Un giovane programmatore viene selezionato per partecipare a un esperimento innovativo nell'intelligenza sintetica valutando le qualità umane di un umanoide d'intelligenza artificiale mozzaf... Leggi tuttoUn giovane programmatore viene selezionato per partecipare a un esperimento innovativo nell'intelligenza sintetica valutando le qualità umane di un umanoide d'intelligenza artificiale mozzafiata.Un giovane programmatore viene selezionato per partecipare a un esperimento innovativo nell'intelligenza sintetica valutando le qualità umane di un umanoide d'intelligenza artificiale mozzafiata.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 74 vittorie e 162 candidature totali
- Jasmine
- (as Symara Templeman)
- Amber
- (as Lina Alminas)
- Office Worker
- (non citato nei titoli originali)
- Office Worker
- (non citato nei titoli originali)
- Office Manager
- (non citato nei titoli originali)
Riepilogo
Recensioni in evidenza
The story is a modern telling of Bluebeard's Castle as the correct version of Beauty and the Beast. In other words, it seems to be about impotence. Except that this is geek love, love at an impossible distance, that is eroticism. And the movie itself tells you all you need to know about eros.
The insight. Ex Machina is ostensibly about Turing's Test, the thesis that a machine might be so human as to fool a human being. Does Ava pass this test? Depends on how you perceive the test. Ex Machina actually implies a more relevant Test: could a machine seem so human as to make the human being inteacting with it come to believe that he himself is a machine?
And the insight? It might be that the solution to the AI/human interface may not involve the humanising of robots, but the robotisation of humans.
Only 8/10 because it is not clear that this insight was actually part of the plot. But whether you find eros or AI in this movie, you will have a rewarding journey.
*** 1/2 (out of 4)
A different sort of science fiction film, a programmer (Domhnall Gleeson) wins what is basically a lottery to go and spend a week with his company's owner (Oscar Isaac). The owner, Nathan, pretty much created a search engine but he's gone a step further by creating an artificial intelligent woman named Ava (Alicia Vikander) who the programmer is supposed to examine and question.
EX MACHINA pretty much came out of nowhere and became a good hit across the world and I'm rather shocked that it did. Usually dumb science fiction movies with a lot of mindless actions are the ones that make money and not those that features very little to no action and instead just dialogue and thought. What really sets this film apart is the fact that it asks more questions than anything else and it expects the viewer to think about those questions and the impact that certain actions could have.
The visual style of the film is quite impressive and it's certainly a very interesting film to just look at. The music score is quite haunting and perfectly captures the mood of the film. There's the terrific cinematography that pulls you into the setting. The special effects are also extremely impressive. I loved the set and the look of this compound but the special effects are the real star. If you didn't believe that you were really looking at and operating with real artificial intelligent creatures then the entire film just wouldn't have the same feeling.
Then there are the performances, which are a major plus. Gleeson pretty much plays the role that is typically a nerd but the film never lowers the character to that simple term and instead makes him a very interesting person. Even the role of the billionaire played by Isaac isn't what you'd typically see and the actor brings a certainly coldness to the part. Vikander is flawless and steals the picture in her role.
EX MACHINA certainly won't be a movie for everyone but it's good to think about the questions that it asks.
Lo sapevi?
- QuizThe location of the house in the movie is the Juvet Landscape Hotel in Norway.
- BlooperWhen Ava and Kyoko meet in the corridor, there are masks on the wall. At the end of the scene, the masks are gone. Correction: The camera angle is not a reverse shot along the same corridor with the masks. The camera has moved to where Kyoto is standing, turned 90 degrees right and is looking down the corridor she came from. When Nathan finds them, he is looking from the other end of the corridor where Kyoto came from.
- Citazioni
Nathan: One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa. An upright ape living in dust with crude language and tools, all set for extinction.
Caleb: I am become Death, the destroyer of worlds.
Nathan: There you go again, Mr. Quotable.
Caleb: There you go again. It's not my quote. It's what Oppenheimer said after he made...
Nathan, Caleb: ...the atomic bomb.
Nathan: Yeah, I know what it is, dude.
- Curiosità sui creditiThe end credits starts with a single dot in the background which then grows and various patterns emerge from it.
- Versioni alternativeThe alternatively censored cut released in China featured frequent blurs of nudity and, on occasion, violence. One scene towards the end also seemed to be zoomed for no apparent reason.
- ConnessioniFeatured in Film '72: Episodio #44.2 (2015)
- Colonne sonoreSchubert Piano Sonata No.21 in B Flat Major, D.960
Composed by Franz Schubert
Performed by Alfred Brendel
Courtesy of Decca
Under license from Universal Music Operations Limited
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Ex_Machina
- Luoghi delle riprese
- Juvet Landscape Hotel, Alstad, Valldal, Norvegia(Nathan's mountain retreat)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.442.958 USD
- Fine settimana di apertura Stati Uniti e Canada
- 237.264 USD
- 12 apr 2015
- Lordo in tutto il mondo
- 37.394.629 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1