Jam & Jerusalem

It's sharp and dry and very,very good. Tip and Tash are wonderful. Odd moments are brilliantly done, such as when Queenie receives applause and a bouquet for directing the panto, she says on stage 'I can't take all the credit', and Eileen, Maggie Steed, remarks to Sal '...but she will' while smiling and clapping with all the others.

Sue Johnston is a real professional and totally believable as a widow without being cloy.

And Kate...well done for playing such a wimpy do-gooder full of good intentions but without a real life of your own.

Jennifer Saunder's stiff upper lip is a perfect antidote for Rosie's loopy behaviour, which I thought was ridiculous at first, but now I've got used to it and it is nice to see how she is protected by the other Guild members.

The vicar is a bit cardboardy and OTT as a character, but that is my only criticism and he became more believable when apologizing to Rosie.

The episode with the Doctor unable to examine his old headmistress was priceless.

This is a wonderful show that needs to be allowed to mature as the characters develop, but I love them all already.

After the first episode, which was disjointed and not funny, the show did a remarkable turnaround. My daughter and I watched all 6 shows of the 1st series, plus the Christmas show. The more the series went on, the more we liked it. As has been mentioned, it is not meant to be like AbFab. It is funny and heartwarming at the same time - a character driven show. Though at first it was disappointing to not see much of Jennifer Saunders on screen (she plays only a minor character), I found that I really enjoyed watching Sue Johnston (Sal Vine) and Pauline McLynn (Tippi Haddem)develop their characters. Dawn French as Rosie was endearing and hilarious. I am looking forward to Series 2.

I think it well represents English village life - and indeed family life, well known to us middle-aged women. I grew up in a village like this, where the Village flower show, for my grandparents who lived in the same road as us, was the highlight of the year and the stage for great rivalries.

I think it's not so much instant comedy as a comic look at the lives of a cross-section of women in a small community, who each have their problems. It feels as if it written from experience.

It is affectionate and not driven by sensational story lines. Most of the characters are ones that you recognise - and they are all concerned with looking out for each other, even if sometimes their help is misdirected.

It is more mature than Absolutely Fabulous, and nearly as enjoyable.

This show isn't a sitcom as such. Yes, it has comedy, and there is a "situation" - that of the lives of a women's guild in a small Devon town, but its much more subtle than middle aged women getting themselves into ridiculous situations.

It's about solidarity, friendship, grief and a whole lot of other very real things.

At the time the show came out Jennifer Saunders was still seen as the creator and star of Absolutely Fabulous and I think that causes some misunderstanding of Jam & Jerusalem, because whereas that is out and out wild comedy, this is much more of a dramedy. I think this possibly didn't help the show much because it wasn't what people expected from the creator.

However, even as a 42 year old man who lives in London I love this show. It IS funny at times, but also mixes sadness and poignancy into this and brings a show that is totally believable and very watchable. The beautiful country scenes as well as the incidental music used adds to this.

The casting is top notch with some of the UK's finest female talent playing a group of seemingly very different characters who on the surface would have nothing in common, but through the local women's guild they find friendship and kinship. Watch it, its lovely!

So, yeah, it's not abfab and it's true: at first, it feels like one of those inside-joke french and Saunders sketches that go on too long. HOWEVER, this show isn't meant to be the laugh-fest that abfab was. It's a much more balanced and calm series, one that finds humor in very human situations and subtleties. This may sound far-fetched, but there definitely is a sort of Chekhovian feel to Saunders' writing. Nothing much happens, but it is fascinating to watch the characters interact. The show touches on the awkwardness of living with such truth -- and therein lies the comedy (as with Chekhov, some viewers will only read tragedy... it's really a matter of perspective). The reason it may not catch on at first is because of the time necessary to establish the characters (there are perhaps too many) and adjust to the numerous subplots (it is an extremely ambitious show, spanning many tele-genres). Because of the character development and greater humanity of the writing, the show feels more like a full TV series than Jennifer Saunders' other work, and I think it's a sign of a certain maturity on her part. The classic Saunders quirks and humor are all still there, but it's toned down to approach something more like reality (unlike abfab, it is sans a laugh track, if that says anything). So, yeah, you have to realize Jam is a different animal.

Also, you've got to give Saunders credit for assembling a fine ensemble of older woman -- a demographic that is widely ignored by contemporary TV.