Le serpent

For the first two thirds of its length, this film is a first rate thriller. It establishes the characters very well and you quickly become engaged in the plot, which is made very easy to follow. The acting is excellent,( in particular Clovis Cornillac as the malevolent private detective Plender). There are moments of true tension. Its definitely one of the most enjoyable films of its type I've seen in years. Then BAM - Vincent is arrested for murder and the plot descends quickly into the worst kind of overwrought Hollywood action flick - the kind of thing that Harrison Ford does when he's in his innocent man wrongly-accused mode (complete with implausible stunts). I was really disappointed as the characters become involved in a melodramatic pantomime. What the hell happened?? A superb thriller ruined in the last half hour!!! I have given it a six rating because I enjoyed more of it than not - had it not been for the last half hour it would have got a nine!!

Let's face it. This script was made for Hollywood and no doubt, the producers want to sell it to them for a remake.

This doesn't mean it's a bad movie. It's a "classic" thriller, with the classic Cape Fear ingredients, but it certainly is by no means clear there it leads you. Clovis Corvillac is the splendid bad guy here and not a square character. Very dangerous, but also with trustworthy weak points.

There are some somewhat stupid action scenes to be found, but apart from that, this is about real people. OK, this couldn't happen in real life, but that doesn't matter. As I said, it's a classic thriller.

'Le Serpent' certainly starts well: a smart, stylish thriller with an intriguing set up and a skillful use of changes of pace. The cast are all excellent; and the cinematography captures a picture of modern, commercial Paris, not exactly run down but cold and devoid of charm. But for all its promise, it can't escape its generic (and essentially uninteresting) premise: that of one man pitted against an all-powerful psychopath, who cares about nothing except ruining the hero (but who eventually, to his own cost, prefers talking about his crimes to finishing them off). There are some similarities to 'Tell No One', another classy but ultimately implausible story.

"Le Serpent" refers to the snake tattooed across the back of bad guy Joseph Plender (Clovis Cornillac), a seriously mixed-up individual who traces all his problems to a childhood prank that went horribly wrong. The man he holds responsible is Vincent Mandel, a fashion photographer played by Yvan Attal. The title may also be a reference to the serpent in the Garden of Eden, though no-one could describe Vincent's life as paradise, even before the arrival of Plender. He's in the middle of a messy divorce, and the last thing he needs is a ghost from his past that could prejudice his chances of getting custody of his children.

Yvan Attal is an appealing choice for the role of Vincent. He has the range to be both vulnerable in the early scenes, and tough and resourceful as the story develops. Clovis Cornillac, as Vincent's nemesis, gives a performance that is (necessarily) more contained, but is nevertheless very effective. His most interesting scene comes when Vincent's beautiful wife (Minna Haapkyla) offers herself to him and his response is to walk off in disgust and scrub himself from head to foot.

Though the film has the ability to surprise in scenes such as this, there's no escaping the fact that this is a conventional Hollywood psychological thriller in French dressing. Plender's progression from slimy blackmailer to serial-murdering super-villain is all part of the formula for such things, as is the flight from the police, the mano-a-mano confrontation (one of them does remember to bring a gun but it's quickly lost), the false ending...

The solid performances (including comedian Pierre Richard, cast against type as a fellow victim of Plender) and some stylish direction by Eric Barbier help to compensate for the fairly predictable story. Those looking for more intelligence, originality and depth in their recent French psycho-thrillers should turn to "Caché", "Feux rouges", "Harry, un ami qui vous veut du bien" and "Ne le dis à personne", to name just four examples. Each of those films will reward repeated viewings. "Le Serpent", I fear, will not.

A short comment to express all the pleasure I've had watching this film. Actors are very good; specially Cornillac who gives a disquieting credibility to his character, but Attal is impressive too in the role of the "not so good" hero. Barbier enjoys to revivify all our inner terrors (dark, death, madness ...) and sets the end of his film in a particularly spooky place. I regret I haven't read the book of which the film is inspired but I am sure the quality of the scenario is no wonder. I am pleased to see that the French can venture in a genre that we leave generally to the American cinema. I hope this film will be received worldwide with all the success it deserves.