Performed by Martin Blasick
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Ahora son 13
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 85.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 117.154.724 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.133.403 USD
- 10 giu 2007
- Lordo in tutto il mondo
- 311.312.624 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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