Tsoi suet yuk chi ngo oi nei

This was the 1st of Andy's films I found recently. I cried when I saw this film! Didn't cry for King Kong, but I found this movie very touching. After that, I went and bought lots of his music & movies.

Some research found a very funny review of this movie, said it contained advertising for Cyma watch inserted at poignant moments of the film. haha.. Andy is very popular in HK, etc. He is a very versatile actor & singer. Sings Mandarin & Cantonese, bilingual. His English is not bad too. He changes his looks to suit the character, with expressive use of face/body language. You will enjoy this film. Therefore I can understand why he is much sought after for brand advertising. Also, in only 20 yrs he has made 100 films plus have a very successful singing career, must say how hardworking, enthusiastic, passionate about his art(s) he is. Any is a great entertainer indeed...

This film has many threads: to take care of how we use our time to express love & commitment); how to resolve unfinished business; Organ donation (how we can contribute to another person's need); 2nd chance if work on the relationship; how to move on (or not move on).

After watching this movie, find what threads/meaning, to suit your own situation. Check out his other films, I particularly liked the 'Century of the Dragon' where he is also married in that film. Won't tell you what happened, you must see for yourself! Have fun. Enjoy.

All About Love was pretty obvious like most romantic drama films. Most people can clearly guess what's going to happen all throughout the movie. Though it does have it's unexpected turn of events, of course. I won't go into much detail. But here is what I will say: There are two men, Doctor Ko and Derek(both played by Andy Lau), and two women, Zi Qing and Tsue Yen Sam. These are two couples that both go through something pretty terrible, so you can see the resemblance and guess that there will be something that intertwines the people together in the story. I don't like spoiling so I don't want to give much away at all. It's a really nice love story and has some good lessons. It really makes you think and can bring tears to your eyes. I thought the imaging was very beautiful, but there were some things that I thought could be a lot better done. The character's emotions might have needed to be displayed a lot stronger. But truly, you get the full-effect that was intended either way. 9/10

I loved this movie. It was the best movie that I saw this year. I would like to see more films like this one:

touching, sensitive, with a deeper meaning,

different from the Hollywood standards...

Is there any movie that you could recommend me?

I loved the moment of his dreaming... When he closed his eyes and dreamed of his wife. An then the drops falling into the mug. It was so beautiful. And all the idea in general. A man crying for his lose and trying that hard for a woman that has just his wife's hurt.

See it and you will understand.

This is not one of the best Andy Lau movie, (in my opinion, Running out of time was the best one) but this is absolutely the best Andy Lau acting, or acting, you have ever seen. I don't think anyone in the world has the same skill of act like Andy. He is just a genius, there's no word for descriping his act in this movie, you just have to see it for yourself. I dare to say that this movie would have been "average" or "below average" because the story is just "boring" actually, but now, there's something special.

The movie it self deserves a 7, but i'm giving it a 10, just because of Andy Lau.

Andy Lau as two characters with a doppelgänger with a goatee and pretty ladies Charlie Young and Charlene Choi and Amber. A man falls in love with a woman who turns out to have his dead wife's heart. Of course he falls in love with her -- you knew that, right? This lady's estranged husband looks just like Andy, and that's because he's played by Andy too. This contains lots of cute Hong Kong romantic gimmicks from movies and novels, including ones that Wong Kar-wai has often used in his rapturously stylized reworkings. Here the style is conventional and the thinking trite. The only interest is to see the technical displays, split-up editing, superabundance of flashbacks and computer manipulations, which are extremely slick, without making the material convincing -- though at times it's good for a laugh. This doesn't seem suitable for an international film festival -- so the choice to include it in San Francisco's 49th (April 2006) seems questionable. Nonetheless students and fans of Chinese film-making might want to watch it for its mastery of current clichés and tricks.