Aggiungi una trama nella tua linguaAfter surviving a car wreck, a young girl wakes with no memory and must figure out why people around her are mysteriously dying.After surviving a car wreck, a young girl wakes with no memory and must figure out why people around her are mysteriously dying.After surviving a car wreck, a young girl wakes with no memory and must figure out why people around her are mysteriously dying.
- Regia
- Sceneggiatura
- Star
Alicia Lorén
- Evil Michelle
- (as Alicia Loren)
Michael Gaglio
- Cliff
- (as Mike Gaglio)
Clara Gabrielle
- Nurse #2
- (as Clara Houser)
Recensioni in evidenza
Amnesiac car crash survivor Michelle (Annie Sorell) undergoes reconstructive surgery on her face (as performed by 79 year old Angus Scrimm of Phantasm fame), after which she is sent to a halfway house for troubled teens (despite appearing to be at least in her late twenties); there she attempts to piece together her past with the help of her journal. What Michelle discovers in the pages of her notebook is a disturbing fascination with the Satanic arts, and when those around her begin to turn up dead, she looks to be the prime suspect. Jeffrey Combs plays the police detective who investigates.
Top billed horror legends Angus Scrimm and Jeffrey Combs (Reanimator) are completely wasted in this film, their roles amounting to nothing more than cameos, neither adding much to the plot. With pedestrian direction, cheap cinematography, crappy editing, unexceptional performances from the less seasoned members of the cast, zero scares, lacklustre gore, and a really dumb twist, about all there is to hold the viewer's interest is some brief gratuitous female nudity: Eliza Swenson as bad girl Dalia gets topless, a nameless blonde also flashes her thrupennies, while Sorell goes the whole hog for the film's obligatory shower scene, where the actress gets to show the viewer both sides of her character: front and back.
Top billed horror legends Angus Scrimm and Jeffrey Combs (Reanimator) are completely wasted in this film, their roles amounting to nothing more than cameos, neither adding much to the plot. With pedestrian direction, cheap cinematography, crappy editing, unexceptional performances from the less seasoned members of the cast, zero scares, lacklustre gore, and a really dumb twist, about all there is to hold the viewer's interest is some brief gratuitous female nudity: Eliza Swenson as bad girl Dalia gets topless, a nameless blonde also flashes her thrupennies, while Sorell goes the whole hog for the film's obligatory shower scene, where the actress gets to show the viewer both sides of her character: front and back.
Utterly incoherent storyline, character development that does absolutely nothing, and awful acting. There is absolutely no reason to see this movie unless you're into sadism and masochism.
It starts off with a kid and her father in a car wreck, followed by horrible CGI, terribly fake stage setting, and giving the appearance that the movie might actually be interesting. Next scene, she's in the hospital, after having a miraculous recovery and facial rebuilding.
She ends up in some kind of foster home for troubled kids, and it doesn't really do anything from there. At all. Nothing. The first 3/4 of the movie is "character development" that does nothing, and the last 1/4 is exposition galore that also, surprisingly, does nothing.
Stale, emotionless acting, one of the most predictable and cliché endings to anything I've seen in awhile, and an incredibly weak - almost non-existent - plot kill this movie. There are absolutely no redeeming qualities to this movie aside from the random nude shots, and even those are boring.
2/10
It starts off with a kid and her father in a car wreck, followed by horrible CGI, terribly fake stage setting, and giving the appearance that the movie might actually be interesting. Next scene, she's in the hospital, after having a miraculous recovery and facial rebuilding.
She ends up in some kind of foster home for troubled kids, and it doesn't really do anything from there. At all. Nothing. The first 3/4 of the movie is "character development" that does nothing, and the last 1/4 is exposition galore that also, surprisingly, does nothing.
Stale, emotionless acting, one of the most predictable and cliché endings to anything I've seen in awhile, and an incredibly weak - almost non-existent - plot kill this movie. There are absolutely no redeeming qualities to this movie aside from the random nude shots, and even those are boring.
2/10
After a car crash, the teenager Michelle (Annie Sorell) has the face completely destroyed and amnesia. In the hospital, she is called Bride of Mummy due to the mask she needs to wear along her therapy. However, her doctor makes a perfect facial reconstruction using family pictures and Michelle is discharged from the hospital and sent to a home that lodges young offenders since she was considered a troublemaker before the car crash. The police release her possessions of the day of the accident – a journal and an Ouija board - and Michelle moves with the host Bisson (Rick Dean) to his house. On the same day she leaves the hospital, the janitor is murdered. Michelle shares a room with the outcast delinquent Dalia (Eliza Swenson) and she has dreadful nightmares during the night and is confused. She befriends Larry (Brett Erickson), who shares another room in the house with Dutch (Brian Burnett), and tries to help her. When Dalia is found dead in the room with cuts in the wrists, the evidences are of suicide; however Detective Joyner (Jeffrey Combs) suspects that Michelle is the responsible for the murders.
