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Last Exit

  • Film per la TV
  • 2006
  • T
  • 1h 29min
VALUTAZIONE IMDb
6,3/10
1066
LA TUA VALUTAZIONE
Kathleen Robertson and Andrea Roth in Last Exit (2006)
ActionDramaThriller

Aggiungi una trama nella tua linguaShattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped ... Leggi tuttoShattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure c... Leggi tuttoShattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure career - on one extraordinary day. Each woman's life frays under the weight of her circumst... Leggi tutto

  • Regia
    • John Fawcett
  • Sceneggiatura
    • Russ Cochrane
  • Star
    • Kathleen Robertson
    • Andrea Roth
    • Noah Bernett
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    1066
    LA TUA VALUTAZIONE
    • Regia
      • John Fawcett
    • Sceneggiatura
      • Russ Cochrane
    • Star
      • Kathleen Robertson
      • Andrea Roth
      • Noah Bernett
    • 25Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 4 candidature totali

    Foto12

    Visualizza poster
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    + 7
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    Interpreti principali35

    Modifica
    Kathleen Robertson
    Kathleen Robertson
    • Beth Welland
    Andrea Roth
    Andrea Roth
    • Diana Burke
    Noah Bernett
    • Benji (10 Years Old)
    Linden Ashby
    Linden Ashby
    • Scott Burke
    Vincent Davis
    • Nathan (13 Years Old)
    Michelle Taylor
    • Breanna (11 Years Old)
    Ben Bass
    Ben Bass
    • David
    Cas Anvar
    Cas Anvar
    • Constable Salam Barakat
    France Viens
    France Viens
    • Constable Lauren Sharp
    Gianpaolo Venuta
    Gianpaolo Venuta
    • James Moore
    Rachael Crawford
    Rachael Crawford
    • Catherine Vargas
    Kent McQuaid
    Kent McQuaid
    • Daniel
    Bruce Dinsmore
    Bruce Dinsmore
    • Mr. Rogerson
    Andrew Johnston
    Andrew Johnston
    • Bob McArtle
    • (as Andrew Johnston)
    Pauline Little
    • Courier Clerk
    Spiro Malandrakis
    Spiro Malandrakis
    • Kevin Speck
    • (as Spiro Maland)
    Tim Post
    Tim Post
    • Philip (The Director)
    Christian Paul
    Christian Paul
    • Greg…
    • Regia
      • John Fawcett
    • Sceneggiatura
      • Russ Cochrane
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti25

    6,31K
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    10

    Recensioni in evidenza

    8frank479

    It was definitely worth the trip

    They don't tell you this in the plot outline but early into this movie you realize that Murphy, of the ill-famed 'Murphy's Laws,' apparently has written himself into this script :^). As you're watching this movie, it will slowly reel you in. By the time you're 3/4 into it, you'll find yourself amazed, thinking just how good it is. But, by then, you're just scratching the surface of where this movie is going to take you. And by the end, you'll be glad that you decided to invest the time to watch it. This movie leaves you feeling. And, most importantly, you'll learn something about life and yourself from the experience because, during the movie, you'll be constantly comparing your life to the ones you're witnessing on the screen. And I bet, you'll see a bit of yourself there sometimes. This movie makes you profoundly think about a lot of things. Kudos to the director.
    7claudio_carvalho

    A Hard Day in a Big City

    In a big city, Beth Welland (Kathleen Robertson) is a divorced woman working as secretary in a law firm having problems with her boss and also financial difficulties to raise her ten year old handicapped beloved son Benji. On the day of Benji's birthday, Beth's life is completely affected when she is cut up by the executive Diana Burke (Andrea Roth) and misses the last exit in a highway, arriving late in her job. Meanwhile, Andrea is under pressure, depending on her presentation to an important client to be promoted in the company where she works, but having family problems at home, with her unemployed husband, two teenagers and a secret pregnancy. This incident early in the morning together with the stressed situations along their day will entwine and affect their lives and destinies.

    I like to discover good low-budget unknown movies and "Last Exit" is one of the best I have recently seen. Living in a big city, driving every day, my daily life is no different from the two lead characters – I have problem with the violence in the traffic, being aware most of the time to avoid car hijack, at home, in my work; therefore, I have had a great identification with Diana and Beth regarding a hard day in a big city. The non-linear screenplay disclosing the parallel bad day of the two ordinary women is intriguing and suspenseful, holding the attention of the viewer until the very last scene. I only know the good "Ginger Snaps" from the director John Fawcett, but based on the sample of these two movies he seems to be a promising professional. Kathleen Robertson and Andrea Roth are awesome, developing human and totally credible characters. In the end, "Last Exit" is surprisingly refreshing and great and highly recommended. My vote is seven.

