Stephanie Daley

I am not the type of guy that watches often movies about abortion or sexual issues but when I watch them from time to time, it's for the actors. So keep this in mind as you read my review for this.

When the movie begins Stephanie Daley (Amber Tamblyn) is attending a school-organized field trip and suddenly she falls on the ground bleeding. After the recovery the medics discover that she was pregnant and find the baby dead with toilet paper stuffed in his mouth. So Stephanie is accused of child murder but instead of jail time the police give psychologist Lydie Crane (Tilda Swinton) the task of finding out why Stephanie did that act while at the same time deals with her husband Paul (Timothy Hutton) who seems to have lost interest in her.

I liked the acting, especially the performances by Swinton and Hutton. But the main problem for me is that it wasn't exactly subtle and considering this is a movie about abortion, the more the subject was handled better the better would have been because some scenes of Stephanie having healt issues or burst into tears with sad music in the background were jarring to watch. As it is, it's ok but nothing more.

I do have somewhat of a problem with the time device used in the film, the frame narrative that I'm not quite sure works to such extent. I think by just allowing the narrative to go through without resorting to "going back in time" would've made for a much more effective ride. As it is, the film is rather good. Amber Tamblyn and the goddess Tilda Swinton give some strong work here, and both give their characters their much required pathos for which to fully function within the film's structure better. Both are great performances that deserved a lot more attention, but alas, it's good that I sought it out. I definitely recommend this flawed, but strong piece of work.

I had no idea what to expect from this film, and by the 10 minute mark it won me over.

Tilda Swinton and Amber Tamblyn both gave stellar performances.

The script was tight, and the back and forth between the Swinton and Tamblyn was spot-on perfect.

Tamblyn's big bathroom scene was gripping and intense - a great use of the absence of sound to really hammer a point home.

The cinematography left a little to be desired - the HD format still looks like video at times.

I can see why Swinton Exec. Produced this: It was a great vehicle for her and I now have a new found respect for her as an artist.

I am looking forward to Brougher's next film - hopefully she will get a wider release this time.

The editing of the film was eerily effective - I was never once lost or confused, yet I was constantly being moved around time and space.

The ending was very satisfying - I don't need to be spoon fed every little thing.

Concise, daring script + great performances = "Stephanie Daley"

In "Stephanie Daley," Tilda Swinton stars as Lydie Crane, a forensic psychologist in her final months of pregnancy. Despite her condition and the fact that she had a miscarriage less than a year earlier, Lydie agrees to take on the case of a teenaged girl named Stephanie Daley (Amber Tamblyn) who is accused of killing her newborn at childbirth.

Written and directed by Hilary Brougher, "Stephanie Daley" is a human drama wrapped inside a legal whodunit (it's sort of like "Agnes of God" minus the nuns' habits and beatific visions). Set in scenic Upstate New York, the movie explores the anxieties and fears that many women face before, during and after pregnancy. Lydie's situation very much parallels Stephanie's at times, resulting in a strange symbiotic relationship between the two women. Those parallels aren't always as clearly drawn as they might be, but the positive result is that the story is made less obvious and more intriguing by the ambiguity.

"Stephanie Daley" is a low-keyed, thoughtful work that doesn't go in for flashy melodrama or thematic overstatement. It allows its narrative to unfold slowly, finding much of its drama in the minutiae of everyday life in the small town in which it is set.

The movie is blessed with sensitive, subtle work from not only Swinton and Tamblyn but a large cast of secondary performers, including Timothy Hutton, Kel O'Neill, Denis O'Hare, and others. The relationships in the movie are intricate and complex, and the plot doesn't seek out a preset path or formula to follow. It's not a movie designed to appeal to mainstream audiences much, but for those who prefer their films to wander a bit off the well-beaten path, "Stephanie Daley" offers substantial rewards.

It is strange how people can have a gigantic Hollywood budget, the whole powerful studio support system and churn clunker after clunker. Then someone like the director of this small independent flick, with a minuscule amount of money makes a compelling piece of art. Small town in unidentified part of America, could have been anywhere, with gloomy colorless landscape. Boring, predictable lives, unfulfilled promises, church on Sundays, unspoken words hanging in the air. Makes you want to run for your life.But where can you run? " Stephanie Daley" is an unflinching, sometimes hard to watch movie. Takes us to places we don't want to go, makes us remember things we'd like to forget. I am not sure Hollywood has a place for Hilary Brougher. People who have something to say can be nuisance. They can force us to think, and we can't have that,can we.