Crossover

Why?

Because everybody in the entire world would be able to create a better movie than this. I saw this movie because comments on this site. I didn't believe my own eyes! A drunk monkey would surely have done a better job than the writers & actors in this movie.

WATCH this movie and be AMAZED... Please do, i beg you! Actually i DARE you! Then you can say to yourself, "Hey, at least i will never watch anything this terrible again"

And people... Try to avoid hitting yourself in the head, while watching it. I had a hard time doing that.

You know what's funny? I'll tell you...this movie. Once again drum roll please....Or, should I say DRUMLINE please. Drumline type movie that bombed like all of the rest. Nothing was good about this movie except the end credits where some persons name was my name and it made me as giddy as a school girl. I thought I was renting a movie about a poltergeist, but that didn't happen. But I was wishing that I was in the grave at the end of it. It's kind of strange that director's would take on something of this crappy caliber and try to make something of themselves. Writing was dumb, actors were...you know, and the scenes just made me want to take a bath and scrub myself from all of the bull that I've encountered.

Fantastic movie? Fantastic? Are you kidding me? This "fantastic" movie has an average rating of 1.1, with 1 being the lowest rating on IMDb after over 1,200 votes. Fantastic? Fantastic trash, maybe.

The acting was bush league, and the plot was lame. All this is is just more of this same old tired and boring urban-up-and-comer-defeat-the-odds-make-a-life-from-nothing worship garbage.

I can't believe I wasted my time with this movie.

Voters rated "Gigli" higher than this, which should give you an idea of exactly how bad this movie is.

My kids and I enjoyed this dreadful exercise in predictability and bad acting for all the wrong reasons: We playfully wagered on what actors would say next (and I use that word "actors" very loosely). It's full of clichés of all kinds. We would rewind and laugh at the scenes containing Eva Pigford's unbelievably horrid acting (please, for God's sake, stick to simply being a model!). We'd pretend to be menaced and afraid by appearances of that definitive "hood" slick guy, aka Wayne Brady ("New Jack City's" Nino Brown has got nothing on him!!!). And we were amused at how surprisingly weak the basketball scenes were. The on-the-court scenes contained lots of edits and cut-aways that marked staged shots. And for a movie about b'ball, the court scenes were extremely minimal and unexciting. On a serious note, please observe this theory of mine if you rent this film (for God's sake don't buy it): Sometimes, being surrounded by bad actors and faced with a bad script can even make a good actor bad. Case in point, Anthony Mackie. He's clearly got skills, but he had no business being in this foul of a film! This movie surely falls under the "So bad it's good" banner. If you rent it expecting anything else, you will surely be disappointed.

For all who have cried for quality urban film-making free from gangsta, thuggin, and drug related themes…keep looking.

Detroit is a city rich in culture, history, ethnicity and empowerment but in recent years has developed an unfortunate reputation that upsets many natives. Those with a voice, the politicians, the rappers, even the filmmakers try desperately to reverse that negative image much to their credit. Writer and Director Preston Whitmore II, a loyal patriot indeed, attempts an urban tale about street ball, dreams fulfilled, and dreams deferred. It seemed like every few minutes there was a needless montage of city landmarks that were not part of the storyline. A gimmick that seemed patronizing at best, insulting at worst. I too love my city and I understand patriotic sympathies. However, they simply have no place on the celluloid. If a filmmaker wants to show the good of the city make a good movie! But that was just part of my problem with Crossover. It wasn't dramatic enough to be taken seriously and not funny enough to be a comedy. The funniest thing in the movie was the main character Tech (Mackie) spending half the movie studying for his GED. The plot was mediocre and the acting simply ghastly. Wayne Brady (who said he could be a leading man?) has to prove he's black to all his critics and quite unconvincingly portrays Vaughn, part businessman, part thug who has more than a legitimate interest in street ball. The cookie monster is a scarier underworld figure. Wesley Jonathan who was absolutely priceless in Rollbounce was less than thrilling-- almost boring. And Eva Pigford's play acting of the femme fatal just ruined a character that might have been interesting.

Crossover (or Crapover as I was calling it by the end) was a film that probably looked good on paper but lost its focus somewhere between the pitch and the production. I often advise urban screenwriters to beware of this potential peril. It's a death sentence to the film, but more importantly it is another unwanted blemish on the genre of film that is blemished enough.