Lung foo moon

For me personally, this movie is one of the best Modern Martial Arts Flick of Hong Kong today! The kind that I've been waiting long to see!

As a long time fan of Donnie Yen (I'm an instant fan since I saw his first movie Drunken Tai- Chi, a loooong time ago), I believe he has finally get the chance to show his true talent, as the up-and-coming modern day Action Director. Donnie Yen has arrived!

The fight choreography is very unique and freshly thought, amazing at times. Combined with limited wire-work, stylized complicated movements (Donnie Yen's Specialty) and very complementary Computer Generated Special Effects, the fight scenes will blow your mind away. Not to mention the addition of the ground-shaking 5.1 Dolby Digital Sound Effects. You gotta see and experience it for yourself to know what I mean.

Story wise, LONG HU MEN (Dragon Tiger Gate) delivers true to it's comic book nature about the tale of Good vs Evil, told within the realm of Amazingly Imagined Hong Kong Triad/ Martial Underworld.

The Cinematography are quite unique too. In some scenes it felt like a very imaginary world, others like a very beautifully-painted old-day Hong Kong, yet in another it looks so realistic, true to the colour of the world today.

I may be biased so just go watch it for yourself.

A few recent movies have raised the bar for Hong Kong action cinema. Aside from the obvious "Crouching Tiger, Hidden Dragon" which introduced a moving plot and quality acting to the genre, "Ong Bak" raised the stakes for action by replacing gracefully balletic Wu Shu fights with acrobatic but brutal, hard-hitting action. Similarly, the Korean movie "Fighter in the Wind" also followed the hard hitting formula but added stylish camera-work to the mix. Luckily, "Dragon Tiger Gate" shows that Hong Kong kung fu cinema does have the skills to match these foreign usurpers.

The first thing that jumps out at the viewer is the rather contrived but undeniably stylish air of "cool" that surrounds the lead characters with their snappy streetwear and (quite amusing) emo haircuts. These guys are ass kicking metrosexuals! Luckily they ass-kick very well! Following the Ong Bak formula, the opening fight scene shows foot hitting face with real force and the fighting style replaces the graceful wu shu of traditional Hong Kong cinema with something that looks more like Japanese karate or one of the harder, external forms of kung fu - not much posing or flowery stances but lots of straight to the point slamming strikes.

So the film looks great and the fights are cool - how about the plotting? Crouching Tiger standard? Of course not! It's a standard formula about estranged brothers on different sides of the tracks coming back together to defeat evil. But this really isn't the kind of movie where the plotting makes much difference (and, to be honest, when Hong Kong cinema tries intricate plotting you usually get an over-long and unfollowable movie, so fair play to them for keeping it simple!) - what you really want is quality fighting and stylish visuals and this movie more than delivers. I wouldn't hesitate to recommend it to kung fu movie fans.

People have been unfairly criticising this film and taking things far too seriously indeed.

If you love Hong Kong action films, and have been a fan of such productions since the 70's or earlier, you will love this film pure and simple.

I actually enjoyed some of the action in this film more than SPL! Why? Because DTG was pure unadulterated comic book escapism. It isn't meant to be serious, it isn't meant to be deep. Its a totally entertaining popcorn movie, and I would suggest that anyone who tries to analyse it any further than that really should take some time out from watching movies.

Put simply, Dragon Tiger Gate is what a comic book adaption should be. As a long time Hong Kong martial arts film fan, I found this film to deliver everything I expect from such a thing and I enjoyed every minute of it.

Just don't bother watching it if you are the type of person who is going to sit there with their arms folded expecting it to change your life or something like many of the other reviews I have seen on the web seem to have done.

Oh... my... GOD! What can I say?

I just finished watching this film and was so utterly blown away by it that I just had to preach its awesomeness to all kung fu fans the world over.

There is a story to this one, but let's just skip that part and concentrate on what gets real kung fu fans itching with excitement: the action.

Not even ten minutes into this film and you know that you're in for a treat. By the time you're 53 minutes in, you'll be wetting your pants - it's just THAT GOOD.

Donnie Yen did the action choreography and it's some of the best you could ever hope to see, combining genuine martial arts skill with wire-work and a touch of computer effects for some of the most stunning fights ever to come out of Hong Kong... and that means a Hell of a lot if you know your grain.

For me, this film rates up there with other kung fu masterpieces such as Iron Monkey, Fist Of Legend and Tai Chi Master; fans will therefore be able to get an idea of just how masterful this flick is!

I understand that no film can ever be perfect, but I rated this one a "10", as such is the highest attainable merit.

Now, if you're any kind of action fan, go and watch this film - I promise that you won't be disappointed.

Comics-simple good vs evil. Fantastic three-way marriage of state-of-the-art CGI, clever montages and absolutely first class martial arts action (at least on Donnie Yen's part). Nicholas Tse at his cutest. Shawn Yue at his coolest. Donnie Yen always at his very best, and he IS the best. Beautiful and sometimes imaginative photography. Two Mainland actresses with faces that are very easy on the eyes and not bad in the acting department. And the sound! All add up to a super summer entertainment package. Highly recommended.

Just to given some balance, it's slightly odd to see 43-year-old Donnie Yen as 26-year-old Nicholas Tse's elder brother who is supposed to be just a few years older. Good makeup and lighting helps. Also, permit me to draw the analogy of having an absolutely top-notch, middle-age and slightly plump soprano singing the role of a slim, young girl in an opera. In the entertainment business, for excellence in one line, sometimes a little compromise is inevitable. Did you see Kevin Spacey's scene as a teenage Bobby Darin in "Beyond the Sea"?

Finally, ignore the "Plot outline" in IMDb. I'm sure it was contributed with good intentions. But the comics "Dragon Tiger Gate" has been around for decades and what the movie has done is just borrowed some of the key characters and put them into a story that barely has a plot. And who needs a plot anyway?