Il dinamismo di una famiglia perfetta è rovinata dal complotto brutalmente efficiente di un rapitore.Il dinamismo di una famiglia perfetta è rovinata dal complotto brutalmente efficiente di un rapitore.Il dinamismo di una famiglia perfetta è rovinata dal complotto brutalmente efficiente di un rapitore.
- Regia
- Sceneggiatura
- Star
Osmond L. Bramble
- Bank Police Officer
- (as O.L. Bramble)
Recensioni in evidenza
The producers of BUTTERFLY ON A WHEEL (a/k/a SHATTERED in U.S.), didn't have enough faith in their project to seek widespread theatrical distribution of the finished film--even though it had GERARD BUTLER fresh from his box-office triumph in "300". Instead, they went a more direct route--directly to TV on TNT, which seems more like a last resort. Once again, a Gerard Butler film with limited distribution even though co-starred with PIERCE BROSNAN and MARIA BELLO.
Seeing it on TNT, it's understandable that the film had some problems in connecting with a larger audience. Brosnan's villain is below par for the actor and Butler has done better work elsewhere although he gives all his energy to the role of a distraught husband.
The plot is an elaborate cat-and-mouse game that Brosnan plays with the unlucky couple, Butler and Bello. While it does generate a certain amount of suspense, Brosnan's character remains an enigma for almost the whole story. Never once do we get a hint of why he's going to such extremes to torture the couple by demanding that they perform tasks at his bidding. A grungy looking Brosnan makes the villain a very unappetizing psychotic and we're never quite sure about Butler either, an ad agency man who gradually loses his swaggering overconfident manner.
Without giving away more of the plot (except to say that there is a mildly interesting twist toward the end followed by a double twist), the whole thing plays more like a made-for-TV movie than an actual film because none of the characters are more than one-dimensional despite the good acting. And the final scene between Butler and Bello is totally unbelievable as to motivation.
Summing up: Basically tricky and shallow at the core.
Seeing it on TNT, it's understandable that the film had some problems in connecting with a larger audience. Brosnan's villain is below par for the actor and Butler has done better work elsewhere although he gives all his energy to the role of a distraught husband.
The plot is an elaborate cat-and-mouse game that Brosnan plays with the unlucky couple, Butler and Bello. While it does generate a certain amount of suspense, Brosnan's character remains an enigma for almost the whole story. Never once do we get a hint of why he's going to such extremes to torture the couple by demanding that they perform tasks at his bidding. A grungy looking Brosnan makes the villain a very unappetizing psychotic and we're never quite sure about Butler either, an ad agency man who gradually loses his swaggering overconfident manner.
Without giving away more of the plot (except to say that there is a mildly interesting twist toward the end followed by a double twist), the whole thing plays more like a made-for-TV movie than an actual film because none of the characters are more than one-dimensional despite the good acting. And the final scene between Butler and Bello is totally unbelievable as to motivation.
Summing up: Basically tricky and shallow at the core.
This movie is the equivalent of shattering an already broken mirror. We are introduced to the happy, functioning family: Father's successful and climbing the corporate ladder in the advertising industry, while mom stays at home and takes care of cute-as-a-cupcake daughter. All is well...
(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)
...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.
If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.
(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)
...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.
If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.
I'd never heard of this movie until it showed up on DVD sites a couple of weeks ago. Then I read the comments here and thought, "Pass." But there was not much to choose from the other night, and the suspense/mystery/thriller genre is my favotire these days, so ... I picked it up. Glad I did because my wife and I enjoyed the movie. Certainly not a GREAT film, but very good. I liked the story, the film was nice and short, good characters. And we loved the ending and the twists. They were very clever. Overall, a solid suspense drama. Too bad this film didn't get released. Saw 4, on the other hand, goes wide and makes a ton.
Butterfly on a Wheel (AKA: Shattered) is directed by Mike Barker and written by William Morrissey. It stars Pierce Brosnan, Maria Bello and Gerard Butler. Music is by Robert Duncan and cinematography by Ashley Rowe.
Butler and Bello play a seemingly happily married couple who have an adorable young daughter into the fold. Enter a rather sinister Brosnan who announces he has kidnapped the daughter and requires the couple to do everything he asks. Pressure is on then!?
Basically this is just real solid kidnap thriller film making, the kind that we were well served with back in the 1980s, and with that in mind this comes off like a throw back to that decade. Brosnan (how nice to see him doing a natural Irish brogue) grows ever more spiteful, while of course our handsome couple get more frantic.
But naturally there's a mystery going on here, we are left in no doubt about that there is something lurking beyond the edges of the frames. To which the inevitable twist, on which the whole pic's very being depends upon, will either make or break how you ultimately feel about the piece as a whole.
I liked it. 7/10
Butler and Bello play a seemingly happily married couple who have an adorable young daughter into the fold. Enter a rather sinister Brosnan who announces he has kidnapped the daughter and requires the couple to do everything he asks. Pressure is on then!?
Basically this is just real solid kidnap thriller film making, the kind that we were well served with back in the 1980s, and with that in mind this comes off like a throw back to that decade. Brosnan (how nice to see him doing a natural Irish brogue) grows ever more spiteful, while of course our handsome couple get more frantic.
But naturally there's a mystery going on here, we are left in no doubt about that there is something lurking beyond the edges of the frames. To which the inevitable twist, on which the whole pic's very being depends upon, will either make or break how you ultimately feel about the piece as a whole.
I liked it. 7/10
When their happy lifestyle is suddenly interrupted and turned upside down by the forceful intrusion of a menacing kidnapper (Brosnan), Abby and Neil (Bello and Butler) are left with no choice but to follow the increasingly difficult demands and tests set them by this man. It's edge-of-the-seat stuff most of the way, with plenty of twists and turns and even when you get to that stage where you think you know all the answers, something else catches you off guard. The three leading actors all provide sound performances in this intelligent, edgy little thriller, with Brosnan proving yet again, because a lot of people seem not to have realised it before, that he really can act.
Lo sapevi?
- QuizPierce Brosnan actually crashed the car in the parking lot and their reactions after the crash were real.
- BlooperWhen the Range Rover smashes into the wall in the parking lot, at that speed this would have set off the airbags. Also during the rest of the movie the car doesn't seem damaged, the speed the car went into the wall would have caused visual damage.
- Versioni alternativeThere are two versions. Runtimes are: "1h 35m (95 min)" and "1h 38m (98 min) (European Film Market) (Germany)".
- ConnessioniFeatures Ed, Edd & Eddy: Once Upon an Ed/For Your Ed Only (2001)
- Colonne sonoreI'll Take Care of You
Written by Brook Benton
Performed by Irma Thomas
Published by Famous Music Publishing Company Ltd.
Courtesy of Rounder Records. www.rounder.com
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Dettagli
- Data di uscita
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- Lingua
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- Shattered - Lucida vendetta
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo in tutto il mondo
- 7.651.640 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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