Una bambola di pezza che si risveglia in un futuro post-apocalittico è la chiave per la salvezza dell'umanità.Una bambola di pezza che si risveglia in un futuro post-apocalittico è la chiave per la salvezza dell'umanità.Una bambola di pezza che si risveglia in un futuro post-apocalittico è la chiave per la salvezza dell'umanità.
- Regia
- Sceneggiatura
- Star
- Premi
- 9 candidature totali
Elijah Wood
- #9
- (voce)
Jennifer Connelly
- #7
- (voce)
Crispin Glover
- #6
- (voce)
Christopher Plummer
- #1
- (voce)
Martin Landau
- #2
- (voce)
John C. Reilly
- #5
- (voce)
Fred Tatasciore
- #8
- (voce)
- …
Helen Wilson
- News Caster
- (voce)
Recensioni in evidenza
I was looking forward to seeing 9, as I had already seen the original short film (also called 9) and wanted to see what they could do by expanding upon the story. Well, after seeing this full-length film, I can certainly say I liked the computer generated animation....as for the story, well, it left a bit to be desired. And the problem is that I can't strongly recommend the film, but if you don't see it in the theater, then you'll probably like the film less because the graphics are THE film.
The story is set in an alternate reality. While some of the features look very much like Earth, many of the details are different. There's been a war raging and tanks are definitely of the WWI variety while airplanes are of the WWII style--yet there are also very modern holograms as well. As for the leader, there is some similarity to a fascist dictatorship, but this guy sure ain't Hitler, Mussolini or Franco. It's like Earth, but not our Earth. Oddly, while I could accept this, in this alternate reality there apparently IS a Judy Garland and the song "Over the Rainbow"--an odd blending of the real and the fanciful.
Most of the story, you have no idea what led to this ruined world that is now devoid of all life--no animals, no people...not even bugs. Slowly, some of the details of this apocalypse come out...but never is there ever a full explanation as to what happened and why--just a dribbling of information here and there. What you positively know is that instead of living beings, there are a group of very small and oddly designed burlap covered dolls--with very high tech eyes. Why these dolls are there and their purpose is unknown to them, but some are just happy to hide and avoid the hellish mechanical creations that inhabit the rubble as well.
As for the burlap creatures, this is a shortcoming in the film. While 9 is the "designated hero", he and the rest of them really don't have any personality and a few of them seem like story clichés (such as the "strong and plucky female"). So, when one dies you are left wondering what made that one any different than the one that was killed moments earlier or you are left feeling a caricature died--not something tangible. No real character development occurs nor are their motivations particularly clear throughout the film. Nor, for that matter, does the story answer many questions at all. So, provided this doesn't bother you and you don't mind a vague story with vague characters, you'll enjoy the film very much--it certainly is a visual delight. If you demand clarity, then I suggest you see another film.
The story is set in an alternate reality. While some of the features look very much like Earth, many of the details are different. There's been a war raging and tanks are definitely of the WWI variety while airplanes are of the WWII style--yet there are also very modern holograms as well. As for the leader, there is some similarity to a fascist dictatorship, but this guy sure ain't Hitler, Mussolini or Franco. It's like Earth, but not our Earth. Oddly, while I could accept this, in this alternate reality there apparently IS a Judy Garland and the song "Over the Rainbow"--an odd blending of the real and the fanciful.
Most of the story, you have no idea what led to this ruined world that is now devoid of all life--no animals, no people...not even bugs. Slowly, some of the details of this apocalypse come out...but never is there ever a full explanation as to what happened and why--just a dribbling of information here and there. What you positively know is that instead of living beings, there are a group of very small and oddly designed burlap covered dolls--with very high tech eyes. Why these dolls are there and their purpose is unknown to them, but some are just happy to hide and avoid the hellish mechanical creations that inhabit the rubble as well.
As for the burlap creatures, this is a shortcoming in the film. While 9 is the "designated hero", he and the rest of them really don't have any personality and a few of them seem like story clichés (such as the "strong and plucky female"). So, when one dies you are left wondering what made that one any different than the one that was killed moments earlier or you are left feeling a caricature died--not something tangible. No real character development occurs nor are their motivations particularly clear throughout the film. Nor, for that matter, does the story answer many questions at all. So, provided this doesn't bother you and you don't mind a vague story with vague characters, you'll enjoy the film very much--it certainly is a visual delight. If you demand clarity, then I suggest you see another film.
First things first. DO NOT SHOW THIS MOVIE TO VERY YOUNG CHILDREN!! This is a very dark and often scary animation. I would recommend it as an 8 years and up movie, minimum!
