Vedma

I watched this on Netflix. I am going to dissent from the other reviews, and say I once I got past the awful dubbing, I thoroughly enjoyed this movie. I hadn't seen any other versions of the story upon viewing this.

The art direction and special effects are fantastic. The scenes inside the sanctuary are simply stunning. I never got the impression that this was supposed to be America.

It has one of those ephemeral European feels that are reminiscent of Hammer Horror films, or Gene Wilder's Willy Wonka. A world that resembles our own, but lies just outside its borders. This feeling is captured in the forest, in the village, and on the river.

This story is told through the lens of cultural faith in Christianity. One need not be Christian, nor believe in vampires, to appreciate the struggle that plays out of a single man attempting to stand against an overwhelming force of evil.

You just might enjoy it more with the sound turned down. It is a shame Netflix doesn't have a subtitled copy.

As a horror-movie fan I try to watch all significant novelties of this genre, especially those which are the products of my native cinema. And I can say that that the "Power of Fear" (or "Vedma" as the Russian title of it) is one of the weakest film among them. Firstly, it can't scary even a little kid, it paces so slowly and so predictable that there is no place for the real horror. Frankly speaking, it's bad in all points: from the goofy plot (I don't know why the Russian producers/director decided to transform the classic story about Ukrainian witchcraft into some lame and ridiculous modern-day-America thriller. I absolutely agree with the previous reviewer – it doesn't thrill a bit) and to the terrible and cheesy actors' work. All actors including the leading Valeri Nikolayev and Yevgeniya Kryukova who are quite famous in Russia look like wooden dolls or something like that and it seems to me they didn't even bother to play at all, only spoke their English lines without any expression. And at the end I don't really understand why they filmed this flick in English with Russian actors? I think it was their wrong turn. At least they could cast some American or English actors for the leading parts to make them look more convincing. The same I can say about so called "small American town backgrounds" which were shot in Estonia and look like it. The only positive moment I found in the "Power of Fear" is the visual effects. They are not excellent but rather good for the Russian film. And the music is OK, at least it doesn't irritate me. That's why I give it two stars. Overall, if you want to see good horror film – don't waste your time and money on this boring flick. And if you are looking for something that claims to be a Russian horror I'd advise you to find a copy of "Viy or The Spirit of Evil". It's really the terrific movie based on the same novel as "Power of Fear" but much, much better.

I rented this film yesterday mostly due to the good-looking art and the summary given on the back of the jacket. After popping it into my DVD player I re-examined the jacket cover and even though I took the cover out of from the plastic viewer, I STILL could not read any of the production detail information about the film. This film is entitled Evil on the Jacket and had to locate it by going to Faith Films website to find out any linkage to it here on IMDb.

The filming and special affects done in the film looked quite good ... THEN, a line-reading actor spoke. Oh dear ... this actor's reading sounded like some pimple-faced high school jock whose voice just managed to change pitch, and no attempt given to go beyond reading the lines from the script. At first I thought I got a bad disc out of audio sync, then had to surmise it was a foreign film since I couldn't read the jacket... English dialog dubbed. If they'd casted the right person for dubbing the dialog, this film MIGHT have been decent. I gave it a chance of about 20 minutes before ejecting it when I discovered the bad line reader wasn't going to get killed off, but stay as the constant main fixture. Yes, it is THAT bad! The jacket cover art and the art done in the film are great, so gave the one star, but minus 1,999,999 stars for the rotten dialog. I do not recommend this one!

I've been looking forward to take a look at this film ever since I've heard it has been released. It has been difficult to find, though. Many years ago, I have seen a Serbian film "Sveto mesto" ("Holy Ground") which turned out to be fairly good and which I later found out to be based on Gogolj's "Vij". It was one of those rare occasions in which an adaptation is perhaps even better than the story that originated it. It remained one of my most favourite childhood films ever since. When I heard of the Russian version a few years ago I thought it must be even better. I was first taken aback by such a low rating of 3! After I've seen the film and read the comment I pretty much understood why something like this had happened, as the film itself, viewed from the angle of an independent viewer, not concerned with Gogolj's story, or not knowing the background or caring about it, is not the greatest horror film ever, not even a good one at all. The point is this hasn't been made to be a typical horror flick in the first place. It also wasn't meant to scare. It is simply a slightly different version of a classic story we all know, with good special effects that add a lot to the atmosphere. And I also disagree that it was about finding identity or anything like that. It's a folklore story about witches. The scenography is the most beautiful thing about this film. The camera work has also done a very good job. The actors, to be honest, haven't had much chance to show off throughout the film. The story should be out of discussion as we all know what is it all about. The original story is slightly altered as the priest is transformed into a journalist who encounters a priest and after some unfortunate incidents assumes his identity. And so what if it's being situated in an American town doesn't seem realistic? Personally, I don't think that makes any difference. While I watched it, I didn't give much thought to where it all happens, whether in America or rural France. I agree about the bad English subtitles, and I've also read comments about bad dubbing- My opinion about dubbing is that ANY DUBBING IS BAD DUBBING. Besides, it's for lazy people who can't even bother to read the subs. I don't get that. The film could have been a lot better I agree on that. But I also think it wasn't all that horrible after all.

It's not that great either.

I thought it was better than a lot of the Saw knock offs and the pretentious political crap disguised as horror movies that I've been picking up lately at the Wal-Mart.

The dubbing was very poor and the plot was weak but I wasn't exactly bored to tears either. I think anyone who reads the back of the DVD box will pretty much know what to expect.

However, the cinematographer and production designers were first rate. Their work was reminiscent of the Italian films of the nineteen sixties and early seventies, Mario Bava etcetera. They should be in Hollywood making better movies.

Did anyone notice that after the lead actor's hair was scared white, he bore an uncanny resemblance to Bob Geldof?