VALUTAZIONE IMDb
6,9/10
27.788
LA TUA VALUTAZIONE
Un racconto di formazione su un ragazzo che cresce ad Astoria, New York negli anni '80. Mentre i suoi amici muoiono o finiscono in prigione ed in clinica, il ragazzo inizia a credere di esse... Leggi tuttoUn racconto di formazione su un ragazzo che cresce ad Astoria, New York negli anni '80. Mentre i suoi amici muoiono o finiscono in prigione ed in clinica, il ragazzo inizia a credere di essere stato salvato diverse volte da alcuni "santi".Un racconto di formazione su un ragazzo che cresce ad Astoria, New York negli anni '80. Mentre i suoi amici muoiono o finiscono in prigione ed in clinica, il ragazzo inizia a credere di essere stato salvato diverse volte da alcuni "santi".
- Premi
- 8 vittorie e 9 candidature totali
Laila Liliana Garro
- Diane
- (as Julia Garro)
Peter Anthony Tambakis
- Young Nerf
- (as Peter Tambakis)
Anthony Tirado
- Street Corner Puerto Rican
- (solo nei titoli)
Steve Payne
- Beach Chair Guy
- (as Steven Payne)
Steven Randazzo
- Token Clerk
- (as Stephen Randazzo)
Recensioni in evidenza
I liked the direction and acting better than the screenplay, although Dito Montiel has written a very moving story. His use of different styles and techniques- most of which came from him just experimenting or not really knowing what "to do"- are at first somewhat jarring, but grow to fit the fractured lives of his characters perfectly. This movie is not for everybody, but should be seen by anyone who is despairing of the state of American Independent movies. And the cast- truly brilliant. Pros like Dianne Weist (she can truly do no wrong, and her character would be so weak in a lesser actor's hands) and Chazz Palminteri are mixed with relative newcomers and complete unknowns that Montiel picked up in casting sessions out in Queens. For me, the whole movie was worth seeing Channing Tatum, however. He is heartbreaking and scary and full of explosive energy. The screen can barely contain him. One of the best movies I've seen in quite awhile.
An authentically heartfelt, and truly inspiring film, by a first-time filmmaker, Recognizing Your Saints, bellows deep in the heart and soul of everyone that is privileged to see it. Written and directed by Dito Montiel, from his autobiographical novel of the same title, Recognizing Your Saints is a sincerely brave effort, by a shy and yet outspoken filmmaker. Rehashing his hellish childhood in 1980's Astoria, Queens, Montiel brings a brilliant cast together to portray the misery of the youth growing up around him at the time.
Starring Robert Downey Jr. as the adult version of Montiel and Shia LaBeouf as the angst teenager, there is an almost perfect synergy between the two portrayals of Montiel at two different spectrum's of his life. Being called back to a Queens that Montiel left with his life and the clothes on his back, he is called back to take his dying father to the hospital.
Questions of fatherly love and compassion are brought out throughout the film, only to be answered by the gently grim, unyielding hand of Montiel's father played by native New Yorker, Chaz Palmintieri. Comparisons to Mean Streets, Kids and Raising Victor Vargas can be made to this New York drama on the whole. But, every scene, individually is so undeniably real that Montiel's film surpasses its comparisons and resonates as an entirely different type of film.
This film, about a group of kids can be told anywhere and that is what is unique about it, that it does not limit itself to the city it subsequently takes place on. It was a great surprise after the screening of the film, to have a nice personal Q & A, with the director himself. Being a very shy man, Montiel answered a few questions about the characters in the film, and where they are now. He also explained how much he loved working with the young cast, and breaking the rules of film making, he did not know existed. Overall this is a great film, filled with amazing performances, no one should miss.
Starring Robert Downey Jr. as the adult version of Montiel and Shia LaBeouf as the angst teenager, there is an almost perfect synergy between the two portrayals of Montiel at two different spectrum's of his life. Being called back to a Queens that Montiel left with his life and the clothes on his back, he is called back to take his dying father to the hospital.
Questions of fatherly love and compassion are brought out throughout the film, only to be answered by the gently grim, unyielding hand of Montiel's father played by native New Yorker, Chaz Palmintieri. Comparisons to Mean Streets, Kids and Raising Victor Vargas can be made to this New York drama on the whole. But, every scene, individually is so undeniably real that Montiel's film surpasses its comparisons and resonates as an entirely different type of film.
This film, about a group of kids can be told anywhere and that is what is unique about it, that it does not limit itself to the city it subsequently takes place on. It was a great surprise after the screening of the film, to have a nice personal Q & A, with the director himself. Being a very shy man, Montiel answered a few questions about the characters in the film, and where they are now. He also explained how much he loved working with the young cast, and breaking the rules of film making, he did not know existed. Overall this is a great film, filled with amazing performances, no one should miss.
I recently saw a screening of "A Guide to Recognizing Your Saints" without any prior knowledge of the subject matter or cast, which I am beginning to believe might be the best idea before seeing many of the smaller films out there. Reminiscent of "Goodfellas" and "Kids," a gritty coming-of-age story that packs a powerful punch with star Shia LaBeouf delivering a heart- breaking performance. This film is not to be missed and should be a strong contender come awards season. Director and writer Dito Montiel obviously draws from the likes of Martin Scorsese as he paints Queens, New York in a light only familiar to those who grew up deep in the heart of it. "Saints" elicits both tears and laughter, often within moments of each other while keeping the audience on the edge of their seats the entire time. Topping off this walk down memory lane, Montiel incorporates a stellar soundtrack mostly from the 70's, which feels right even though most of the story takes place in the mid 80's.
