Saw III - L'enigma senza fine

We went to the cinema yesterday to see this flick. I can't really say I had any expectations, I mean, it's a third part in a series and such are rarely keeping the same quality as their predecessors. After seeing it, I have to admit that this flick is definitely keeping the same touch of quality work as the first two parts. I'd say it's better than the second piece, and if it's not better than the first piece, then they're at least even.

I found the third part to have a bit more gore in it, compared to the other pieces in the series. Some scenes are really disturbing and even I, who claim myself to be quite difficult to disturb through film as a medium, at times felt really... well, it was almost a bit too much. It's far from snuff, please, don't get me wrong here, since the utter disturbance is very beautiful in a way and very artistic, I'd say.

For the plot, I can't pull off any complaints. Anyone familiar with the first two pieces and the plot of theirs, will recognize the atmosphere and the touch of the flick here. The acting is neat, no complaints there either. All-in-all, this is a well-made flick and among the best deliveries from Hollywood I've been confronted with in quite a while. I recommend it. 7/10.

Saw should have stopped after I and 2. By episode 3 my interest dwindled. The torture scenes were pretty much being recycled as they tried to come up with more imaginative ways to make the victims suffer. Sadistic in a way!

SAW III in my opinion is tied with the original as the best in the series. For many reasons- one reason being that it keeps it simple. Instead of dealing with multiple characters that sacrificed any kind of character development like in SAW's II, IV, and V, SAW III, like the original, has much fewer characters, leading to a more intimate setting where we can connect to everyone. And while it does have sub-plots, they don't feel out of place, they're not just randomly thrown in to shock audiences. They feel organic, they all connect smoothly at the end and make sense as to why.

If you've seen a SAW film, you know the story is going to have twists, turns, and violence/gore to accompany them. But at least SAW III does it very well. It expands on characterization and back stories for these characters and ties up the loose ends as believably as this franchise can do. We also get a deeper look at the relationship between Jigsaw and Amanda, knowing more about how the two really look at each other. Jigsaw is the calm, cancer-stricken anti-hero who does these evil things to prove a moral standpoint. Amanda, on the other hand, doesn't seem to grasp this - instead using the traps to torture her victims as a way to get back at innocent people for the way she was tortured herself with suicidal tendencies and drug abuse. With these two extremes, we see how much Jigsaw is trying to mentor her in his vision while she struggles with her own demons. And when Jigsaw gets ill, we see that Amanda really isn't a fitting apprentice to carry on his legacy as her vindictiveness comes out.

SAW III is also supported by the fact that the two protagonists are developed deeply. Maybe not as much as our two anti-heros, but we understand where they're coming from. From Lynn's dour nature to devastated Jeff's situation. The subplot with Jeff by the way adds some great underlying messages to the film. These messages shows us that hate, vengeance, revenge, and complacency brings more pain than anything else, and does not solve anything. It ruins families, destroys relationships, clouds judgment, and at the end: self-destruction. Leigh Whannell, who wrote the first two films with James Waan and flew solo writing the screenplay for this one, does a nice job giving the spotlight to all the characters instead of just focusing on Jigsaw and Amanda. He makes SAW III more of a character study than any of the other installments and that's one of the essential reasons why this installment scores high.

Darren Lynn Bousman directs a much more subtle film than he did with SAW II and SAW IV. The quick edits are kept to a bare minimum (thank God) and the film has a lot of dread going for it. Very moody and darkly atmospheric. He focuses on the drama and emotion at hand, which was a vast improvement on SAW II and especially SAW IV. He lets the acting and the situations do the work for him instead of being extra-fancy with the camera work. Lastly, the cinematography is a plus. Darren shoots the film with a vibrant and kinetic feel and uses good, non-queasy camera movements. I love the lighting most of all though; he uses a wide arrange in the color palette (from lime green to icy blue). He definitely proves here that he knows how to grasp the material and visualize it. His direction of III ranks alongside James Waan's mindblowing direction of the original.

