The Air I Breathe

I just watched The Air I Breathe on one of those "cheesey" cable channels. It showed 2 out of 4 stars but it sounded interesting. I looked it up on here and thank goodness I did. I watched it and I liked it for a multitude of reasons.

I have to say IMHO this is probably the best "serious" ~ non comedic performance I have seen from Brendan Fraser. AlI the way around good acting. Sarah Michelle Gellar's performance is stellar and Kevin Bacon's performance in this movie is terrific.

So thank you to everyone who wrote the good reviews. They steered me in the right direction and I'm glad I watched this movie.

An incredible little film that shows just how we are all interconnected and part of the universe. When one's wings flutter, it affects all around us, and in ways that can sometimes be very surprising.

The emotions expressed in the film are all emotions that help us understand how we are interconnected. With the exception of Brandon Fraser and Andy Garcia, all the roles in the film were confined to a particular segment. There were some very good actors in small parts in the film.

Fraser was fantastic in a very unemotional role. His first attempts at showing any emotion cost him his life, just as Forest Whitaker's attempt at happiness cost him his.

I really like Whitaker's musing that happiness comes from playing by the rules and doing well in school. The reward for doing well in school is more school and more school, and then you can get a job and start wanting things. Do any of us every attain happiness? Or, as Whitaker, are we stuck in some dead-end job wanting? Kevin Bacon showed how one risks it all for love and gave a superb performance. I just kept wishing that Sorrow (Sarah Michelle Gellar) was that little girl from his past. I bet she was and they just didn't tell us.

A very pleasurable hour and a half.

First-time director Jieho Lee has brought us the next installment of the multiple stories genre threaded together as though fate and coincidence are the name of the game. This type of narrative has been around for a long time, most definitely before Robert Altman's Short Cuts, but at least there is an example from 15 years ago, and I can't rack the brains for an earlier one at this time. The most well known to those out there today is of course Oscar-winner Crash. Lee's The Air I Breathe, based on an ancient Chinese proverb that life can be broken down into the four emotional cornerstones of Happiness, Pleasure, Sorrow, and Love, is not as good as Haggis' film, and I think even that one is overrated. It's not that I disliked this one, I actually found a lot that I really loved, unfortunately, there's more that feels overdone, overwritten, and absolutely unrealistic. One thing you can't fault it for, however, is the superb cast and acting.

Some of the dialogue is almost too obvious, at times having answers repeat all the words in the question…just a bad redundancy as though the audience might not comprehend a short answer. These characters are so important in the scheme of each other's lives that everything out of their mouths needs to be so well crafted that it becomes stiff. The delivery, though, is almost consistently superb. Brendan Fraser is great in a rare serious role, the kind of stuff that began his career. Very stoic and deliberate in all he does, you begin to feel for him as the stone façade starts to falter. Due to the story-structure going out of order, we see some of this emotional evolution before the catalyst for it, but once that event occurs, it makes everything before it make more sense and I actually think it was handled well as a result. Even his ability to see the future was utilized in a realistic way that it never felt like a gimmick, just a skill he had and used. The best actor, again as almost always, is Forest Whitaker as a by-the-books successful man who has finally realized that his pristine life is devoid of true happiness. No material needs can fill the void of actually living, whether living wealthy or poorly, it is the act of adventure and excitement that is necessary to enjoy. His final reaction of pure adulation is the best part of the film and it happens about twenty minutes in.

One would think that a story as involving as this would have pretty equal billing for all roles, but that is not true. Whitaker and Kevin Bacon are underused while Fraser is involved at almost every turn. Andy Garcia, however, is the one that stays the most constant throughout. As a hardnosed bookie/gangster, nicknamed "Fingers," Garcia shines, something that usually doesn't occur with him of late. He is good at this type of role and it was nice to see him sink his teeth into it. Even Sarah Michelle Gellar had her moments, although few, to show that maybe she can do more than Scooby-Doo and every year's Japanese horror remake. Mention also needs to go to Clark Gregg in a small, but funny role, and Emile Hirsch as Garcia's nephew, appearing to be a pawn to the plot, but in actuality becomes a role with payoff.

As far as the style went, I can't complain too much. The correlations between each thread is well conceived if not totally contrived to benefit the story. I enjoyed the transitions, especially at the start with multiple layers and progressions. I can't quite recall if that is the only part in which it was used, though. The music was also a help; very Explosions in the Sky-like, the score enhanced each moment it was used. In the end, the film just couldn't keep its bloated, heavy-handed script up. Even utilizing the four emotions as vignette titles (something used similarly in the superior The Dead Girl) was so obvious that it became laughable. Each instance made you know first thing that they will be the exact opposite of that title despite the lead thinking they were—happiness was really depression, pleasure was really regret, sorrow was really vanity, and love was desperation. Every emotion is more of a backhanded overview that is manipulated in order to serve the tale, rather than allowing the tale to serve the emotions that are supposed to be back-boning it.

I read several bad reviews for this film before actually being able to get my hands on a copy, but remained optimistic about it as I sat down to watch it. Thankfully, some people actually possess the ability to sit down and watch a film with an open mind and then form their own opinion, which is exactly what I did.

What I saw was not a pretentious portrayal of "cheap irony" in which the viewer lives in "Gellar's world". What I saw was a creative endeavour to intertwine four strangers through four major emotions, thus showing that through these emotions, everyone is connected - whether or not they are aware of it. This is what sociologists study and discuss everyday.

The script was performed sensationally, by a stellar cast (Brendan Frasier, Sarah Michelle Gellar, Andy Garcia, Kevin Bacon, Forest Whitaker), encompassing a gritty, fast paced storyline, with melancholic overtones. This film is not all about Gellar - she gives a heart wrenching performance as Trista, but the film is dedicated as much to Garcia, Frasier and Bacon as it is to her. Each performance is worth its weight in gold - Garcia is frightening as mafia boss "Fingers", Frasier pulls at your heart with his resignation to the terrible fates of the people around him and Bacon and Whitaker will surely gain your sympathy with the sheer level of their desperation.

The only thing this film is guilty of is invoking emotion and thought from its viewers - and isn't that the reason to watch it in the first place?

overall it's not bad. you could come away with the impression it was a good film but along the way it employs various means in the script that detract significantly from it. in order to further a story line set forth the characters are at times made artificially stupid or forced to make choices that doesn't seem credible. it's always a shame when that's done because it pulls you out of the suspended disbelief somewhat and let's you see it as construct rather than experience it. apropos :). the acting is not a problem and it's a long list of celebs in the cast but it isn't always believable. it's OK but tarnished a bit by those faux pas.