This Is England

I just saw "This Is England" at the Berlin Film Festival where it was screened in the section "Generation 14P". This section is an extension of the former "Kinderfilmfest" for teenagers between 14 and 18 - dealing with more mature issues.

I had no clue about it, just that it would be about skinheads in England and that it takes place in the 80s. I wasn't expecting much, hoping for something like a British version of "American History X" - I got a lot more.

When I left the theater I was absolutely stunned! Cast and script were outstanding. I loved the rough editing and grainy camera style that made the movie look a real 80s flick! And last but not least: the soundtrack is a blast! And coming from a director who used to be part of the real scene, it might be the most authentic picture about skinheads ever made.

Although it didn't get as much attention as the Hollywood films that had their premiere at the Berlinale Palast, it's a lot stronger than almost all the films in competition.

I hope it will make its way the movies and not end up as a direct-to-video-flick... 10/10

I was lucky enough to attend the first UK screening of Shane Meadows' latest offering, THIS IS ENGLAND, last Tuesday at the London Film Festival. Having been a fan of Meadows' work since seeing TWENTYFOURSEVEN in 1998, I have anticipated each of his new films with excitement and great interest. Meadows' films defy categorisation and always exceed expectation, as anyone who has seen A ROOM FOR ROMEO BRASS or DEAD MAN'S SHOES will attest. THIS IS ENGLAND had a lot to live up to…

Set during the summer of 1983, THIS IS ENGLAND is the story of Shaun (Thomas Turgoose); a precocious twelve-year-oldcoming to terms with the death of his father. Shaun is soon inducted into a group of local skinheads; a fun loving bunch who spend days committing petty vandalism and listening to ska records. Although much younger than the other members of the group, Shaun endears himself upon them with his sheer determination and defiance, and is quickly embraced as their mascot. However, the frivolity and naivety comes to an abrupt conclusion when ex-member Combo (Steven Graham) is released from a spell in prison. Combo soon causes a rift within the group and becomes the catalyst for them becoming a militant, racist force.

Anyone familiar with Meadows' earlier work will notice many parallels between this and A ROOM FOR ROMEO BRASS; the film is told from a child's perspective and the corruption of youth/innocence is an underlining theme. Like ROMEO BRASS, THIS IS ENGLAND manages to balance the light-hearted and often hilarious, with menace and tension that's excruciating to endure. Many British films that attempt dramedy falter because one or the other/both is unconvincing, but Meadows manages to combine comedy and drama seamlessly; the laughs come thick and fact but the jolts come harder than a kick to the head.

Typically for a Meadows film, THIS IS ENGLAND is exceptionally well written with some infectious dialogue and fully-fleshed characters, though one of the film's stand-out attributes is that of Danny Cohen's cinematography. Being a film set during the 80s, its look plays a significant part in the audience buying into the film. Many 80s-set films have been betrayed by garish lighting and ultimately end up looking like contemporary people parading around in 20-year-old clothing. Cohen's photography really manages to encapsulate the bleak feeling that was evident of the time, and is both gritty and dour. THIS IS ENGLAND is a film without polished aesthetics and one that has the raw visual style that's not be seen since the films of Alan Clarke (SCUM, MADE IN Britain, THE FIRM).

In addition to the film's look, Meadow's has raided the vaults for a whole host of archive footage leading thirty-something viewers on a trip down memory lane. The credit sequence alone features footage from Roland Rat, the Falklands and Knight Rider; As a child of the 80s, I literally sat in the cinema beaming – It's a great hook into a wonderful film.

As assured as Meadows' writing and direction is, the film benefits greatly from its ensemble cast. Predominantly made up of teenagers, the cast of THIS IS ENGLAND excel beyond belief, without one putting a foot wrong. A ROOM FOR ROMEO BRASS' Andrew Shim is superb as Milky, as is Stephen Graham as Combo - who gives a terrific and complex performance. However, THIS IS ENGLAND belongs to Thomas "Tommo" Tugoose – for a débutant child actor he is astonishing and effortlessly conveys the array of mixed emotions the material requires.

In conclusion, THIS IS ENGLAND is essential viewing for anyone with even a passing interest in film. Once again Meadows has set a precedent for British filmmakers and has eclipsed many of his contemporaries. THIS IS ENGLAND may not make for comfortable viewing but it is cinema at its best.