And this is also this movies biggest problem. It just didn't pick a target market. It is neither cuddly enough for kids or smart enough for adults. Many reviewers have said how they were confused by the plot or that there didn't seem to be a reason for anything??? I found the opposite, this movie is very straight-forward, a little too so maybe. It is a simple tale of good versus evil in a post apocalyptic, alternative earth. (I fear the suits holding the money may have had something to do with the "dumbing down" of the story however and not the writers).
All this being said, it is beautiful to look at, with some fantastic set pieces and atmosphere and despite it's simple story, it is a sweet tale. The voice acting is solid (special mention goes to John C Riley for his ever-so-sweet portrayal of "5") and the action scenes are tense and well thought out. As I said earlier, the monsters in this really are quite creepy, even by grown-up standards, add to that the post-war setting and occasional images of (albeit CG) dead bodies/death and this really puts this movie out of the young kids film bracket.
"9" could have been so much more. In my opinion, it would have worked better as a grown-up animation with a slightly meatier script and the peril ramped up a little. As it is, it sits somewhat uncomfortably in limbo between kids and grown-ups, fully satisfying neither. Now, your thinking, "he gave this 7/10 and all he has done is complain!" well, it is a good movie and I did enjoy it a lot. It is haunting, thought provoking and beautifully animated and would have scored a 10/10 if it had just been written more towards older viewers.
A fantastic idea, lovingly animated. could have been a classic if it had just been a little braver in the writing phase.
And this is also this movies biggest problem. It just didn't pick a target market. It is neither cuddly enough for kids or smart enough for adults. Many reviewers have said how they were confused by the plot or that there didn't seem to be a reason for anything??? I found the opposite, this movie is very straight-forward, a little too so maybe. It is a simple tale of good versus evil in a post apocalyptic, alternative earth. (I fear the suits holding the money may have had something to do with the "dumbing down" of the story however and not the writers).
All this being said, it is beautiful to look at, with some fantastic set pieces and atmosphere and despite it's simple story, it is a sweet tale. The voice acting is solid (special mention goes to John C Riley for his ever-so-sweet portrayal of "5") and the action scenes are tense and well thought out. As I said earlier, the monsters in this really are quite creepy, even by grown-up standards, add to that the post-war setting and occasional images of (albeit CG) dead bodies/death and this really puts this movie out of the young kids film bracket.
"9" could have been so much more. In my opinion, it would have worked better as a grown-up animation with a slightly meatier script and the peril ramped up a little. As it is, it sits somewhat uncomfortably in limbo between kids and grown-ups, fully satisfying neither. Now, your thinking, "he gave this 7/10 and all he has done is complain!" well, it is a good movie and I did enjoy it a lot. It is haunting, thought provoking and beautifully animated and would have scored a 10/10 if it had just been written more towards older viewers.
A fantastic idea, lovingly animated. could have been a classic if it had just been a little braver in the writing phase.
I was quite taken with '9', a movie I saw without reading the reviews here (which is not the usual sequence of things for me). I'm glad I didn't read the reviews this time, though, because too many of them seemed to me to be off point.
This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.
The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.
I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.
This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.
The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.
I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.
As a long-time fan of animation, I like to believe (misguided or not) that I have high standards and am not easily impressed. But this creation blew me away, so much so that I felt compelled to write my first ever review on this site. Please forgive me for the abundance of clichés that may follow.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
9 is better than average... but only barely.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
Lo sapevi?
- QuizShane Acker first made 9 (2009) as a ten minute short film while he was still at UCLA. It was nominated for Best Animated Short at the Oscars, and although it didn't win, Acker was offered the chance to expand it into a feature film. It follows the same basic plot, but more characters have been added, they have the ability to talk now, and the reason for the world's destruction is explained in more detail.
- BlooperOnce 2 places the voice box into 9, the zipper remains open. However, in the next shot, 9's zipper is closed. The following shot has the zipper open again. 9 is later shown zipping his zipper closed.
- Curiosità sui creditiSome of the end credits emerge from 9's talisman.
- Versioni alternativeIn the Russian dubbed version, the dolls represent the people in the Scientist's life instead of the American version where they represent his personality. 1 being the dictator, 2 being his lab assistant, 3 and 4 being the Scientist's twin children, 5 being the field doctor who saved the Scientist's life during the rise of the robots, 6 being the engineer who activated the robot, 7 being the Scientist's wife, 8 being the Chancellor's bodyguard, and 9 representing the Scientist himself.
- Colonne sonoreOver the Rainbow
Written by Harold Arlen and E.Y. Harburg
Performed by Judy Garland
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 31.749.894 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.740.446 USD
- 13 set 2009
- Lordo in tutto il mondo
- 48.428.063 USD
- Tempo di esecuzione1 ora 19 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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