Organize Isler

Organize Isler revolves around a good-willed character, a gangster-to-be thief played by Yilmaz Erdogan who is one of the most talented actor/writer/director in Turkey. The plot is not too complicated, but the dialogs are very well written and you can giggle and laugh increasingly through the movie. Plus, it has really magnificent views, mostly from above, like you are flying above this cosmopolitan, colorful, intimate city. The rest of the cast is also very skilled, most of the one of the best in their league. One of the is Cem Yilmaz, the most famous comedy actor in Turkey, with a relatively small role in this one (has done a great job with it if you ask me). I really liked watching this movie, felt like cruising through a hilarious story! If you are from Turkey, you will have a good time watching Organize Isler. But I do not know if you can get the humor if you don't know Turkish. It probably depends on how good the translation is. Still, I think the movie has a lot of specifically Turkish jokes that you can only get if you are Turkish or if you have lived in Istanbul for a long time. Then again, if you don't get all the jokes, you will have a great look at a great city from a cheerful, sunny screen.

While film was starting with the beautiful scenes from Istanbul, I was ready to watch another great Yilmaz Erdogan movie, like Vizontele. First of all I want to say that the actors and actresses were really great. They had done their best. As usual Cem Yilmaz were starring at the most funny parts of the film, that were very short. If his role was longer, I'm sure this film will become frenzy in Turkey. But the screenplay wasn't so good. It has an unexpected end, which was confused most people. I left the theater with question marks in my mind. In conclusion in spite of first class actors/actresses and a first class facility (Istanbul), a bad screenplay made the movie an over average.

a flying cam is not enough to make a movie. The movie is funny. The story isn't that much great but characters are. On each book, movie and play Erdogan reflects his megalomania. There are some technical problems on images(when flying-cam moves very fast the image blurred)The sound was good.Soundtracks are cool. Colors are so good. Erdogan will make better movies I believe. But he should remember that there is no obligation to use flying cam on each scene. He can write the story and direct the movie, but let the other people play. I found some critics about the movie poster,people say it has same style with the "fight club" poster.Next Erdogan movie will be much better.

Scenario , conversations are funny. You feel yourself relaxed .It s enough

"Organize Isler" is a decent comedy-drama that is sometimes clever but occasionally loses its charm. The name Yilmaz Erdogan always guaranties a good film as his writing talents and the exemplary BKM troupe work smoothly in every project. Erdogan always creates clever plots that the audience could discover another layer with every screening, which, is my opinion, a characteristic only the best movies have. However, 'Organize Isler' has less layers, or at least less interesting layers compared to his earlier works.

Casting seems to be a problem Erdogan has to deal with with every project. Since BKM troupe's long roster of talented actors generally outnumbers the necessary characters in a movie, the danger of 'over-casting' or 'mis-casting' looms large. One can see the effects of this issue in "Organize Isler" (for example the appearance of Iclal Aydin is totally unnecessary in my opinion, without any real contribution to the story told).

The movie is good, clever and entertaining. All actors are good, dependable, experienced and they work with each other well. Cem Yilmaz, who commands more and more respect as an actor with every movie he is in, enhances the value of the movie tremendously, and it seems his special relationship with Erdogan adds to their productivity. The production values are high, with wonderful aerial shots of Istanbul - which, like a constrictor python, seems more beautiful than it really is if you look from far above.

Another personal criticism of mine, which has little to do with the artistic side of the production, is the way the movie puts a human face on the gangsters who ruthlessly rob, kill and terrorize the streets of Istanbul. Although the film watches like a light-hearted anti-hero flick, I find it hard to feel for the "poor, good hearted" robbers with BMWs who would drag an old lady to death if she wont let her purse go.