Dopo essere stato coinvolto in un incidente automobilistico nel 2006, il DCI Sam Tyler si sveglia e si ritrova nel 1973, l'era della polizia di tipo Sweeney, Mark III Cortinas e pantaloni a ... Leggi tuttoDopo essere stato coinvolto in un incidente automobilistico nel 2006, il DCI Sam Tyler si sveglia e si ritrova nel 1973, l'era della polizia di tipo Sweeney, Mark III Cortinas e pantaloni a zampa d'elefante.Dopo essere stato coinvolto in un incidente automobilistico nel 2006, il DCI Sam Tyler si sveglia e si ritrova nel 1973, l'era della polizia di tipo Sweeney, Mark III Cortinas e pantaloni a zampa d'elefante.
- Ha vinto 1 BAFTA Award
- 9 vittorie e 30 candidature totali
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Like some of the reviewers here, I wasn't expecting much of this and started watching almost by accident.
I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.
Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.
The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!
This deserves to be a huge hit!
I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.
Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.
The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!
This deserves to be a huge hit!
Titled after the David Bowie song of the same name, this is a great time travel drama. I've just finished watching the first part, and I think its safe to assume I'm going to be addicted for the next few weeks. The plot revolves around a 2006 policeman who is transported back in time to 1973 when he is run over by a car. He finds himself wearing different clothes in a strange Manchester he has never seen before. As well as coping with the new decade he now inhabits and the sense of displacement he feels, he also is forced to deal with the crimes of 33 years ago, using very primitive methods. A WPC tries to help this fish out of water, but can he ever find his way back home again? And what is with these strange voices in his head..? Sufficed to say, we'll find out the answers soon enough, and I for one can't wait!
Oops sorry I forgot, Celebrity Big Brother and Soapstar Superstar are on the other channels.. and we all know which'll get the most viewers between this and them. "You'll never go broke appealing to the lowest common denominator" etc. But for those who are sick of cheap reality shows clogging up our schedules and want something with a bit more substance, you're in for a treat..
Oops sorry I forgot, Celebrity Big Brother and Soapstar Superstar are on the other channels.. and we all know which'll get the most viewers between this and them. "You'll never go broke appealing to the lowest common denominator" etc. But for those who are sick of cheap reality shows clogging up our schedules and want something with a bit more substance, you're in for a treat..
Stumbled on this series on BBC America and miss it terribly now that the first season is over.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
Wow- yet another gem from the BBC after the brilliant Spooks and clearly taking a page from classic American sci fiction/police dramas. Simm looks perfect as the archetypal time travelling hero( he would have a good DR WHO!) and i cant believe that the viewing population would watch trash like reality TV shows featuring under sexed models with false noses and ex basketball junkie criminals. This already has my diary fixed for Monday evenings at 9pm and it is great to relive my past when i was at school- roll on Bowie, Slade ,The Glitterband and The Sweet- the age of glamorous rock bands, The SWeeney and Cortinas. A cracker! And will the BBC continue their great dramas in the months to come as there is very little on terrestrial TV to stimulate the cortices of my brain. I cant wait for the next episode- will Sam Tyler be remembered like Sam Beckett in Quantum Leap?
This concept was a great way to bring back the '70s cop show. Smack 'em around 'til you get the truth and damn the legal process. No time in the laboratory, but lots of cars. The settings, the clothes, the music, the bobbies' clothes all take me back to my childhood. I love the twist of seeing it through the eyes of a modern day cop, plus his attempts to do police without a computer and instant forensic results. Sam is obviously going to have to learn to do police work by his guts than relying on technology. I'm hooked on waiting to find out if Sam can get back. I get a huge kick out of the other characters too, particularly Gene, the antithesis of Sam. The series is alternately funny and touching.
Lo sapevi?
- BlooperThe bar scene: No beers cost 22p in 1973. Also, as the UK were still changing the money over, use and handing over of decimals would have been a lot slower than as shown in the film. Beer in Manchester would have been between 10np and 15np (or 2-3 shillings).
- Versioni alternativeWhile the version shown on BBC in the UK are 58 minutes in duration, the repeats on Bravo (UK) and the versions shown worldwide are cut down to about 42 minutes to make way for adverts and to cut down on the more adult material (particularly nudity and swearing). Much of the 1970s music is also replaced with public domain music due to rights issues.
- ConnessioniFeatured in Timeshift: Creating 'Life on Mars' (2006)
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