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With this film you have to take your hat of for Mr. Brosnan he is great in his acting, This is a movie that will remain as one of the greatest western films of all times and some sequences of this film will be remembered for ever I will not tell anything but if you see it(and you must) you will remember this.

It is beautifully shot and has a solid script, great action and deep emotions mixed along the way. If you like western you will not be disappointed.

When you watch Seraphim Falls you will have your emotions mixed as the movie develops and when the fantastic finale arrives you will be even more pleased. It has one of the mos original showdown finale I have ever seen.

This movie is a must see!

I think you're going to see some very mixed reviews for this film. The tragedy is that it's going to be picked up primarily by fans of westerns, who are looking for shootouts and plots that can be boiled down to "good guys" and "bad guys." Do not go into this movie expecting that.

This is ultimately a revenge story, but not a straightforward or clean-cut one; in this way I would compare it to "Memento" and "The Three Burials of Melquiades Estrada".

It's not clear who we're "supposed" to sympathize with at the beginning. We want to sympathize with the revenge-seeker; but we're told almost nothing about why he wants revenge. As he displays at least as many brutal and mercenary traits as anyone else in the film, we question why we side with him, and realize that we're only inclined to do so because our previous experience with "revenge" stories has programmed us to do so.

But the quarry is far from a sympathetic character as well, and we're torn emotionally on what we want to see happen. That is, until the original tragedy is finally revealed. And I've honestly never seen such a well-conceived scene of this type... the tragedy is heart-rending.

I won't say much more except that as the film goes on, the degree to which it will appeal to fans of literal straightforward westerns decreases significantly. You see, as the film begins, Carver's pursuit of Gideon takes them through various isolated episodes: encounters with various characters. As the film goes on, these encounters become more and more obscurely surreal; the final such encounter seems almost supernatural or fantastic. The writer and director have peeled away the internal reality of the story, and are speaking to us through the form itself. Not something that your average Western viewer is likely to accept or appreciate.

Viewers will come to this film expecting a completely realist story; and that's what they seem to be getting at the beginning of the movie. The viewer is not prepared for this realism to slowly and obscurely fall apart - and while that may be the reason that the film creates such a powerful and somehow creepy experience by the end, the same factor is likely to leave most viewers feeling robbed.

Ultimately this film is definitely worth watching, but may not have enduring appeal to lovers of the traditional Western genre. A note while viewing: pay attention to the theme of loss, and how various possessions of the characters are lost.

I rented this film without ever hearing of it before, and was pleasantly surprised...something which is becoming more and more rare in my movie renting experience.

This gritty, untypical western appealed to me on a number of different levels. The unusual casting of Liam Neeson and Pierce Brosnan intrigued me, their film presence was an enhancement without being a distraction to the film. The story was complex and minimalist at the same time, sometimes combining ultra-real and surreal elements. The cinematography is straightforward and beautiful, and a welcome relief from the jiggly camera technique, colorization, and other "contemporary" gimmicks that all too often nowadays cause technique and style to become a major distraction with the story being told. Thank goodness there are still directors that believe in having movies being filmed this way!

While the story grabs your attention from the very beginning and moves quickly, it takes its time in revealing who the characters are, and what are their motivations and the demons they are dealing with.

If you watch this with a preconceived notion of what a western should be, a la John Ford, Howard Hawks, etc. you may be disappointed, as some reviewers here obviously have been. I myself found this intelligent western - that is a little offbeat, with an element of mystery, and not always clearly defined bad guys and good guys - a refreshing change of pace from the racks of slasher film sequels, lame comedies, and Jennifer Aniston vehicles at the video store.

Seraphim Falls is directed by David Von Ancken who also co-writes with Abby Everett Jaques. It stars Liam Neeson, Pierce Brosnan, Michael Wincott, Xander Berkeley, Tom Noonan, Kevin J. O'Connor, John Robinson, Ed Lauter, Wes Studi and Anjelica Huston. Music is by Harry Gregson-Williams and cinematography by John Toll.