    Title (Brazil): "Última Saída" ("Last Exit")
    9janschbern

    Superb

    Excellent acting by the two female leads. Sharp tension throughout. Ironic intersection of chance occurrences that is totally believable even if it is plot directed. Surprises and twists where least expected. Flashbacks and forward flashes that don't detract. Shocks that are the least shocking aspects of the fast paced movement. Strength and weaknesses in all the main protagonists. All of this in a made for TV movie. A superb plot, so well shot, so well thought through. The last made for TV movie that comes to mind that was on par for such quality all round - Duel by Stephen Spielberg. This movie is more than its parts and its final moments sum up the lack of answers that fate has for people, strong women, weak men, dependent children as the case may be .... this is a film which entertains while raising questions - most of which are never answered ... and the answers provided are almost all inadequate. Tragedy is a follower of the various individuals, parents, children, bosses, underlings ....but no one necessarily realizes or acknowledges what their lives are or what it may become. When the consequences of their actions take root, the results are not necessarily what are expected, for the various participants, and for us.
    9jodyvulture

    A movie to just watch. Don't pass judgement or comment, just watch

    This is one of those movies that is a bit like a road movie, it moves along at a smooth pace and sort of starts, continues and finishes and at the end you think..blimey!, that may have been a lot about nothing really, BUT, I didn't once look at the clock, I didn't once leave my seat, and just watched and watched.

    From the opening scene you think you know the plot, but that's the twist, you actually don't. The whole drama moves at a sufficient pace that you don't keep trying to guess the end, you just watch and learn.

    This movie is a bit like a good book, you never want to turn to the last page, you just enjoy the journey and when you reach the end you feel sufficiently satisfied to pick up another.

    Most people will be able to empathise with both lead characters, some days just turn out bad and every way you turn just throws up another obstacle. Although it's listed as a 'made for TV' movie, it shouldn't put you off, I've seen far worse at the cinema.

    Good movie, great and plausible leading ladies.. Enjoy.
    10meline_nadeau

    Must See Portrait of Two Women Pushed To The Edge

    Against a gritty urban landscape, Last Exit follows a single day in the lives of Beth Welland and Diana Burke, two mothers following two seemingly different paths. Beth (Kathleen Robertson) is a single mother to Benji, a young boy confined to a wheelchair and their cramped apartment overlooking an expressway. While Beth seems to take it all in stride, a growing desperation lurks beneath her sunny disposition. For Diana (Andrea Roth), a married mother of two with a highly successful career in advertising, life is all about keeping everybody else happy amidst the growing anxiety that she may be in over her head. In the oppressive heat of an urban summer, the lives of these two women have violently collided. And, as police officers race to their uncertain rescue, parallel flashbacks gradually bring the shards of a shattered puzzle back into focus, providing the truthful and deeply unsettling causes for the tragic effects. What ensues will change both women, together with the people they love, completely and for the rest of their lives. The film had me on the edge of my seat the entire time and I found myself deeply changed by the experience. Beth and Diana's struggle stayed with me for days and more than once, and had a profound impact on my attitude and actions when I'm behind the wheel. If you've ever experienced the frustration of daily commuting through a congested urban centre, you will relate. Last Exit is a definite must-see.

    Altri elementi simili

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    La morte bussa alla stessa ora
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    4,9
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The website that Scott is looking at on his laptop called '@sale.net' is a parody version of the real site eBay.
    • Blooper
      When the two cars crash at the end of the movie, if you look closely, you will they are actually stunt drivers and not the actresses.
    • Citazioni

      Beth Welland: What the hell was that back there, huh? You think your life i so Goddamn important that it doesent matter who you run over? Just so as long as you get where it is you need to go? Is that right? Huh? Look at me! Look at me! Do you think I don't know who you are? I know exactly who you are! What is this thing huh? What is this? Is this a mirror? What do you need a mirror for? Well you certainly didn't use it this morning when you cut me off!

      [she breaks the mirror]

      Diana Burke: Hey!

      Beth Welland: What are these? Signal lights? Oh, you don't need these either.

      [she breaks the signal lights]

      Diana Burke: What the hell?

      Diana Burke: C'mon!

      Beth Welland: You wanna screw with me? Huh? Let's go! You wanna cut me off?

      [she hits Diana's hood of her car with the telescope]

      Beth Welland: Steal my spot?

      [she hits it again]

      Beth Welland: Get me fired?

      Diana Burke: Stop it!

      Beth Welland: Steal my Goddamn kid from me? Ruin my whole Goddamn day! Do you think I wanted this? Huh? You think I actually wanted this?

      [she continues hitting the car]

      Beth Welland: This is all your Goddamn fault!

    • Colonne sonore
      The Apple Of Your Black Eye
      Composed by Lucinda Wolfe/Carl Allan Newman (SOCAN)

      Performed by The Tennessee Twin

      Recorded by Pete Mills

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    Dettagli

    Modifica
    • Data di uscita
      • 10 giugno 2006 (Spagna)
    • Paese di origine
      • Canada
    • Sito ufficiale
      • Lifetime TV
    • Lingua
      • Inglese
    • Celebre anche come
      • Última salida
    • Luoghi delle riprese
      • Montréal, Québec, Canada
    • Aziende produttrici
      • Forum Films
      • Foundry Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 29 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.78 : 1

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