The Virgin Queen - Parte 2

Another version of a Tudor, Elizabeth I, the Gloriana, done up quite splendidly by the BBC.

The strongest aspect, as I viewed it, was neither the story, the costumes or the scenes, but the bold performance of Anne Marie Duff. She glows as a young Elizabeth, and displays strength and vanity as her aging self. Yes, the make-up could have been better, or as one suggested an alternate older actress, but the pace of Duff's performance was incrementally finer, than finer still, as she reached deeper into her character. And if one seeks out a miniature of the Queen, one sees a remarkable resemblance between the Queen and the actress.

Dudley, portrayed by Hardy, was a good foil; his perhaps son, but certainly step son, Essex portrayed by Hans Matheson, were interestingly cast, not so much by the actors but rather for the dramatic interpretation brought to each character. It is only bested by the old Bette Davis version of Elizabeth and Essex in spotlighting how the Virgin Queen sought male affection, but rebuffed any control but her own.

What burden the Queen, a bastard, a princess, and then a monarch must have endured in her private life, a life often dismissed for her political reign, or exaggerated for her fancy of her childhood friend, Robbie.

A most worthy addition to the pantheon of Tudor drama.

This is well plowed ground. For years the role of England's Elizabeth I was owned by Glenda Jackson. Australian Cate Blanchett, Helen Mirren and now Anne-Marie Duff have essayed in the last ten years to portray Gloriana on the screen.

This version is more watchable, more accessible, more **alive** than any before.

Glenda Jackson was too sour and too butch--attended by a fawning and effeminate Dudley. Jeremy Irons looked like he had risen from the grave playing Robert Dudley to Helen Mirren's Elizabeth in that BBC production focusing on her middle years. Horrid is the only word to describe Ms. Mirren's appearance. The Cate Blanchett movie version tries to portray Elizabeth as a kind of early feminist--a concept that would not exist for many centuries. Dudley is squeezed into a tiny corner and hardly is a presence at all.

This production adopts as its center the long relationship between Elizabeth and Dudley. As "Robbie" Dudley, handsome, boyish Tom Hardy has swagger and sex appeal. He is not the least bit intimidated by his childhood playmate "Bess" now being the Queen. In one of this production's many telling moments, he is seen stroking the royal neck discreetly but not furtively even as Elizabeth receives the ambassador of the King of Spain. Agreed, Dudley seems to age little compared to Elizabeth, who gets older in appearance if not in demeanor. The relationship is accordingly more credible in the early parts of the series when both are in their twenties.

A few nitpicking pedants have pointed up some historical inaccuracies of a very minor nature. They in no way detract from the impact of this splendid version of history with its colorful sets, fine costumes, excellent acting and unforgettable musical score.

Priming up to teach Renaissance history I've looked into just about every Elizabeth I movie around--from Bette Davis to Helen Mirren. I endured the dry Glenda Jackson series for its historical perspective, enjoyed the brief comedic overacting of Dame Dench in Shakespeare in Love, totally skipped Cate Blanchett's version due to the reviews openly praising this Hollywood take on known history.

As to this newer version, I couldn't bear to finish it, and I usually don't quit movies. The editing seemed to delight in snatches, rendering this as apatched together series of Elizabeth commercials. The lighting was dark, which didn't help. Robert Dudley was portrayed as being way too young. He should have been reserved for the Earl of Essex part. There were other aspects I didn't care for, but the Robert Dudley part needed to be more nailed down seeing how important he was to Elizabeth's reign.

Helen Mirren's version to me presents the most personable, the one that really brings out the personage of the queen. The politics in that version were more defined as well. I don't understand why the BBC thought to try and trot out another version of Elizabeth I when so many exist already. Aren't there any other monarchs worth looking into?

This has to be one of the better productions which centers on the life of Elizabeth 1st. The costumes, sets & character development are all superb & Anne Marie Duff puts in an outstanding performance as the eponymous "Virgin Queen" Tom Hardy also gives us a great performance as Robert Dudley. Several hand held camera shots work wonderfully & put you in the very center of the action in particular the scene with Elizabeth & Kat Ashley arguing from episode two. Kat Ashley in reality was a de facto mother to Elizabeth & looked out for Elizabeth's interests like a hawk, & that scene literally sent shivvers down my back!

The series music while outstanding & original, I feel, was let down by the absolutely nerve grating main theme "My care is like my shadow laid bare benith the sun" (this comes from a famous poem written by Elizabeth in real life) which to me, comes across as a mocking school yard bully chant. Sorry I was not a fan! I even turn the sound down on the DVD. However this is perhaps my only gripe with the whole production as the direction is solid & the photography is beautifully shot. Anne Marie Duff's performance is brilliant & I can not fault it, but as her character ages the makeup could have been better making the elder Elizabeth a little more believable, which is a shame, but I love the scene where the older Elzabeth is looking whistfully around her court & sees a young couple in love, holding hands & she remembers her life long love Robert Dudley. I also enjoyed the script as it replicates Elizabethen grammar very well without making it difficult to understand.

Overall this is a terrific little series which is written so well even those without knowledge of history would still enjoy this & this may even fire an interest in Elizabthen study for the next generation. I have studied Tudor history all my life & its rich, culture is utterly fascinating, often nerve racking & occasionally horrific, but never boring. There is always something new to learn & The Virgin Queen could be an excellent start for younger people who may also wish to step into Tudor times. This will certainly interest today's feminists who will adore Elizabeths story of how one woman spent her youth terrified of the axe as both her mother & her step mother had been beheaded. She was so terrified she vowed never to marry! Yet she was vastly intelligent, was sublime in state craft, politics & economics, who went on to become one of Englands finest monarchs who really did say... "There shall be one mistress here & no master!"

You can read the other reviews to see all the debates over the historical accuracy, the choice of Duff as Elizabeth I, and the fact that all we see are movies about Elizabeth and not other interesting choices. So I've decided to give a review on something a little different...

The costumes were pretty accurate for the time period, with some obvious differences in colour choices and the lack of abundance of embroidery (embroidery was a way for people to immediately tell how much money you had and what class you were in - sometimes the wearer would also have their family crest or symbols embroidered as well). The colours situation is just that back then, the dyes were not as stable as they are now and tended to fade quickly and were not as rich and bright as they were portrayed in here.

I have to admit, what kept me going in the second half of the series is the use of make up and effects on the actors. The aging effects were MAGNIFICENT!! While the women seemed overly done and looked like something out of Star Wars or Star Trek, the white make up they used to cover the aging had the adverse effect of aging them further. The vanity of the day is nothing short of today (minus the ability for Botox or anti-aging creams), and they believed their makeup would make them look younger, while today looking at them, it could send children running from the room in terror.

If you're looking for something to pass the time, or you happen to be a lover of period pieces, take a looksie at The Virgin Queen. Every film or television show has it's merits and downfalls, but the visual brilliance should never be overshadowed.