Hana yori dango

Nearly all girls like the fairy tale of Cinderella and her prince. An interesting fact is East Asian girls don't like the prince who is amazingly nice throughout the story. Instead, they want the prince to change for them. They would be really happy if the prince became maturer because of them. If you didn't understand this, the change of Mr Darcy in Pride and Prejudice by Jane Austin was a perfect example.

You can find those traits in so many East Asian drama, movies and manga, for example, Princess Hour, Itazura Na Kiss, A Love So Beautiful and etc. Be careful, those princes don't have to be rich to be considered as a prince. A "prince" is just a representation of a guy that made girls feel he is superior in some perspectives to them.

The mange Hana Yori Dango is a perfect example of an East Asian fairy tale. That's why you can so many drama, film versions of this story. In my opinion, this Japanese version is the best of all, after watching other versions. Other versions all had some weakness, either lack of money to show luxury or the screenwriter didn't understand the essence of the manga, so he or she turned the story into a boring love story.

This drama is a perfect example of turning a manga into a drama. I never realized how good this drama was when I watched it more than 40 times in one summer until I read the manga a few weeks before. This drama followed the story of the manga, but the screenwriter slightly changed the timeline. It worked so well in this drama.

The screenwriter of this drama was definitely a genius at crafting the characters, especially in terms of Makino's family. When I was reading the manga, I felt Makino's dad and mom was terrible. But the screenwriter turned them into two cute, lovely parents.

Another character modified so well in this drama was Hanazawa Rui. The screenwriter smartly deleted the basketball race, which really changed the impression of him being a manipulative playboy.

I came to this series with an initial prejudice after being utterly turned off by the wooden, dry acting in the Taiwanese version called Meteor Garden. Then, I happened to pick up a copy of Hana Yori Dango in a bookstore, and the series captivated me so much I read all 36 volumes in the course of a few days.

Hana Yori Dango then became my absolute favorite manga, and Doumyoji and Tsukushi my favorite manga characters. Matsumoto Jun and Inoue Mao do a truly fantastic job of bringing my favorite characters to life.

Jun honestly isn't the most attractive of actors, and he's a bit lacking in the height department to boot, but he has such a spark on camera that by the end of the series, I went from wondering what he was doing as uber-hottie Doumyoji to being absolutely crazy for him. As physically unsuited for Doumyoji as he is, after seeing this series I just cannot imagine anyone else as Doumyoji.

Inoue Mao is wonderfully feisty as Tsukushi, and she has great chemistry w/ Jun. In the series, she seems to spend more time doubting Doumyoji than actually developing her relationship w/ him, but that's probably more due to time constraints and writing than anything else. Still, it's a shame that there weren't more scenes of Doumyoji and Tsukushi together.

The supporting actors are great as well, and I particularly like the actors who play Nishikado and Akira. They're a great source of comic relief, and very amusing to watch.

Love, love, love this series. It's definitely piqued my interest in Japanese dramas, and Mastumoto Jun in particular. I think he's definitely my favorite Japanese actor at the moment. And he looks much better in Gokusen and Kimi wa Petto. Curly hair just isn't for him.

"Hana Yori Dango" (Boys Over Flowers) is quite intriguing - written and illustrated by Kamio Yoko, it started out as a manga and was made into an anime, and later brought to life as the Taiwanese live-action drama "Meteor Garden". With all its incarnations, surely there must be something about its story that strikes a chord in people's hearts.

And yes, there is. In Fall 2005, Japanese TV network TBS released its own live-action "Hana Yori Dango" series starring Inoue Mao (Kids War 3) as the strong-willed Makino Tsukushi and Matsumoto Jun (of pop group ARASHI) as the hot-tempered Domyouji Tsukasa (here, Matsumoto is a revelation as he renders a heartbreaking Domyouji). Joining the well-appointed cast is Oguri Shun (Gokusen, Great Teacher Onizuka) who takes on the role of the calm and collected Hanazawa Rui.

Makino is a student at Eitoku, an exclusive school for Tokyo's rich kids. She seems to be getting by until she gets involved with the notorious F4 (Flower 4), a group of four of the richest boys on campus, and whose members include the very irritable Domyouji and the soft-spoken Hanazawa. Challenges face Makino as she gets entangled in the world of F4, and subsequently, the affection of Domyouji and Hanazawa who are the best of friends yet are complete opposites of each other.

"Hana Yori Dango" is an excellently produced show with topnotch production design. Viewers will be transported into a world of magnificent imagery - with mansions, flashy cars and the latest fashions that spice up the screen. The characters are adequately developed and the situations that unfold will keep you at the edge of your seat. But what makes this series even more appealing is its unique combination of humor and drama that just never runs out of steam. Packed into nine satisfying episodes, "Hana Yori Dango" will give you the ride of your life. Expect emotions to run high. It will make you laugh and cry. It will make you cheer. It will capture your heart.

I first saw Meteor Garden and I liked it a lot but this Japanese Live Version is far better. Acting wise, the cast pretty much gave justification to all the characters they played. I specifically, enjoyed watching Mao Inoue and Jun Matsumoto's performance. They pretty much showed the characters as I imagined then while reading the Manga and at some parts I also would go reminiscent of the anime version. It's a perfect blend.

Jun at first seemed a bit too skinny as compared to Jerry Yan who first played the role of Tsukasa but watching from the scene when F4 was first introduced (EP1)there was a certain air about Jun that just made him a very convincing Leader of the Notorious F4.

Mao made an excellent Tsukushi. She played the HYD heroine with the right kind of spunk, which her Taiwanese counterpart, although quite good in her own way, lacked. Her interactions with both Jun and Shun were really impressive. I loved her acting and her way of ranting at Tsukasa for beating just about anyone or everyone, and, her family for making her go to a private school that they could not afford....

The Tsukushi, Rui, Shizuka love triangle was also nicely depicted with Tsukasa just waiting on the sidelines for Tsuky.

Nanako Matsushima who played Tsubaki (Tsukasa's older sister),she was hip and funky. Acting, wise she was as always, very awesome. She played the tough and yet loving sister to her affection-deprived little brother. She also shed some light to her confused and baffled love-sick kid bro.

Megumi Sato, played Sakurako very well, she was able to manage the good and the bad sides of her character. She makes a pretty nasty villain one minute and then a sweet naive friend in a quick sec.

All in all HYD is a great story to explore and this live version is considerably remarkable, given the fact that they were able to show a lot in just 9 Episodes, which basically leaves us HYD fans wanting more... I have to say they have brilliant writers whom I would have to say was able to bring the Manga and the anime into a mix of wonderful fusion. Great production, wonderful cast with a great deal of talent... what more can you ask for? well, maybe a sequel wouldn't be too much to ask, don't you think?

By the way the back ground music they used specially with scene done in the school reminded me so much of Hedwig's theme from Harry Potter.

The Korean series from 2009, "Boys Over Flowers," was my first introduction to this story. I loved it so much that I decided to also view the Japanese version that had come out a few years earlier. Now, I'm not sure which version is my favorite. Although the stories are virtually identical, there are enough differences to make this a worthy viewing even if one is already familiar with the basic plot line.

THe Korean version is more glamorous, with beautiful sets, exotic locales, incredible fashion on display, and the actors are more physically beautiful, which enhances their aura as a group of super-cool, privileged young men. But the Japanese version stands out because the heroine and main rival to the primary love interest are much more demonstrative and direct with their feelings. We feel the heartache and confusion all the characters feel as they deal with this love triangle. And, without extended back stories for the supporting characters, there's more time to devote to developing the relationship between the main characters. My advice, see both versions.