It's post American Civil War, 1868, the Rocky Mountains, and Gideon (Brosnan) is being hunted by Colonel Morsman Carver (Neeson) and his hired killers. The reason why is not yet known, but it's the beginning of a relentless pursuit that's propelled by rage and hatred, a pursuit that will force both men to the day of reckoning.

The premise is as simple as it gets and on the surface the film holds no surprises until the divisive ending. However, before taking in the thematics of the story, it's refreshing to find a film of this genre type utilising the scenery to the max, whilst simultaneously playing out with sparse dialogue as two grizzled actors tell the story. An obvious forebear to "The Outlaw Josey Wales", Seraphim Falls is ultimately a meditation on revenge and remorse. Moments of violence flit in and out of proceedings, these moments cloaked magnificently by natural surroundings, where the expansive wilderness plays host to the intimate human drama unfolding. It's also a film that pulses with mythical atmosphere, where Carver's pursuit of Gideon plays out like that of the Grim Reaper and his charges sent to capture the soul of the fleeing man. The falls of the title clearly indicates man's decent into hell, because it's not for nothing that the finale is played out on a blistering plain, which as you cast your eyes upon it, it is indeed hellish.

It's also worth noting that we the viewers are never sure who we should be rooting for - if either of them!? Gideon is out on his own, but he is an immensely skilled mountain man, one who is seemingly out skilling his pursuers. Is he the bad guy here? Or is it Neeson's Carver? One is ex Union, the other Confederate, this gives added spice to what then develops into a most intriguing journey. Where the film has irked some critics is with the ending, with some calling it pretentious and a very weak pay off. It's true enough to say that Ancken has slackened the grip slightly, as the tight gritty tone gives way to something more open and even airy. Yet I personally like it a lot, it helps to round out the supernatural feel that appears to loom as we have headed towards the day of reckoning. It lacks dramatic impact for sure, but thematically and for tonal bedfellow process, it pays off on what had gone before it.

Brosnan (stepping in when Richard Gere bailed out) and Neeson revel in the roles, seemingly enjoying the complexities and war torn burdens that their characters carry. Their scenes together are as professional as one could wish, both men comfortably doing world weary characterisations. Wincott is on hand for gravel voiced villain duties, his portrayal of Hayes is cold and in keeping with the movie. The other notable names in the cast drop in and out of the narrative, each important, and in the case of Huston and Studi, suitably weird. But the real star of the show is John Toll (Braveheart/Legends of the Fall), whose photography is pristine and always remaining atmospheric, he captures the natural beauty of Oregon and New Mexico with great keen eyed skill. Switiching seamlessly from the blue, grey and whites of the mountain pursuit to the browns and yellows of the salt flats, we witness a master cinematographer at work.

Likely to infuriate as much as it enthrals, one just hopes that it's the latter that anyone reading this does indeed find to be the case. 8/10

Written by Abby Everett Jaques and David Von Ancken and directed by Von Ancken, "Seraphim Falls" is a rough, tough, old-fashioned western set on the dusty plains and snow-covered mountains of western Nevada. The plot is little more than a straightforward revenge tale involving Liam Neeson (sans Southern accent) as a sadistic Rebel army colonel who hires a posse to track down the marauding Union officer he believes slaughtered his family in the days following the Civil War. The officer, played with steely-eyed determination by Pierce Brosnan, is a savvy, quick-on-the-draw survivalist who, through sheer ingenuity and skill, stymies and outwits the colonel and his men at every turn.

What "Seraphim Falls" lacks in substance, it more than makes up for in grit and style. For even though there isn't a great deal of depth to the characters, there's much pleasure to be derived from merely watching two actors of the caliber of Neeson and Brosnan squaring off in a grueling game of cat-and-mouse played out in a punishing, unforgiving landscape. Brosnan's character achieves an almost Superman-like quality as he stays one step ahead of his pursuers, devising ever-more elaborate means of ensnaring them in his traps. The movie takes a decidedly metaphysical turn in its closing stretches, with the divine Anjelica Huston, no less, appearing out of nowhere as a desert apparition to set the boys straight on a few eternal verities like redemption and forgiveness. But it is as a simple tale of vengeance and obsession that "Seraphim Falls" most captures our imagination and interest.