Gone - Passaggio per l'inferno

A young British couple are travelling through the outback, hitching a ride with a mysterious, charismatic American who becomes increasingly suspect. After this music montages(the first choice doesn't even seem to fit) its way through most of the first third, you might be led to believe that it's picking up. You would be sorely mistaken. It never actually goes anywhere, in spite of genuine potential, and the very last portion of this just gives up on being convincing(especially as far as the actions and logic goes, and it was already on shaky ground). This is a road movie, psychological horror exploitation flick set in Australia, and as such, it is decent. The filming and editing are skillful enough(it even creates mood several times) and there is one or two bits that are downright good. Characters are pretty bland, undeveloped and not entirely credible. Alex, the boyfriend with a secret he doesn't want her to discover, is the best in the latter regard. Their behaviour and poor decision-making abilities keep the paperthin, predictable plot just barely going, until the seemingly ceaseless 80 minutes finally come to a close. Acting isn't bad. This is mostly focused on the three leads, albeit they're not isolated(I expected this to have them stranded and that be a cause of conflict, and it went stupider than that) for more than maybe half of this combined. One has to wonder why they don't simply get out of the situation since that's clearly the smarter option. They have cell phones, too. Operating ones. Yet we're just expected to accept this at face value. For an interesting psycho(whose attraction may not be towards Sophie... not that it actually pays off to notice that) and potentially visually compelling setting(not photographed in any kind of engaging way) and other things I've mentioned, this doesn't actually end up offering anything worth it in return for your investment of time and attention. There is a bit of disturbing content, a little gory/bloody violence and sexuality and momentary nudity in this. The DVD comes with a reasonable and informational enough 29 and a half minute featurette and 8 minutes of deleted(or rather, extended, not to mention padded, no-wonder-these-were-cut) scenes. I recommend this to people who enjoy this kind of thing. 4/10

This is one of the many movies called "gone" made in 2007.This one is a road movie (Australia has become a good place to film such flicks of the genre) and even ,a road movie too many.It cannot hold a candle,for instance ,to "Kalifornia" (1993) and the beautiful landscapes and a superb shot of the Australian sky at dawn can't hide what is definitely lacking: a firm screenplay and elements which would have made Taylor an interesting character .The Taylor/Alex relationship revolves around the latter's girlfriend and it's not enough to keep the movie from being derivative .Only the trick of the phone is pretty smart but the average viewer will have guessed what happened long before the ending.An ending in the grand tradition of "Friday the thirteenth" .Nothing new under the Australian sun.

Gone sure is a surprise - I didn't expect it to be as good. The soundtrack is almost perfect. All of the actors are good, but Scott Mechlowicz in particular. I first discovered him in Mean Creek (2005), and I must admit that although his character in Gone isn't nearly as moving and interesting, he delivers a solid performance that almost makes me sympathize with Taylor.

The pacing is somewhat off, and unfortunately, the suspenseful beginning is quickly brought to an end towards the end of the movie where the clicheés line up and actually make me cringe. The last twenty minutes, Gone transforms into a typical horror film, which is a shame, since the story does have potential in the beginning.

I didn't know what to expect from this movie, and knew very little about it; only that it was a thriller, and a bit of the storyline. Now that I've seen it, I have to say I'm very positively impressed.

The movie follows Brits Alex and Sophie on a road trip around Australia. They've both agreed to meet in Australia, and, before they do so, Alex has met Taylor, a mysterious American who offers to drive him around. The movie has a very fitting introduction about how the two boys meet in a fun atmosphere, which gradually becomes gloomier and full of menace as we find out about Taylor's dark side.

It's plain to see that the story isn't original at all, but it is very well and efficiently told. As other commenters have pointed out, one of the movie's great points is that Taylor's psychotic personality is revealed subtly and slowly, which makes him all the more believable. Also, while not original, the movie isn't all that predictable and the suspense is very well carried along. The acting is also very good; I especially liked Amelia Warner as Sophie. I also found it remarkable that the settings -it's located in some of Australia's deserts, of extreme and solitary beauty- and the fact that it's almost exclusively based on three characters come together admirably to produce a feeling of isolation, claustrophobia and paranoia.

The only real weak point about the movie is the lack of character development; I was left wanting to know more about them. This, however, didn't stop me from enjoying it. It's a nice little surprise that I recommend to all thriller lovers.

Gone, despite the lame title, is an enjoyable film from first time director Ringan Ledwidge.

A very underplayed thriller revolving around the relationship between a backpacking British couple and a suspicious American, I found the film refreshing for managing to avoid the same traps that most films of this genre stumble with.

The catalyst of the film - the relationship between the two male leads - was handled delicately, full of nuance, and was almost Hitchcockian in its building of suspense.

As the events of the film are comparable to the recent Peter Falconio / Joanne Lees case, it would have been advisable to set the film elsewhere - especially since the vast expanse of the Australian outback has been seen too recently in films like John Hillcoat's 'The Proposition' and Phillip Noyce's 'Rabbit Proof Fence'. A possible alternative for the location of the film could have been New Zealand's South Island - picturesque, isolated, and just as popular with backpackers as Australia.

I was lucky enough to see a preview screening of the film, followed by a Q&A session with Ringan Ledwidge and Amelia Warner. Definitely one to watch, Warner could be a future English rose of the film industry (especially if she manages to avoid wearing orange lamé blouses in public!). Watch this space!

Elsewhere on this site, there is mention of the film being a rip-off of Dead Calm. Although I can see the similarities, Gone is a much more intriguing film. Although the two films deal with the same issues, I see Dead Calm as a popcorn film for the masses. Gone, on the other hand, is much more cerebral and perfect for an audience who appreciates attention to detail.

I would definitely recommend this film to friends.