The acting is hardly an issue. It's usually good or better. Tobin Bell can play John Kramer in his sleep by now for gods sake! He shows excellent range and is always effective in the role because he gives the character more depth than what the script probably provides. Shawnee Smith is superb as Amanda, who will always be one of my favorite characters in the series. This is without a single doubt her shining moment, her most dramatic portion in the series. You really want to hate her but you just can't because you pity her. Smith could have easily played the character as an annoying nutjob, but she gives the character substance and unbelievable humanality. Angus Macfadyen as Jeff is superb in his role as well; he makes Jeff the most realistic and sympathetic character within the entire series. As far as I'm concerned, McFayden nailed the mourning father act. Bahar Soomekh was decent but always outshone by Bell, Smith, and McFayden. Her acting was a bit flimsy at times, but for the most part she gave a nice performance and made her character likable.

The suspense and tension, while not as impressive as the original, is still great. Hardly any other Saw film or horror film in general for that matter (with the exception of Eden Lake from last year and Inside from 2007) has been so edge-of-your-seat gripping, so exciting. The slow pacing allows you to gradually absorb everything in, and this makes it all the more better.

There is a lot of extreme gore in this film, but unlike some other installments like Saws IV and V, it's done very well and serves a purpose. Jeff's bloody trials are in a lot of ways cathartic. You're enduring these horrific scenes along with Jeff, and the relief at the end that the horror is over really fits with the theme of redemption through forgiveness. Moreover, the revelation that the horror isn't over, and what you feel as a result, drives home the Shakespearean tragedy in a very personal way because you the audience have to keep enduring it.

SAW III is clever, solidly written, has the best characters, succeeds with the emotional aspect it was going for, and ties up loose ends perfectly. For a third installment in a horror series, it's incredibly strong.

Loved the first Cult Classic & loved the Donnie Wahlberg sequel & now I've enjoyed this savage part 3.

Saw 3 is incredibly clever & completely connects everything from part 1 & 2 & brings it into this brutal revenge story about a depressed grieving man who lost his little boy to a dangerous driver who got a tiny little sentence by a corrupted judge because of a cowardly witness refused to step forward & the slowly dying John Kramer uses this horrible situation to set up a new game & invite everyone he dislikes to play.

Saw 3 is really a vigilante vengeance film but in the confines of one of Jigsaws booby trapped torture buildings.

The cast is Awesome with Shawnee Smith (who gives an incredible troubled performance) & Donnie Wahlberg (back as the injured but brutal cop) & Tobin Bell (back as the sinister & smart genius Jigsaw) & Dina Meyer (back as the beautiful & troubled cop) & Angus Macfadyen (excellent performance as the grieving father) & Baha Soomekh (as the captured doctor) & all such solid performances that hold all the Horror & gritty situations together.

The look/Cinematography is grainy & raw & looks like its shot on film & the music is exciting & thrilling.

Excellently written with everything connecting & all loose ends tied up. Basically a real shocker & a thrilling sequel.

Yes this super savage sequel has really a true anger at it's core with how useless & unfair & corrupted the Justice system really is & the rage people feel & the vengeance they crave.

There's plenty of twists & turns & extremely gory scenes, so much so that i had to look at Away often lol, more extreme than the first two film.

Here sick John Kramer/Jigsaw captures a doctor who has a damaged life behind her work & Kramer wants her to fix him the best she can without going to hospital & the game is a deadly affair that puts a vengeful father through a maze of torture as he comes accross each person who let his son's killer get away with murder.

A very serious issue at it's heart & a graphic horrific tale of violence with excellent performances throughout.

Another great sequel in this savage franchise.

i decided, just as it was getting dark, that i was going to watch saw 3, and with much anticipation (after the first two), i did just that. the movie opens up, alike the first - reintroducing the bathroom, so i wasn't feeling too bad.

the movie's a tad confusing, and i spent more or less, the whole time trying to keep the vomit down in my stomach, so that didn't leave me with too much mentality to make sense of the whole reminiscent, nostalgic, deja-vu way the storyline was written.

the whole, disgusting gory, blood thing just isn't my style of horror. thumbs up for the excellent twists though! definitely, not for those with a faint heart, or a weak stomach. maybe my anticipation of the first two, brought my hopes up a bit too high, but it really wasn't as fantastic as i expected.

go and watch it though, only if you've seen the first two.