I was lucky enough to catch the last showing of "A Guide to Recognizing Your Saints" at my local theater, and man, was I surprised. I haven't seen a film with such an accurate and heart wrenching portraits of troubled youths since "Kids".
"A Guide to Recognizing Your Saints" gives us a glimpse into the life of Dito Montiel (Shia Labouf, with Robert Downey Jr. as the older version) growing up on the streets of Astoria, Queens in 1986. When he leaves for California, he leaves behind his best friend and resident tough guy Antonio (Channing Tatum, with Eric Roberts playing the older version), his caring mother (Diane Wiest) and tough love father (Chazz Palminteri), his girlfriend Laurie (Melonie Diaz, with Rosario Dawson as the older version), and pretty much everyone else he knew.
First time director Dito Montiel does a stellar job of establishing characters and their relationships. He also does a great job directing scenes that seem so real (thnks to some superb acting by the cast), it almost seems like a documentary. A huge round of applause goes to the cast for their performances.
The ending wasn't really cohesive with the script. I didn't leave knowing what happened with Dito and his family and friends. Other than that, there's not a single bad moment.
"A Guide to Recognizing Your Saints" is raw, gritty, and stunning. There's not a single disappointing scene in the movie.
9.5/10
"A Guide to Recognizing Your Saints" gives us a glimpse into the life of Dito Montiel (Shia Labouf, with Robert Downey Jr. as the older version) growing up on the streets of Astoria, Queens in 1986. When he leaves for California, he leaves behind his best friend and resident tough guy Antonio (Channing Tatum, with Eric Roberts playing the older version), his caring mother (Diane Wiest) and tough love father (Chazz Palminteri), his girlfriend Laurie (Melonie Diaz, with Rosario Dawson as the older version), and pretty much everyone else he knew.
First time director Dito Montiel does a stellar job of establishing characters and their relationships. He also does a great job directing scenes that seem so real (thnks to some superb acting by the cast), it almost seems like a documentary. A huge round of applause goes to the cast for their performances.
The ending wasn't really cohesive with the script. I didn't leave knowing what happened with Dito and his family and friends. Other than that, there's not a single bad moment.
"A Guide to Recognizing Your Saints" is raw, gritty, and stunning. There's not a single disappointing scene in the movie.
9.5/10
This film is about the turbulent childhood of a writer who published his memoir of his days in a rough neighbourhood.
"A Guide to Recognizing Your Saints" tells a depressing story where life is very tough for the residents of the neighbourhood. It is plagued by violence as the residents seem to have poor impulse control. Even though I like Channing Tatum and Shia LeBeouf, their characters (and all other characters) seem to wander around the neighbourhood looking for fights, making them rather unlikable characters.
With so much swearing and violence, it would be easy to think it is a gangster film. Of course, it is a personal film for the writer and director, hence the pacing is slow. Events in the film are bad, but they are not particularly cinematic, and not interesting for the big screen. I find the film boring and not engaging. The thing that bug me the most is that the film doesn't make any mention of any types of saints, either directly or metaphorically. I am disappointed by "A Guide to Recognizing Your Saints", as it could have been an engaging and emotional drama with a very strong cast.
"A Guide to Recognizing Your Saints" tells a depressing story where life is very tough for the residents of the neighbourhood. It is plagued by violence as the residents seem to have poor impulse control. Even though I like Channing Tatum and Shia LeBeouf, their characters (and all other characters) seem to wander around the neighbourhood looking for fights, making them rather unlikable characters.
With so much swearing and violence, it would be easy to think it is a gangster film. Of course, it is a personal film for the writer and director, hence the pacing is slow. Events in the film are bad, but they are not particularly cinematic, and not interesting for the big screen. I find the film boring and not engaging. The thing that bug me the most is that the film doesn't make any mention of any types of saints, either directly or metaphorically. I am disappointed by "A Guide to Recognizing Your Saints", as it could have been an engaging and emotional drama with a very strong cast.
Lo sapevi?
- QuizWriter and director Dito Montiel was reluctant to cast Shia LaBeouf in the role of young Dito because Montiel was intent on casting an unknown. After the first rejection, however, LaBeouf pushed for one more audition. He came into the casting office, punched a hole in the wall, and convinced Montiel that he could bring the requisite amount of anger to the role.
- BlooperIn the 1980s scenes on the subway, scanning the rooftops, you can see many cellphone towers.
- Curiosità sui creditiAt the very end of the credits, after the logo graveyard, there is a short bit with the real Monty.
- Colonne sonoreNative New Yorker
Written by Denny Randell and Sandy Linzer (as Sally Linzer)
Performed by Odyssey
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Tus santos y tus demonios
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 517.809 USD
- Fine settimana di apertura Stati Uniti e Canada
- 94.784 USD
- 1 ott 2006
- Lordo in tutto il mondo
- 2.035.468 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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