The skinhead culture fascinates many directors and it's understandable. It's one of the few remaining subcultures in the West, much because of the Nazi connections.

But the skins in this movie aren't political and no racists to start with. One of the gang members is even black. They live in a happy community in the early 80s, having fun and being together in a totally grey unfriendly working class environment. It's very hopeful and the 12-year-old finds himself accepted for the first time in his life. His longing for the dead father of the Falklands war is somewhat replaced.

But darkness arrives with the skin veteran who comes back from jail. And there are conflicts between the racist fraction and the others. But whatever this is, it's not black and white. The characters are much more complicated.

Much has been said about young Thomas Turgoose as the 12-year-old. He's very good but the great portrait is by Stephen Graham as the old/new gang leader. Absolutely brilliant work.

This film has alot of views and takes that dont go so well with rationality, but i love that the film does not shy away from portraying how crude and messed up some people are capable of being. The biggest thing to take away from this movie is the characters and how developed they all are and how natural and real everyone feels. All the actors in this movie were great. The child character Shawn, Woody, Lol and Combo. They all feel like people you could possibly come across in your everyday life.

The cinematography wasnt bad. Alot of static wide shots of characters walking in slow motion. Mostly handheld when theres a group of characters hanging out, and face close ups when two characters are having a more serious disscusions.

The music is alot of fun as well. There was a raggae sounding track, and an acoustic instrumental folk sounding track. The composition was neat, nothing that really stood out however i appreciate how it was used in a very pivotal scene nearing the conclusion.

A film of raw, unrelenting and passionate power, This is England remains underrated director Shane Meadows greatest singular achievement and one of Britain's all-time great feature length films.

Spawning a collection of worthy mini-series follow ups in the years that followed its critically praised initial release, This is England not only deals with a politically charged time in the United Kingdom's Maggie Thatcher lead period of the 80's but examines the deep undercurrent of racism often present in otherwise civilised western countries all the while being a touching coming of age story of Thomas Turgoose's 12 year old Shaun.

Meadows, who has also displayed a power as a filmmaker to make uncompromising films of almost documentary style realism, evidenced in other standout efforts like A Room for Romeo Brass and Dead Man's Shoes, directs This is England with both an unflinching eye and a compassionate hand as his believable and lovable characters experience life changing events all the while surrounded by a country that has reached a boiling point of tension and rage.

Led by Turgoose's incredible well-constructed debut turn as the vulnerable Shaun who finds himself a part of a ragtag group of skinheads and rascals, This is England's cast that includes such recognisable faces as Joseph Gilgun as the lovable larrikin Woody, Vicky McClure as the deep thinking Lol, Andrew Shim as the Jamaican/British Milky and a young Jack O'Connell as feisty teenager Pukey, is one of the Britain's best ever assembled casts, the case of the perfect performers coming together as a whole that proved it was no lighting in a bottle occurrence when the large portion of the cast returned again for Meadow's award winning TV follow-ups.

As good as both Meadows and his cast are in This is England, this film is owned completely by one of the modern eras most commanding and attention grabbing performances by Stephan Graham as the racist, tormented and charismatic Combo.

A performer who has proved time and time again that his one of the best working in the business, yet a performer who has yet to receive his just rewards, Graham's Combo is a creation that's hard to describe, a fully inhabited incarnation that can only be achieved by actors at the very top of their game.

When Combo makes his entrance into This is England's characters somewhat carefree lives at the 30 minute mark of the film, Meadows film marks its change in direction and tone and enters into an hour or so of cinematic brilliance as we're driven along by Graham's tour de force turn and a story that may seem on the surface to be simplistic, but ends up flooring us with a knockout punch that will linger days after initial viewing.

Encapsulating the time and place of this period incredibly well, a landscape full of checkered shirts, suspenders, shaved heads, Doc Martins and a killer soundtrack, Meadows team-up with his performers, that is steered on its powerful course by Graham, create the world that makes This is England such a special and in many ways important film experience.

Final Say –

Far from an easy watch, This is England may not be everyone's cup of tea but Shane Meadow's gut-punch of a film remains to this day one of the most deceptively powerful and memorably casted films of the 21st century that includes an outstanding debut performance from Thomas Turgoose and a career best turn from Stephen Graham.

5 Ben Sherman shirts out of 5