Seta

Can we really watch a movie lasting almost two hours just for its stunning cinematography and some glimpse of storytelling, or should it rather be the other way around? I think "Silk" proves that it is often impossible to adequately translate a deep, emotionally charged book into a credible and enjoyable movie. Personally, I just got terribly bored less than halfway through the movie. Yes, it is visually compelling. And yes, there are some fine moments in the acting, especially from Alfred Molina. But as a whole this leaves with quite a disappointing feeling in the viewer, the feeling that with all that money and resources and brilliant actors perhaps they could have come up with something a bit different. And a little less slow.

I also can understand why a person may not like this movie. However, if you can truly appreciate the goal and the direction of the director's vision than you should like it. The scenery and music added depth and meaning to the story. I think there should have been Japanese subtitles so as to not lose the audience's attention and interest. I was left wanting more. I don't know if that is a good thing or a bad thing. I wanted the plot to be a bit more "spicy". But i can appreciate the director and writer's vision of the movie. This is a good movie to watch when you want to relax and mellow out. The ending was the best part of the movie. There was a bit of a twist which added meaning and understanding. Even though i wanted things to be a bit more spicy the end of the movie justified the lack of it.

This movie tries to be an epic, period piece romantic drama. It has some of the main ingredients that are required to pull this off. There's costumes, travels, some beautiful (that's the only reason I gave it a 2/10) landscape shots, a guy, women, a not-too-subtle score to pull big emotions from us, all are present. But the most important ingredient they forgot: there's no heart. There's no passion. There's no chemistry at all. They even didn't take time to develop the Love between the main characters. Guy sees girl in bar (2 seconds). Then they walk past some flowers. Girl likes flowers. Guy eats a flower. They are in love. Sadly, I do not make this up. It is this shallow. And this is supposed to be the base for the rest of the movie. Well, it's just completely unbelievable. The dialogues are cheesy clichés and completely uninspired ("I will always love you" every time the guy goes on a trip; 4 times?), the acting is borderline amateuristic. Watching a movie can be a wonderful experience, it can draw you in, it can get under your skin, can touch something deep inside. This movie wants to be/ do all of that, but it fails completely. Bad movie making. A waste of time.

In 1862, the son of the mayor of a French village, Hervé Joncour (Michael Pitt), is invited by the silk entrepreneur Baldabiou (Alfred Molina) to travel to Africa to bring healthy silkworm eggs for his factory. Hervé first marries his beloved bride Hélène Joncour (Keira Knightley) and then he travels in the long journey. He succeeds, makes fortune and is invited to travel again to trade silkworm eggs in a longer journey to Japan. He is received by the local baron in a secret spot and falls in love for his Chinese concubine. Hervé returns to Hélène, but remains obsessed in the concubine. When he has a chance, he returns to Japan to trade the eggs and stay with his unattainable love.

"Silk" is an emotionless romance with wonderful cinematography and locations and completely miscast. The expressionless baby face Michael Pitt is an insipid and weak actor and could never have the lead role. I am a great fan of Keira Knightley, but the make-up work is very poor and she does not look aged or ill in the end of the story. The situation exposed in the movie is quite ridiculous: Hervé is just-married and in deep love for Hélène; when he travels to Japan, a concubine only glances at him and touches him in the bath, and that is enough for him to become obsessed by the woman. I can not believe that a successful novel could be so shallow. My vote is six.

Title (Brazil): "Paixão Proibida" ("Forbidden Passion")

This is a beautiful film.

The story stays very close to the book I had already read twice (around 10 years ago then 6 months ago). The adaptation is faithful to the author, and even if there's not much words, the intensity of the feelings is always present. The actors convey these feelings very well, with deep sensitivity and great sensuality (just watch when Hervé is in the Japanese wooden tub, and the girl pours water on his face and lips with her fingers). The settings and sceneries are overwhelming: there's so much beauty-like the snow covered trees in Japan, the Joncour garden, ... François Girard had already shown how a fantastic Director he is with his 2 previous films, and now with Silk! He has such a strong aesthetic sense, and a great way to direct actors...