Una squadra delle forze speciali della CIA viene tradita e lasciata morta dai suoi superiori, galvanizzandola a lanciare un'offensiva contro la CIA.Una squadra delle forze speciali della CIA viene tradita e lasciata morta dai suoi superiori, galvanizzandola a lanciare un'offensiva contro la CIA.Una squadra delle forze speciali della CIA viene tradita e lasciata morta dai suoi superiori, galvanizzandola a lanciare un'offensiva contro la CIA.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 7 candidature totali
Zoe Saldaña
- Aisha
- (as Zoë Saldana)
Óscar Jaenada
- Cougar
- (as Oscar Jaenada)
Garrett Warren
- Goliath Guard
- (as Garret Warren)
Evan Mirand
- Lead Chryon Guard
- (as Evan Miranda)
Recensioni in evidenza
I always check IMDb before i watch a movie. Some of the reviews on this site almost caused me to not watch this movie. I am glad i overlooked the negative commentary. Many people have said that they copy old action movies..... aren't they all copies with different characters.
Anyhow the movie is about a group of U.S. soldiers who are being pursued by some guy named Max in the CIA. Well, i was very confused... Who is this max? Why does he want them dead? This is never explained or i missed it.
Anyhow the team are framed for the murder of 25 children and are fugitives from the U.S. they are given an opportunity by this girl who seems devious right from the beginning.
But to put it short, its worth watching. The characters are original and the guy with the glasses needs to be in more movies. He basically made the movie for me and was comical the whole way threw. His lines seemed a lot less cheesy.
Overall, a good action/comedy. Id give it..... 7 out of 10. It lacks a little bit of excitement.
Anyhow the movie is about a group of U.S. soldiers who are being pursued by some guy named Max in the CIA. Well, i was very confused... Who is this max? Why does he want them dead? This is never explained or i missed it.
Anyhow the team are framed for the murder of 25 children and are fugitives from the U.S. they are given an opportunity by this girl who seems devious right from the beginning.
But to put it short, its worth watching. The characters are original and the guy with the glasses needs to be in more movies. He basically made the movie for me and was comical the whole way threw. His lines seemed a lot less cheesy.
Overall, a good action/comedy. Id give it..... 7 out of 10. It lacks a little bit of excitement.
In contrast to what many others have felt towards 'The Losers', it didn't quite work for me. Yes, clichés are expected in action movies but I expect at least some entertainment and some kind of refreshment, either in the form of action sequences, story or humour. At best, 'The Losers' is your average action flick. Aside from being far from memorable, there is nothing that particularly stands out. Even the dialogue is clichéd and the humour fails to work. The actors are stuck with typical action roles. For example. J.D. Morgan is the stereotypical leader, Zoe Saldana the kickass action heroine who will at some point turn against the group and who didn't know that one of the five was a 'double agent'? I must give Saldana some credits for doing her own stunts no matter how skinny she is. Jason Patric's portrayal of Max has got to be one of the worst performances in a villainous roles. I must add that the final sequences are marginally better than the rest of the movie. Overall, 'The Losers' has nothing new to offer and it failed to keep me entertained for its duration.
Though slightly juvenile for an action film, (hence the PG-13 rating) The Losers has wit, and that counts for something. The clichés are all there; the distraught hero, the girl with the gun, the dapper villain eager to get his hands on nuclear weapons, the geeky tech nerd, the bad-guy cops. The Losers frequently plays all this for laughs, it has a great sense of humour without which the film would be epically cheesy. There are some familiar faces in the cast, along with some new ones, and everyone seems to be having a good time, which helps us to have a good time.
If I had to guess, I'd say it'd be Zoe Saldana which the studio values most for selling the product, which is kind of degrading. She may well be on the road to the Typecast city, until James Cameron gets Avatar 2 going. At least she can do her own stunts, something Megan Fox is probably incapable of. The best performance in the movie though is turned in by Jason Patric oddly enough, whose take on the clichéd super villain ready to wreak havoc with the push of a button, is perfect. There is no way anyone could take such a character seriously no why not goof it up a bit. The year is young but this guy is the Col. Hans Landa of 2010. Sometimes, the Losers doesn't work so good. At times it is just a little too unbelievable, especially the interplay between Saldana and Morgan, which is just gratuitous.
So for an early blockbuster, The Losers delivers about what you'd expect. Though there is nothing super special about it, the movie has some tricks up its sleeve which might be worth checking out.
If I had to guess, I'd say it'd be Zoe Saldana which the studio values most for selling the product, which is kind of degrading. She may well be on the road to the Typecast city, until James Cameron gets Avatar 2 going. At least she can do her own stunts, something Megan Fox is probably incapable of. The best performance in the movie though is turned in by Jason Patric oddly enough, whose take on the clichéd super villain ready to wreak havoc with the push of a button, is perfect. There is no way anyone could take such a character seriously no why not goof it up a bit. The year is young but this guy is the Col. Hans Landa of 2010. Sometimes, the Losers doesn't work so good. At times it is just a little too unbelievable, especially the interplay between Saldana and Morgan, which is just gratuitous.
