VALUTAZIONE IMDb
5,5/10
1615
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Parisian criminal gang fall apart after challenges to the gang's leader lessen his influence.A Parisian criminal gang fall apart after challenges to the gang's leader lessen his influence.A Parisian criminal gang fall apart after challenges to the gang's leader lessen his influence.
- Regia
- Sceneggiatura
- Star
Benoît Magimel
- Franck
- (as Benoit Magimel)
Béatrice Dalle
- Béatrice
- (as Beatrice Dalle)
André Peron
- Ramun
- (as Andre Peron)
Olivier Barthélémy
- Le chauffeur
- (as Olivier Barthelemy)
Guillaume Hédouin
- Elie
- (as Guillaume Hedouin)
Stéfan Godin
- Yvon
- (as Stefan Godin)
Recensioni in evidenza
To start of with, this film no fun ride, nothing glossy or Hollywood like happy endings bull.. It's hard as nails, nihilistic and pretty gutwrenching. It also comes over as very realistic.
The director also had a big hand in the (later) great French cop-series "Braquo" which is also excellent and very tough, and this has the same style.
Sure, it may lack story, I would say it's almost like watching a documentary: a day in the life of... But the happenings that unfold are told with so much vigour and relentlessness (is that a word?) that they kept me glued to the screen the whole 107 min.
Always on the lookout for anything this raw and another reviewer compared it with another French jewel "Dobermann" which as you will understand I absolutely adore as well. But the two are not at all comparable. They are in fact worlds apart with "Dobermann" being a comic-book like eurotrash/punk action adventure and this a slick slice of painful underworld realism.
Absolutely stunning 9/10
The director also had a big hand in the (later) great French cop-series "Braquo" which is also excellent and very tough, and this has the same style.
Sure, it may lack story, I would say it's almost like watching a documentary: a day in the life of... But the happenings that unfold are told with so much vigour and relentlessness (is that a word?) that they kept me glued to the screen the whole 107 min.
Always on the lookout for anything this raw and another reviewer compared it with another French jewel "Dobermann" which as you will understand I absolutely adore as well. But the two are not at all comparable. They are in fact worlds apart with "Dobermann" being a comic-book like eurotrash/punk action adventure and this a slick slice of painful underworld realism.
Absolutely stunning 9/10
I love french films, especially crime thrillers, and films of this type. Dobermann by far and away is the best film of this type that i have ever seen. I bought Paris Lockdown hoping for more of what i'd seen and loved in Dobermann. I was left feeling let down by Paris Lockdown. I just didn't 'get it' at all - i don't actually know what they were trying to achieve with this film. Any chance of really showing and fleshing out the characters and story seems to have fallen by the wayside - which is a shame because it could have easily been a classic. The only decent character and acting was done by Benoit and Tomer. I don't know really... i'm pretty open minded but i'd have a hard time recommending this. This will probably sit on the shelf, or in the loft, for a long time now.
I just don't understand... Where is the story, where are the characters ? Well, this is a strange movie. I'm still wondering whether is was good or not... This could have been a classic but the characters are so flat: They all live for the same things (i.e. drugs, alcohol, money and Hungarian whores) they get doing some "business". None of the characters seems to have something unique or original. The story is really completing this. Whith no-personality-characters you get a no-personality-story or just a no-thing. On the other hand if you really haven't got anything to do today. Just go. There is a lot of dumb mafia guys shootin' and drinking all film long. Really interesting ;-) Fortunately I didn't pay for the cinema so I can't regret it !
Paris Lockdown: this one-man army of a wet paper bag of poor excuses of a wannabe gangster film, this is as empty as a crêpe Suzette in a nunnery on a Sunday morning. As rich as poor taste goes, yes there's boobs, bottoms and nodding heads galore but takeaway the sleaze, the flying bullets and the flash cars then all we have done is landed on the square that tells us to "Go Back To GO, do not collect £200...start again".
This is as deep and meaningful as gutters will allow it to rise, while an insight of Parisian lowlife drug smugglers, pimps and killers, there is just nothing to add to the narrative. Nothing. The characters are living the life of a one-dimensional caricature. We are given a so-called gang leader who simply is not memorable, and his pet dogs are just as easily put-down and unmissable as the whole sorry affair.
The entire episode here seems too have been pulled out of any sequence in their life, it is a Soap Opera of blood and thugs. This is a basic rise and fall of a Paris crime boss who lives his life whoring, shooting and, again, shooting. The development of these people is as far as your next bus stop to Plainville, even the Robert De Niro look-alike and his greased-up hair looks too pastiche, too already done.
Frédéric Schoendoerffer, director, has placed the action in the seedy side of town, the bars, strip joints and night filled streets of Paris, France, Europe and to be fair, any self respecting Parisian gangster seeing this sad debunkle would be, allegedly, embarrassed.
With just a touch of bewilderment, this crime-caper has no direction apart from up. It is not a poorly made film, it's, forgive the pun, executed well, nice offensive language, great looking girls and mean mothers' doing their job, only too well. Some nice, forgive the pun, once more, location shots and bad attitudes, the odd torture sequence, done very nicely too, ouch. However, it is the putting together of this work that to make any coherent sense a plot, let alone a sub-plot would have been acceptable.
These guys are hard-core but when the spotlight of the good-cop, bad-cop is shining on their sorry backside, it is the whole main feature that will give the game away and get you busted, sent-down and sent to solitary
This is as deep and meaningful as gutters will allow it to rise, while an insight of Parisian lowlife drug smugglers, pimps and killers, there is just nothing to add to the narrative. Nothing. The characters are living the life of a one-dimensional caricature. We are given a so-called gang leader who simply is not memorable, and his pet dogs are just as easily put-down and unmissable as the whole sorry affair.
The entire episode here seems too have been pulled out of any sequence in their life, it is a Soap Opera of blood and thugs. This is a basic rise and fall of a Paris crime boss who lives his life whoring, shooting and, again, shooting. The development of these people is as far as your next bus stop to Plainville, even the Robert De Niro look-alike and his greased-up hair looks too pastiche, too already done.
Frédéric Schoendoerffer, director, has placed the action in the seedy side of town, the bars, strip joints and night filled streets of Paris, France, Europe and to be fair, any self respecting Parisian gangster seeing this sad debunkle would be, allegedly, embarrassed.
With just a touch of bewilderment, this crime-caper has no direction apart from up. It is not a poorly made film, it's, forgive the pun, executed well, nice offensive language, great looking girls and mean mothers' doing their job, only too well. Some nice, forgive the pun, once more, location shots and bad attitudes, the odd torture sequence, done very nicely too, ouch. However, it is the putting together of this work that to make any coherent sense a plot, let alone a sub-plot would have been acceptable.
These guys are hard-core but when the spotlight of the good-cop, bad-cop is shining on their sorry backside, it is the whole main feature that will give the game away and get you busted, sent-down and sent to solitary
IMHO this is one of the best and most hardcore gangster flicks out there.
It's grisly, sure, but also produced in a very realistic way, and the characters are extreme, most of them are utter nuts.
It has french humor, sex, drugs and violence in abundance.
But it also has an impressive array of characters and quite a complex story line.
In short, prepare for a hell of a ride.
I rank this one a masterpiece.
Check it out!
It's grisly, sure, but also produced in a very realistic way, and the characters are extreme, most of them are utter nuts.
It has french humor, sex, drugs and violence in abundance.
But it also has an impressive array of characters and quite a complex story line.
In short, prepare for a hell of a ride.
I rank this one a masterpiece.
Check it out!
Lo sapevi?
- QuizMarie Bihemle's debut.
- BlooperAfter 21 minutes, before the shooting, they open the trunk of an Audi A8, to show some narc, by opening it in the middle. On an Audi A8 you have to push the key button in the passenger side light, before the trunks can open.
- ConnessioniFeatures 317 battaglione d'assalto (1965)
- Colonne sonoreA Lean and Hungry Look
Written by Hugo Coulais and Marianne Faithfull
Performed by Marianne Faithfull and Ulysse
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 2.294.286 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Proporzioni
- 2.35 : 1
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