VALUTAZIONE IMDb
7,0/10
10.896
LA TUA VALUTAZIONE
Ballerini qualificati, da sala da ballo e balletto a salsa, jive e hip-hop, competono tutti per essere nominati i migliori.Ballerini qualificati, da sala da ballo e balletto a salsa, jive e hip-hop, competono tutti per essere nominati i migliori.Ballerini qualificati, da sala da ballo e balletto a salsa, jive e hip-hop, competono tutti per essere nominati i migliori.
- Vincitore di 17 Primetime Emmy
- 23 vittorie e 104 candidature totali
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Recensioni in evidenza
The dancers are very talented but no more than in previous years. Missing Nigel and Mary. Their years of experience and expertise are so needed. Twitch is great as a judge and as a former winner of SYTYCD knows what it takes to be a successful dancer. I've watched for years and will continue for at least a few more episodes to give it a fair shot.
NOTE: The 6 rating is for the show itself, the way it's run, not the contestants, these incredible troupers, who deserve a 10.
The thing I like most about this show is how the dancers have to step up each week and perform in a genre that is usually much different than their own; this requires the performers to be unbelievably flexible - not just physically but mentally and emotionally, and most of them are genuinely inspiring to watch.
I don't think the judges are really fair, especially Nigel, who seems to not appreciate anyone whose style and personage is different than the mainstream ideas of gender-acceptability. He has more of a problem with some of the guys, whom he berates for not being 'masculine enough' to take the lead with a female partner. Very limited - and limiting - imagination, he has. I really like Mia Michaels, who's the complete opposite: very open-minded and fair, a true artist and an inspiring creative force.
I also don't think it's fair that the 3 lowest-voted boys and the 3 lowest-voted girls each week get THIRTY SECONDS ONLY to show what they can do individually before the judges make their decisions. This is ridiculous, it's clearly not enough time - they should be given at least 2 minutes or at the very least a minute and a half so they can allow their chosen routine to build a little; with the THIRTY-SECOND time, everyone usually winds up looking frantic. Give these people a break, I say. They have time for a complete performance from a guest star, like Neo, this week, for instance, but they don't have time for the actual contestants? This is absolutely pathetic.
The show is clearly a personality contest, and they admit it. They're not looking for 'America's BEST dancer' but rather 'America's FAVORITE dancer,' and this is okay, because let's face it, any public competition generally winds up being a popularity contest anyway. So at least they're up front about that. I especially appreciate how they show the performers practicing each week in the genre they've found themselves dancing in. Sometimes it looks like they'll never be able to pull it off, but 90% of the time, once they're in their costumes and the audience is present, they manage to shine.
8/16/07 : THRILLED that Sabra won tonight! I didn't think she had a chance; I was sure Neil or Danny would take it, and I have a feeling she felt that way too. I've been watching nearly ever week just to see her numbers - when she dances, you can't take your eyes off her, plain and simple. The judges did get it right about her - she has The Magic. Something you can't buy, steal or be taught. A thrilling performer.
8/8/08 : This time around, I was rooting for either Katee or Joshua to take it, and I couldn't have been any more pleased that Joshua won last night. Another great year, very inspired and inspiring.
The thing I like most about this show is how the dancers have to step up each week and perform in a genre that is usually much different than their own; this requires the performers to be unbelievably flexible - not just physically but mentally and emotionally, and most of them are genuinely inspiring to watch.
I don't think the judges are really fair, especially Nigel, who seems to not appreciate anyone whose style and personage is different than the mainstream ideas of gender-acceptability. He has more of a problem with some of the guys, whom he berates for not being 'masculine enough' to take the lead with a female partner. Very limited - and limiting - imagination, he has. I really like Mia Michaels, who's the complete opposite: very open-minded and fair, a true artist and an inspiring creative force.
I also don't think it's fair that the 3 lowest-voted boys and the 3 lowest-voted girls each week get THIRTY SECONDS ONLY to show what they can do individually before the judges make their decisions. This is ridiculous, it's clearly not enough time - they should be given at least 2 minutes or at the very least a minute and a half so they can allow their chosen routine to build a little; with the THIRTY-SECOND time, everyone usually winds up looking frantic. Give these people a break, I say. They have time for a complete performance from a guest star, like Neo, this week, for instance, but they don't have time for the actual contestants? This is absolutely pathetic.
The show is clearly a personality contest, and they admit it. They're not looking for 'America's BEST dancer' but rather 'America's FAVORITE dancer,' and this is okay, because let's face it, any public competition generally winds up being a popularity contest anyway. So at least they're up front about that. I especially appreciate how they show the performers practicing each week in the genre they've found themselves dancing in. Sometimes it looks like they'll never be able to pull it off, but 90% of the time, once they're in their costumes and the audience is present, they manage to shine.
8/16/07 : THRILLED that Sabra won tonight! I didn't think she had a chance; I was sure Neil or Danny would take it, and I have a feeling she felt that way too. I've been watching nearly ever week just to see her numbers - when she dances, you can't take your eyes off her, plain and simple. The judges did get it right about her - she has The Magic. Something you can't buy, steal or be taught. A thrilling performer.
8/8/08 : This time around, I was rooting for either Katee or Joshua to take it, and I couldn't have been any more pleased that Joshua won last night. Another great year, very inspired and inspiring.
After many talent competitions, it has a virtue- it is different. Profound different. And it reminds the force of dance, genre by genre, to say, in profound sense, with deep intensity, the truth about skills and art and people on the scene. In same measure, it is a contest in which the viewer is part moment by moment. Because the fair judgments , the each move, the music are tools for discover yourself and for remind the intensity of dance as pure form of art. So, for many reasons, the show.
So sad and disappointed. This has been my favorite program for many years. This year was simply a cheap version of a spectacular premise. The dancers they chose were not as good. I missed the presence of the past winners. Nigel and Mary were the best part of the show. And finally you cannot be America's favorite dancer if America cannot vote on the favorite dancer. Please please remove the show but bring back its former glory.
Unlike singing competitions which can begin to feel like karaoke night twice a week, So You Think You Can Dance is fresh and will keep renewing itself. Dance is always changing, always becoming more global, technical, artistic, theatrical, and more. There are no limits in dance, and thus this show has the potential to go on forever.
The greatest thing about this show is the showcase of the different genres by gifted dancers. Not only is it a "competition" show, it is a performance show. Sure there are the judges to comment, phone numbers to call, and bottom three to fret about, but in the end this show achieves the most in broadcasting the world of dance.
The greatest thing about this show is the showcase of the different genres by gifted dancers. Not only is it a "competition" show, it is a performance show. Sure there are the judges to comment, phone numbers to call, and bottom three to fret about, but in the end this show achieves the most in broadcasting the world of dance.
Lo sapevi?
- QuizBenji Schwimmer revealed that because of limited time with choreographers dancers sometimes had to invent the routines themselves. In particular he noted that he choreographed most of his La Salsa dance with Heidi Groskreutz-Burns as well as almost the entirety of his hop-hop routine with Travis Wall.
- ConnessioniFeatured in Scuola per canaglie (2006)
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