The greatest attraction of "Satanic" is certainly the name of the cult- actor Jeffrey Combs in the credits, but unfortunately he has a minor role. The screenplay is a complete mess, with a poor development of the characters; and the worse, this lack of information of the characters is part of the predictable plot point. The unknown Annie Sorell is completely miscast in the role of a teenager since she is certainly twenty and something years old. The same happens to Eliza Swenson. The conclusion is terrible, with many deaths without any consequence. My vote is three.
Title (Brazil): "Jogos Satânicos" ("Satanic Games")
The greatest attraction of "Satanic" is certainly the name of the cult- actor Jeffrey Combs in the credits, but unfortunately he has a minor role. The screenplay is a complete mess, with a poor development of the characters; and the worse, this lack of information of the characters is part of the predictable plot point. The unknown Annie Sorell is completely miscast in the role of a teenager since she is certainly twenty and something years old. The same happens to Eliza Swenson. The conclusion is terrible, with many deaths without any consequence. My vote is three.
Title (Brazil): "Jogos Satânicos" ("Satanic Games")
A hodgepodge mess of a film that has no spark, life's and dull and most damningly wastes the talents of not one, but two horror movie mainstays. Jeffrey Combs has a minuscule part, and thus, as wasted on the movie as he is, he gets off lighter then poor Angus Scrimm who has a bigger part in this fiasco. I spent much of the film merely feeling bad for him.
Michelle, disfigured from a car accident gets partial amnesia as well as a reconstructed face before going to her new life in a halfway-house where a murder lurks. The twist is so god-awful but it fits with the rest of the movie, if only in that the rest of the film is awful as well.
Michelle, disfigured from a car accident gets partial amnesia as well as a reconstructed face before going to her new life in a halfway-house where a murder lurks. The twist is so god-awful but it fits with the rest of the movie, if only in that the rest of the film is awful as well.
Very uneven lowish production values hurt, but there are some good ideas in the script and the Combs and Scrimm are fine in basically not much roles,probably lured by director Dan Golden's knowing them than by the material, though both have been in worse roles in worse movies. James Russo's part is almost as "big" but as Combs but they didn't have the guts to claim he stars in the movie. However using Combs name first on the box is exploitation in the worst sense he's barely in the movie. Scrimm has a bigger but ultimately no pay off role. Movie is about OUJA board more than anything Satanic other than the credit sequence in lava-hell landscape.
So what's really bad about the movie is a slapdash editing and really crappy sound job and lousy music score that lifts a "cut to commercial" music signature bit from Charlie's Angels.
Also the principal cast is pretty bad and much post production re-dubbing of voices sounds like it was done by one actor impersonating the the cast rather poorly. And if those are the actors voices, almost impossible, but if those are then the post production sound is even worse than I'm giving it "credit" for.
The occasional crappy sets and pretty bad make-up further drag this down into the dumps. Some okay ideas from director Golden but usually defeated by one problem or another. But in the shameful hall of Lionsgate "pick up" movies this is for the most part not a total rip off, if you can overlook the sloppy editing. Sometimes shots linger just long enough to make you chuckle at a odd performance or a not so great effect, that would have been fine if it didn't linger.
Sure it's shot on video, like everything will be soon, quality varies but there is far worse looking stuff out there, but the sound really really tries to bury this one in the ground, lousy demon voices and that music score, it's like, well how can I say, bad.
So what's really bad about the movie is a slapdash editing and really crappy sound job and lousy music score that lifts a "cut to commercial" music signature bit from Charlie's Angels.
Also the principal cast is pretty bad and much post production re-dubbing of voices sounds like it was done by one actor impersonating the the cast rather poorly. And if those are the actors voices, almost impossible, but if those are then the post production sound is even worse than I'm giving it "credit" for.
The occasional crappy sets and pretty bad make-up further drag this down into the dumps. Some okay ideas from director Golden but usually defeated by one problem or another. But in the shameful hall of Lionsgate "pick up" movies this is for the most part not a total rip off, if you can overlook the sloppy editing. Sometimes shots linger just long enough to make you chuckle at a odd performance or a not so great effect, that would have been fine if it didn't linger.
Sure it's shot on video, like everything will be soon, quality varies but there is far worse looking stuff out there, but the sound really really tries to bury this one in the ground, lousy demon voices and that music score, it's like, well how can I say, bad.
Lo sapevi?
- ConnessioniFeatures Bikini Airways (2003)
- Colonne sonoreGonna Give My All (To You)
Written and Produced by Billy Woo
Performed by Rich de Maio
Published by Woo Tunes (ASCAP) and Golden Child (ASCAP)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 120.000 USD (previsto)
- Tempo di esecuzione1 ora 28 minuti
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti