The Dukes

The Dukes is a story about former Italian American Doo Wop stars (Davi and Palminteri) who have devolved into a dead end existence working in a family Italian restaurant as short order cooks, under the close supervision of their strong willed aunt. Their wish to revive their career seems self evidently hopeless as their droll and equally devolved manager (Bogdanovich) gets them one ridiculously funny--and absurdly degrading--opportunity after another--only to have the group fail in getting any work.

Due to both desperation and a series of very amusing coincidences, Davi and Palmintieri conceive of a ludicrous plan to heist a large shipment of gold. Here, the plot twists begin to take over and command the audience. A combination of Murphy's law, misguided trust,and an hilarious botched implementation bring the group back down to earth. And back to an even more seemingly hopeless devolved state than where they began.

Through a series of tragicomic realizations the group learns what they already knew--hard work, self pride, and real focus is their only hope. But the writer/director Davi could not let them off that easy. They need to be comically punished again, and again....until he finally lets them of the hook in a terrifically funny and satisfying ending.

Saw this film at the DGA, great performances, heart warming, and very funny. Some classic moments, great chemistry between Chazz Palminteri, Robert Davi and Peter Bogdanovich. Miriam Margolyes is great as Aunt Vi, a role she normally would not be thought of. Elya Baskin is hysterical. Frank D'amico, who i have not seen before, is terrific. Eloise DeJoria combines sensitivity with a subtle comedic quality. Melora Hardin, from The Office,hits just the right tone as Danny's(Robert Davi)ex-wife.Bruce Weitz,Elaine Hendriks and Joyce Westergaard are all terrific. This is Robert Davi's first time directing and he does a fantastic job. The film has many twists and I could not predict where things were going ,which I normally do very easily.I laughed as hard in a few places as I ever had. The blending of pathos, humor and believabilty are rare these days..A MUST SEE

As a reward for productivity, our company set up an outing, for all staff and their families, to a screening of 'The Dukes' last week. We're a mixed bunch from 6 years to 65 and as ethnically diverse as any L.A. work-force. Would the movie appeal to such a wide range of backgrounds? Yes!, 'The Dukes' was a great mix of comedy and schmaltz to make for a true family movie. Interesting to see the two key characters, Robert Davi and Chazz Palminteri in a comedy role, pulling out all the stops to vamp up their aunt's Italian restaurant and put their lives back on track. Plenty laugh out loud moments including a 'screwed-up' gold heist where the loot ends up being a bag of gold filling amalgam for teeth! Great 50's 'doo-wop' sound-track and, since the cast sing their own numbers in the film, our 'beef' was there was not enough footage of them singing! I would have no qualms about taking the kids and the grandparents along to see 'The Dukes' and, if they are Italian, so much the better….

In this day and age of computer generated imagery and stunts above and beyond belief it is so very refreshing to see a film where the actors are allow to act. In this timeless turn by Mr. Davi nothing was placed in front of telling a good story and telling a good story well. Put on top of a good story some fantastic music that does not overwhelm but enhance and you have the recipe for success. This film follows that recipe to a "T". It would be a wonderful turn to see Hollywood take a lesson from Mr. Davi and get back to the art of story telling, and out of the business of shocking us into forgetting that there is no story. Kudos to the actors for their excellent performances and Bravo Mr. Davi for getting the job done and turning a good idea into a brilliant film.

"The Dukes" is as warm-hearted -- and big-hearted -- as a movie can be.

The Dukes, a doo-wop vocal group, had a couple of hits just before the Beatles tsunami swept a great many pop groups somewhere beyond the sea.

these days there are teeth that need fixing, other health emergencies, an ex-wife and an elderly aunt who are as tired of overwork as they are of men who won't grow up, legal bills, and an expired liquor license. there's no money to pay for any of it -- and oldies are now free on the internet.

should The Dukes swallow their pride and do tacky TV commercials? or, cast aside their core values and commit a burglary? or, maybe a little of both?

in one of this film's many fine performances, Danny (producer/director/co-writer Robert Davi, whose own voice sings the lead in the final acappella number) wrestles with his conscience while arguing with his cousin George (Chazz "A Bronx Tale" Palminteri) about whether to pull off a heist.

at a backyard party hosted by the very successful new man in his ex-wife's life (and thus his young son's life as well), Danny deals with his jumble of emotions as subtly and as movingly as any work i've seen.

"The Dukes" has its share of sentimentality (it's a nostalgia movie, after all). and, like the vast majority of movies, a little less might have been a little more. but, it also has plenty of thrills and spills, ups and downs, and some gritty realism thrown in for spice.

so, what's not to like about this movie? well, to read The New York Times's mean-spirited review, you'd think that seeing "The Dukes" might expose the viewer to salmonella poisoning.

sample: "... it tastes like pasta sauce that has sat on the shelf long after the expiration date on the can."

the group's manager, Lou, is described as "{a} miscast Peter Bogdanovich". miscast? Bogdanovich is himself a former supernova director who soon became just another journeyman. it's perfect casting.

about Danny and George's salt-of-the-earth Aunt Vee: "... Miriam Margolyes, wildly overacting..." uh, this part did not call for Judy Dench; Margolyes was excellent just the way she was.

regarding several supporting actresses who have very ripe figures (as in HOT), there's this misogynistic bit of nastiness: "...grotesque, Fellini-size women..."

sad.

but, there's no need for the reader to be sad -- see this movie!