Parcheggio scaduto

The movie describes the life of a meter maid in Los Angeles. She lives with her disabled mother (played by Teri Garr). Beyond her mother, some other aspects of her life are also disabled. She has a positive outlook on life and tries to keep that as the story unfolds. Her relationship with her mother, her aunt, and a potential romantic interest at work weave together to make the story. This was a Sundance film and it was fairly well attended, but I am guessing the tone of the movie will make it hard for a wide release to happen. Cringing is very common throughout the movie as the characters choose paths or actions that most of us would steer clear of. At least a couple of the scenes could do with better editing as there were jumps that should not be in a big studio production.

7/10

Expired is one of those films that remind you about simply just being human. I was fortunate enough to watch this at it's Los Angeles screening. I found myself, as the story went along watching the audience just as much as the characters on the screen. The story is exquisitely woven, I felt the writer was a maestro just when I felt like laughing I wanted to cry. There were moments so poignant that even as the film progressed you find yourself thinking back to those scenes. This film is an emotional roller coaster, but worth the ride. Basic human emotion, empathy and relationships, this is the film to watch. No bells and whistles, just magnificent writing and performances. Jason Patric gives the performance of a lifetime and Samantha Morton is the reflection of the human soul.

The movie Expired is really unlike most of the feature films you'll see these days. It has an intensity, a committed vision that grabs you and holds you in its grips for the entire hour and a half or so. Of films in recent years that share this quality, I can think of Todd Solondz' "Happiness".

Expired is the story of two L.A. parking officers, or "meter maids", one female and one male, who meet on the job and have an increasingly dysfunctional, mercurial relationship. Samantha Morton plays it extremely sweet, wide-eyed and gentle as Claire, a meter maid who lives with her stroke-incapacitated, essentially mute mother and hates having to ruin peoples' days with tickets. Jason Patric is Jay, a taut, seething, bull-shouldered ball of defensive machismo in a blue uniform with a ticket-gun and a hilarious dark mustache. He likes slapping parking tickets on folks the way some LA cops like cracking heads.

The first two thirds or so of the film especially are darkly comedic, and the purposefully stylized elements- lighting, dialogue, supporting actors, visual action, set design, musical score- create a very sharp, bittersweet, somewhat tragic kind of comedy, like the best of the Coen Brothers films. This isn't broad American multiplex comedy, this is comedy that comes from true pathos, sadness and the small calamities of life. While Morton's face shows sensitivity and vulnerability- two of her big strengths- Patric's Jay character is fantastic because he offsets the angry disciplinarian guy with loose moments of real charm and also sarcastic, almost whimsical humor.

The film progresses with a few traditional "plot points" that serve to accelerate the conflicts and create moments of challenge and decision for the characters, but really the film is also greatly a close-up examination of the attempted close relationship of two equally extreme opposites- the "naive, yearning do-gooder" and the "previously injured, prickly, defensive bully." At its core it's just a film about human beings- what they have, what they want and need, and the different places they're coming from emotionally.

Visually, the film was shot in a crisp, almost beautiful way, at once seeming straightforwardly no-nonsense and yet heavily atmospheric. A lot of the production design strongly complements the film- from the richly hued, antique-laden apartment Claire and her Mom live in to the various LA coffee shops and streetscapes. The musical scoring is also highly evocative and appropriate- with the best of it reminding me of great melodic work Michael Penn and Jon Brion did in P.T. Anderson's film 'Hard Eight'.

Ileana Douglas is perfect as Claire's decent-hearted, energetic busybody neighbor and Teri Garr is rock solid as the mute, wheelchair-bound Mom but hilarious and deliciously campy in a second role as the Mom's crazy sister in Pomona! With its strong vision and execution, 'Expired' should certainly put writer/director Cecilia Miniucchi on the Hollywood map.

I saw "Expired" in Salt Lake City at a regular theater screening. I simply loved it. I had no idea what to expect but my gut instincts told me to go the minute I read that it was about two parking enforcement officers (what a great premise and original idea!!!) and their unusual love affair. Well, first of all, I would like to say that I think this is Jason Patric at his best. This should be his comeback. His character, even if you may at first think he is not that nice of a person, is so well played. He manages to add so much humor and charm to his role and you do understand why she would put up with him. Samantha Morton is also great. She does so much with so little. All from her inside and so settle! It's a powerful, genuine, frank performance by both of them that carries you through the film in such a wonderful way. This film makes you feel so many things all at once: laugh, cry, sorry, uncomfortable, fun! And how can one not relate? We all have been under the spell of the parking tickets people and we all have been in a somewhat unfair relationship. But I do also think that Expired makes you think a lot and makes you realize that we are the victims of our time, with its loneliness and isolation and that this film pushes us all to go out there and get love! Does anyone know who is distributing this wonderful indie and when? I would love for my family and all my friends to see it.

about halfway through this film i came here to see if i should continue... like i said, 'not easy viewing'. granted, i've seen 'harsher' films...slower films...less 'adrenalized' films...and many films that TRY to be this film that, at the end, i sit and wonder, 'WHY did i put myself through THAT?!!?!' but i knew that when i got to the end of this ride, i had come to the end of some brave storytelling... the strong point of this film would seem to be the casting/execution of parts...everyone seems to excel in communicating their part of the story...and it IS both dark and quirky...and designed to not 'coddle' us, unlike so many stories with their eye on success. not that i'm knocking success... but the point, i guess, is that this IS a success although i doubt it will EVER be a best seller... like i said, brave story telling...moments of absurdity(takes comic relief a step further) relief... if you didn't find this comment helpful, why'd you read this far?