So for an early blockbuster, The Losers delivers about what you'd expect. Though there is nothing super special about it, the movie has some tricks up its sleeve which might be worth checking out.
Well don't know how i didn't knew about this movie that come out 10y ago, and i found out about it today.
Good action movie, fun and entertaining , and what else do you need from it. It had also very good music in background, some nice hard songs,
Also very nice bunch of actors, i mean Saldana should be enough but thrs Elba too, so all in all it was good discovery for me to find this today when we lack a good movies in 2020 n 21
Good action movie, fun and entertaining , and what else do you need from it. It had also very good music in background, some nice hard songs,
Also very nice bunch of actors, i mean Saldana should be enough but thrs Elba too, so all in all it was good discovery for me to find this today when we lack a good movies in 2020 n 21
The Losers isn't a movie I can recommend outright as a really fantastic example of its genre, far from it. It has some logical gaps, especially towards its ending with the character resolutions (or lack thereof), and the use of slow-motion in the action scenes already dates it to an extent by its 'Hipness'. But it's also got just the right attitude, humor and energy to get by as what I might call a 'Saturday afternoon' quickie. This is the kind of flick that a guy would watch when he should be doing something else around the house or something. It's tough and unapologetic and a little too slick to be anything else than what it is. I enjoyed The Losers against my better judgment.
The premise and follow-through is kind of predictable, as it's about a group of elite fighters (think the A-Team) who get double-crossed by a rogue CIA agent and find a possible entry point with a mysterious woman to get back at him and clear their names. We see who will probably betray who, or what twists might occur, and sure the BIG WEAPON (in caps) that is used by Max (played with a cartoon character debonair by Jason Patric) is so preposterous as to be wholly entertaining. But the cast is up for playing these parts with every ounce of fun and excitement in the material, and I liked seeing the camaraderie between Morgan, Evans and Elba (the latter really coming into his own as a star), and Zoe Saldana shows off again how she's becoming a formidable talent in Hollywood films.
It's a hard movie to always defend for its plot inconsistencies, but it works in its own lets-just-play-it-loose logic. And sometimes the actors just cut loose, which is nice; seeing Chris Evans somehow inject life into using 'Don't Stop Believing' by Journey in an espionage scene is one of the most brilliant things of the year (if only because, simply, how could you use that song again after the Sopranos). And when it comes time for the BIG action set-piece at the end, it gives a good dose of what action movie fans look for: plausible implausibility, some gritty violence (albeit PG-13, it's still pretty intense), and a few real surprises in the course of events, for better and worse. I can't stress enough that it's not a particularly high achievement in its sort of movie. But for what it sets out to achieve, it does alright, which is enough sometimes.
The premise and follow-through is kind of predictable, as it's about a group of elite fighters (think the A-Team) who get double-crossed by a rogue CIA agent and find a possible entry point with a mysterious woman to get back at him and clear their names. We see who will probably betray who, or what twists might occur, and sure the BIG WEAPON (in caps) that is used by Max (played with a cartoon character debonair by Jason Patric) is so preposterous as to be wholly entertaining. But the cast is up for playing these parts with every ounce of fun and excitement in the material, and I liked seeing the camaraderie between Morgan, Evans and Elba (the latter really coming into his own as a star), and Zoe Saldana shows off again how she's becoming a formidable talent in Hollywood films.
It's a hard movie to always defend for its plot inconsistencies, but it works in its own lets-just-play-it-loose logic. And sometimes the actors just cut loose, which is nice; seeing Chris Evans somehow inject life into using 'Don't Stop Believing' by Journey in an espionage scene is one of the most brilliant things of the year (if only because, simply, how could you use that song again after the Sopranos). And when it comes time for the BIG action set-piece at the end, it gives a good dose of what action movie fans look for: plausible implausibility, some gritty violence (albeit PG-13, it's still pretty intense), and a few real surprises in the course of events, for better and worse. I can't stress enough that it's not a particularly high achievement in its sort of movie. But for what it sets out to achieve, it does alright, which is enough sometimes.
Lo sapevi?
- QuizProduction designer Aaron Osborne and cinematographer Scott Kevan attempted to enhance the color scheme of the comics, where only two to three colors were used to convey the tone of each setting, so they charted the whole movie with certain color schemes for each location, and different shades as time passed("Every chapter of the comic books is a new environment distinguished by different color palettes - so every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It's very eclectic.").
- Blooper(at around 46 mins) At Houston when Clay is with the blueprints, you can clearly hear the Coqui in the background of the scene which is an endemic frog from Puerto Rico.
- Curiosità sui creditiThere is a scene in the closing credits: the Losers attend a soccer match for Jensen's niece.
- Colonne sonoreChampion of the Blind
Written by Kevin W. Buchholz and Jessie Shapiro
Performed by Kevin W. Buchholz and Jessie Shapiro
Courtesy of Acumen Audio
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Los perdedores
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 23.591.432 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.406.348 USD
- 25 apr 2010
- Lordo in tutto il mondo
- 29.397.654 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti