VALUTAZIONE IMDb
4,6/10
12.148
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo bungling, petty criminal BFFs try to rob a church, but someone from staff beat them to it. They spend the night with the church staff to get the money.Two bungling, petty criminal BFFs try to rob a church, but someone from staff beat them to it. They spend the night with the church staff to get the money.Two bungling, petty criminal BFFs try to rob a church, but someone from staff beat them to it. They spend the night with the church staff to get the money.
- Regia
- Sceneggiatura
- Star
Sterling Ardrey
- Timmy
- (as Sterling D. Ardrey)
Recensioni in evidenza
Let me see: It's January, and a film is released with a recognizable star and an obvious audience. Should be a winner? Nah! Not for nothing is this called the "dead season" or the "dumping ground" because almost all the films released at this time are potential losers, films deemed by their owners weak for a variety of reasons, but most certainly heading for panning by the critics.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.
I'm baffled by the anger in some reviewer's critiques. Sure, this movie is hardy Citizen Kane or even up to the level of the Barbershop movies, but it's not terrible. It's main issue is its inability to sustain a tone. Instead, it varies between pathos, light comedy and (of all things) hostage drama.
As with the Barbershop movies, the persistent theme is community and family. The central characters are two petty criminals who remain criminals because of previous convictions. This isn't a laughable theme. A felon has a very difficult time making a living. When's the last time you saw a job application which didn't ask about previous criminal record? Anyway, in an effort to both pay off scary people and maintain family cohesiveness, two of society's losers decide on one more crime.
The subsequent series of events combine serious situations with interesting characterizations and then throws in some scenes of such silliness that they tend to stomp a bit on the rest of the movie. Approach with an open mind and you'll be for a light, decent movie with some interesting character sketches.
As with the Barbershop movies, the persistent theme is community and family. The central characters are two petty criminals who remain criminals because of previous convictions. This isn't a laughable theme. A felon has a very difficult time making a living. When's the last time you saw a job application which didn't ask about previous criminal record? Anyway, in an effort to both pay off scary people and maintain family cohesiveness, two of society's losers decide on one more crime.
The subsequent series of events combine serious situations with interesting characterizations and then throws in some scenes of such silliness that they tend to stomp a bit on the rest of the movie. Approach with an open mind and you'll be for a light, decent movie with some interesting character sketches.
I really enjoyed this film for a number of reasons. I think Katt Williams is hilarious all by himself and was a great person to cast as choir director. I thought the plot was not as generic as most theft-based plots that hit Hollywood. I thought the transitions that happened as the film developed were fun to watch. Overall I thought the movie was really good.
If you are trying to decide whether or not you want to go see this movie, consider this as you make your decision. First, the film is stereotypical. The main characters live in and attend church in a run down community exposed to crime, drugs, and other stereotypical things you expect to find in a stereotypical community overrun with stereotypical people who are stereotypically Black or Hispanic. Second, the film is funny. Things that are funny to people who understand the complexities and realities of being Black will realize this; people who do not understand will find it challenging to find the comedy. Third, the film will not be an Oscar nominee. The movie was not so well shot, scripted, edited, or presented that you will see it up for major awards. That being said, a number of movies come out every day that are entertaining but are not award-winning and we watch them because we want to be entertained. This is another one of those films. So, if you want to be entertained, you understand the positive and negative inner workings of Black society, and you do not mind viewing a film that displays both stereotypes and truths about the way Black people live, move, and have their being, this movie is for you.
If you are trying to decide whether or not you want to go see this movie, consider this as you make your decision. First, the film is stereotypical. The main characters live in and attend church in a run down community exposed to crime, drugs, and other stereotypical things you expect to find in a stereotypical community overrun with stereotypical people who are stereotypically Black or Hispanic. Second, the film is funny. Things that are funny to people who understand the complexities and realities of being Black will realize this; people who do not understand will find it challenging to find the comedy. Third, the film will not be an Oscar nominee. The movie was not so well shot, scripted, edited, or presented that you will see it up for major awards. That being said, a number of movies come out every day that are entertaining but are not award-winning and we watch them because we want to be entertained. This is another one of those films. So, if you want to be entertained, you understand the positive and negative inner workings of Black society, and you do not mind viewing a film that displays both stereotypes and truths about the way Black people live, move, and have their being, this movie is for you.
Let me start off with the downsides of this movie. There was a lot of unbelievable material, and it got so out of hand at times that I really couldn't enjoy it for how ridiculous it was being. Some of the acting was poor, and I felt the actors and actresses really didn't care how they portrayed their characters, except maybe a few, and therefore they ended up being unlikable and ultimately forgettable. Most of the funny material wasn't funny at all, and I got super tired super fast with all of the lame jokes and mundane, black comedy antics. Not to mention it was predictable to the point where I wasn't enjoying any surprises.
Now, the actual upsides. I did laugh a few times, and it was because the material was actually humorous. No, it wasn't hysterically rolling on the floor laughing, but it got smiles and chuckles nonetheless. It managed to keep me entertained, and I was actually sucked into the story plot a little. I became interested because even though most every attribute about this film is average or poor, the plot truthfully seemed endearing to me, for some odd reason, and overall, while the movie is mediocre, and I certainly wouldn't watch it again, it's not terrible. I wouldn't recommend it, but you don't have to completely avoid it, per say. It was nothing special, but if you feel like watching it, be my guest.
Now, the actual upsides. I did laugh a few times, and it was because the material was actually humorous. No, it wasn't hysterically rolling on the floor laughing, but it got smiles and chuckles nonetheless. It managed to keep me entertained, and I was actually sucked into the story plot a little. I became interested because even though most every attribute about this film is average or poor, the plot truthfully seemed endearing to me, for some odd reason, and overall, while the movie is mediocre, and I certainly wouldn't watch it again, it's not terrible. I wouldn't recommend it, but you don't have to completely avoid it, per say. It was nothing special, but if you feel like watching it, be my guest.
The movie can really touch with its emotional aspect, which consist of the old motive that money can't always buy anything. There are some good in the hood laughs, but not worth to remember. I personally think that Ice Cube can do better, and he can achieve something more great the "Friday" series.His acting is getting better and better, but he should try to change the plot of his movies or maybe a drastic change in his character.At all, this movie production is not something amazing,but this is not its main mission. It's just a good comedy, that can waste your time, without wasting its limit. By the way its worth nothing the fact that there are some really funny characters that are really moving the thing in this production. Like the chore director for example, or the priest.Actually this is the main element that makes me rate the movie at a more high score. It seems that almost everything was half-baked- the plot is good, but could have been better, and the actors a re funny,but could be funnier.
Lo sapevi?
- QuizTracy Morgan shot the whole movie with an ankle bracelet on his ankle, where if he didn't leave the set to go straight home, he was going to jail.
- BlooperWhen the Baltimore Police are chasing Durell and LeeJohn's van, we can see a large billboard for DJ BIG BOY, a DJ for Los Angeles radio station Power 106, in the background.
- ConnessioniReferenced in Late Night with Conan O'Brien: Hulk Hogan/Regina Hall/Nicole Atkins (2008)
- Colonne sonoreHit the Block
Written by Sean 'Diddy' Combs, The Notorious B.I.G., Krayzie Bone (as Anthony Henderson),
Layzie Bone (as Steven Howse), Bizzy Bone (as Bryon McCane), Steven Jordan, Joey Brooks, Pimp C (as Chad L. Butler), Bun B (as Bernard James Freeman), Tip 'T.I.' Harris (as Clifford Harris), Swizz Beatz (as Kasseem Dean)
Performed by UGK (as UGK (Underground Kings)) featuring Tip 'T.I.' Harris
Courtesy of Jive Records
By Arrangement with Sony BMG Music Entertainment
T.I. apepars courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- No robarás en domingo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 37.931.869 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.714.821 USD
- 13 gen 2008
- Lordo in tutto il mondo
- 38.810.311 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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